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WZ14:4:2

 

U

SER 

G

UIDE

 

C

ONNECTING 

M

AINS 

P

OWER

 

Refer to the 

SAFETY WARNING

 on page 3 of the User Guide.  

Check the voltage indicated on the rear panel is the same as 
the mains supply in your area.  Check that the correct mains 
lead with moulded plug has been supplied with your console.  
Read and understand the warnings and instructions printed on 
the rear panel and reproduced here. 
It is standard practice to turn connected power amplifiers down 
or off before switching the console on or off.  Ensure that the 
IEC mains plug is pressed fully into the rear panel socket 
before switching on. 

E

ARTHING

 

The connection to earth (ground) in an audio system is important for two reasons: 
1.  

SAFETY

 - To protect the operator from high voltage shock associated with the AC mains 

supply feeding the system, and 
2.  

AUDIO PERFORMANCE QUALITY

 - To minimise the effect of earth (ground) loops 

which result in audible hum and buzz, and to shield the audio signals from interference. 
For safety it is important that all equipment earths are connected to mains earth so that 
exposed metal parts are prevented from carrying high voltage which can injure or even kill 
the operator.  It is recommended that the sound engineer check the continuity of the safety 
earth from all points in the system including microphone bodies, guitar strings, multicore 
cases, equipment panels ... 

The same earth is also used to shield audio cables from external interference such as the 
hum fields associated with power transformers, lighting dimmer buzz, and computer 
radiation.  Problems arise when the signal sees more than one path to mains earth.  An 
‘earth loop’ (ground loop) results causing current to flow between the different earth paths.  
This condition is usually detected as a mains frequency audible hum or buzz. 
To ensure safe and trouble-free operation we recommend the following: 

 

Do not remove the earth connection from the console mains plug.

  The console 

chassis is connected to mains earth through the power cable to ensure your safety.  
Audio 0V is connected to the console chassis internally.  If problems are encountered 
with earth loops operate the audio ‘ground lift’ switches on connected equipment 
accordingly, or disconnect the cable screens at one end, usually at the destination.  It is 
useful to carry ground lift cable adapters such as short XLR male to female leads with pin 
1 disconnected. 

 

Avoid running audio cables next to mains, computer or lighting cables, 

or near 

thyristor dimmer and power supply units.  If unavoidable, cross these at right angles. 

 

Use low impedance sources 

such as microphones rated at 200 ohms or less to reduce 

susceptibility to interference.  The console outputs are designed to operate at very low 
impedance to minimise interference problems. 

 

Use balanced connections where possible 

as these provide further immunity by 

cancelling out interference that may be picked up on long cable runs.  To connect an 
unbalanced source to a balanced console input, link the cold input (XLR pin 3 or jack 
ring) to 0V earth (XLR pin 1 or jack sleeve) at the console.  To connect a balanced 
console output to an unbalanced destination, link the cold output to 0V earth at the 
console. 

 

Use professional quality cables and connectors 

and check for correct wiring and 

reliable solder joints. 

 

If you are not sure ... 

Have your system checked by a competent engineer, or contact 

your local Allen & Heath agent for advice. 

 

 

Summary of Contents for WZ14:4:2

Page 1: ......

Page 2: ...o ALLEN HEATH or its authorised agent as soon as possible for repair under warranty subject to the following conditions CONDITIONS OF WARRANTY 1 The equipment has been installed and operated in accord...

Page 3: ...vide the most efficient service please keep a record of the console serial number and date and place of purchase to be quoted in any communication regarding this product GENERAL PRECAUTIONS Your WZ14...

Page 4: ...omplete the input channel INSERTS for effects patching and DIRECT OUTPUTS for multitrack recording are also provided on the rear panel The 2 full facility stereo input channels feature dual inputs A R...

Page 5: ...o c e s s in g de v i c es s u c h a s compressors limiters and graphic equalisers These switches are recessed t o a v o i d a c c i d e n t a l operation Set using a pen tip or pointed object Set the...

Page 6: ...uts for additional monitoring or effect sends or as independent submix facilities For example aux 5 and 6 jack outputs may provide a seperate stereo mix output from the channel L R routing switches an...

Page 7: ...shows the console configured to control a Left Right and Centre Front of House system with 4 full feature stage monitor mixes Stage monitor sends aux 1 4 are set pre fade so that the signal level is n...

Page 8: ...refit the two screws PRECAUTION Do not transport or carry the console with the locking screws removed Do not attempt to remove the connector pod from the console 19 RACK MOUNTING Mount the console in...

Page 9: ...s earth An earth loop ground loop results causing current to flow between the different earth paths This condition is usually detected as a mains frequency audible hum or buzz To ensure safe and troub...

Page 10: ...re affordable 2 wire signal ground unbalanced effects units or signal processors and mixing console may be utilised Refer to the following diagram for unbalanced to balanced connections DEALING WITH G...

Page 11: ...nel direct output taps the signal off post fader pre fader if the internal link option is changed for connection to external processing or recording equipment This is ideal for multitrack recording du...

Page 12: ...balanced for interference rejection when plugged into equipment with balanced inputs Set up a post fade aux mix to send channel signals to an external effects device such as reverb or delay Return the...

Page 13: ...gnal path AUXILIARY SENDS You can set up to 6 separately balanced mixes using the aux send controls Up to 6dB of additional boost is available Aux 1 4 and Aux 5 6 can be used as either MONITOR SENDS t...

Page 14: ...le Aux 1 4 and Aux 5 6 can be used as either MONITOR SENDS to the performers or as EFFECTS SENDS to external signal processing equipment The output can be listened to using the aux master AFL system M...

Page 15: ...TCHING The Mix Wizard 14 4 2 features a bank of group GROUP AUX REVERSE REV switches one for each aux bus located under aux send masters 1 6 These switches are recessed to avoid accidental operation S...

Page 16: ...l to the corresponding aux bus This is ideal for returning effects to the monitors without using up valuable channel inputs The L R level control feeds the stereo signal to the L R mix PHONES MONITOR...

Page 17: ...WZ14 4 2 USER GUIDE 17 FRONT PANEL LAYOUT...

Page 18: ...220 240V AC T315mA 20mm CONNECTIONS INPUTS Channel 1 10 in XLR pin 2 hot 3 cold bal PAD out 2k ohm variable 60 to 20dBu TRS jack tip hot ring cold bal PAD in 10k ohm variable 30 to 10dBu Stereo 11 12...

Page 19: ...pre ON if required STEREO CHANNEL AUX SENDS The stereo input channels allow stereo input signals to feed the auxiliaries as stereo pairs By removing a link the left input signal will feed AUX 1 3 5 a...

Page 20: ...1 4 METER L METER L R BAL PAN GROUP 1 4 OUTPUT 4dBu 2 1 TO A1 2 TO A2 3 TO A3 4 TO A4 TO AUX TO L R PFL INPUT L MONO R AUX 5 MIX L MIX L AUX 5 REV LEFT INSERT AUX AFL AFL L FADER ON BAL LEFT OUT 4dBu...

Page 21: ......

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