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14 

WZ14:4:2

 

U

SER 

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UIDE

 

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TEREO 

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NPUT CHANNEL

 

 
 
DUAL INPUTS A & B

 - The stereo input channel features a dual input on RCA 

Phonos (A) and TRS jacks (B).  This is ideal for fast switching between stereo 
sources without having to repatch the console or mixing two stereo sources 
together.

 

GAIN A -

 Use this control to adjust the channel input sensitivity to match the 

connected source (-20 to +10dBu) to the console operating level (0dBu) on the RCA 
Phono connectors.  Press PFL to check the signal reads an average of ‘0’ on the 
meters.   

ON A -

 Selects stereo source A (RCA PHONOS) 

GAIN B -

 Use this control to adjust the channel input sensitivity to match the 

connected source (-20 to +10dBu) to the console operating level (0dBu) on the TRS 
Jack connectors.  Press PFL to check the signal reads an average of ‘0’ on the 
meters. 

ON B 

- Selects stereo source B (TRS JACKS).  Press both A and B to mix both 

sources together. 

MONO 

- Combines the left and right outputs to mono the source.  May also be used 

to input a mono source to the stereo channel path. 

EQUALISER 

- Shelving HF and LF and two fixed frequency peak/dip mid controls 

provide 15dB of boost or cut.  The mid frequency controls provide optimum control 
over boomy or boxy sounds and to add bite or reduce harshness of keyboards, 
vocals, etc.  Use the mids to add warmth or presence to the sound. 

EQ IN

 - Press to switch the EQ into the signal path. 

AUXILIARY SENDS

 - You can set up to 6 separately balanced mixes using the aux 

send controls.  Up to +6dB of boost is available. 

Aux 1-4 and Aux 5-6

 can be used as either MONITOR SENDS to the performers or 

as EFFECTS SENDS to external signal processing equipment.  The output can be 
listened to using the aux master AFL system.  MONITOR SENDS are normally set 
pre-fader (PRE) and EFFECTS SENDS normally post-fader (POST).  When set to 
POST, the amount of channel signal in the monitor mix is dependent on the channel 
fader level.  Pre-fade aux sends are post-EQ, post-ON as standard (can be 
reconfigured pre-EQ or pre-ON by setting internal links). 
The Left and Right stereo signals are summed to provide aux feeds in mono. 
However internal link options allow for pre or post aux sends as stereo pairs i.e. 
AUX 1 = left, AUX 2 = right, etc. Refer to the options section in this user guide. 

BAL 

- Balances the channel signal within the stereo image, L (odd groups) and R 

(even groups).  The centre position is detented for quick resetting. 

ON

 - This turns the channel signal on or off. 

PEAK

 - The red LED illuminates when the signal is within 5dB of clipping.  Should 

this occur turn back the GAIN control to reduce the signal level.  This LED also half 
illuminates when a PFL switch is pressed. 

PFL 

- Press PFL to listen to the pre-fade signal (mono) on headphones or local 

monitor without affecting the main outputs.  The signal level is shown on the L and R 
bargraph meters. 

L-R, 1-2, 3-4 ROUTING SWITCHES

 - These switches route the channel signal to L-

R master, groups 1-2, 3-4.  Use the 

BAL

 control to route to individual groups or to 

adjust the balance between the left and right signals. 

Channel fader

 - 100mm smooth action fader controls the overall channel level.  All 

post fade aux send levels are dependent on the level of the channel fader. 

 

Summary of Contents for WZ14:4:2

Page 1: ......

Page 2: ...o ALLEN HEATH or its authorised agent as soon as possible for repair under warranty subject to the following conditions CONDITIONS OF WARRANTY 1 The equipment has been installed and operated in accord...

Page 3: ...vide the most efficient service please keep a record of the console serial number and date and place of purchase to be quoted in any communication regarding this product GENERAL PRECAUTIONS Your WZ14...

Page 4: ...omplete the input channel INSERTS for effects patching and DIRECT OUTPUTS for multitrack recording are also provided on the rear panel The 2 full facility stereo input channels feature dual inputs A R...

Page 5: ...o c e s s in g de v i c es s u c h a s compressors limiters and graphic equalisers These switches are recessed t o a v o i d a c c i d e n t a l operation Set using a pen tip or pointed object Set the...

Page 6: ...uts for additional monitoring or effect sends or as independent submix facilities For example aux 5 and 6 jack outputs may provide a seperate stereo mix output from the channel L R routing switches an...

Page 7: ...shows the console configured to control a Left Right and Centre Front of House system with 4 full feature stage monitor mixes Stage monitor sends aux 1 4 are set pre fade so that the signal level is n...

Page 8: ...refit the two screws PRECAUTION Do not transport or carry the console with the locking screws removed Do not attempt to remove the connector pod from the console 19 RACK MOUNTING Mount the console in...

Page 9: ...s earth An earth loop ground loop results causing current to flow between the different earth paths This condition is usually detected as a mains frequency audible hum or buzz To ensure safe and troub...

Page 10: ...re affordable 2 wire signal ground unbalanced effects units or signal processors and mixing console may be utilised Refer to the following diagram for unbalanced to balanced connections DEALING WITH G...

Page 11: ...nel direct output taps the signal off post fader pre fader if the internal link option is changed for connection to external processing or recording equipment This is ideal for multitrack recording du...

Page 12: ...balanced for interference rejection when plugged into equipment with balanced inputs Set up a post fade aux mix to send channel signals to an external effects device such as reverb or delay Return the...

Page 13: ...gnal path AUXILIARY SENDS You can set up to 6 separately balanced mixes using the aux send controls Up to 6dB of additional boost is available Aux 1 4 and Aux 5 6 can be used as either MONITOR SENDS t...

Page 14: ...le Aux 1 4 and Aux 5 6 can be used as either MONITOR SENDS to the performers or as EFFECTS SENDS to external signal processing equipment The output can be listened to using the aux master AFL system M...

Page 15: ...TCHING The Mix Wizard 14 4 2 features a bank of group GROUP AUX REVERSE REV switches one for each aux bus located under aux send masters 1 6 These switches are recessed to avoid accidental operation S...

Page 16: ...l to the corresponding aux bus This is ideal for returning effects to the monitors without using up valuable channel inputs The L R level control feeds the stereo signal to the L R mix PHONES MONITOR...

Page 17: ...WZ14 4 2 USER GUIDE 17 FRONT PANEL LAYOUT...

Page 18: ...220 240V AC T315mA 20mm CONNECTIONS INPUTS Channel 1 10 in XLR pin 2 hot 3 cold bal PAD out 2k ohm variable 60 to 20dBu TRS jack tip hot ring cold bal PAD in 10k ohm variable 30 to 10dBu Stereo 11 12...

Page 19: ...pre ON if required STEREO CHANNEL AUX SENDS The stereo input channels allow stereo input signals to feed the auxiliaries as stereo pairs By removing a link the left input signal will feed AUX 1 3 5 a...

Page 20: ...1 4 METER L METER L R BAL PAN GROUP 1 4 OUTPUT 4dBu 2 1 TO A1 2 TO A2 3 TO A3 4 TO A4 TO AUX TO L R PFL INPUT L MONO R AUX 5 MIX L MIX L AUX 5 REV LEFT INSERT AUX AFL AFL L FADER ON BAL LEFT OUT 4dBu...

Page 21: ......

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