background image

WZ14:4:2

 

U

SER 

G

UIDE

 

15 

G

ROUP

/A

UX 

O

UTPUT

 

G

ROUPS

 

Group outputs are controlled by 100mm travel faders which offer a further 10dB boost 
above the normal ‘0’ dB operating level.  

ON

 switches the group output on or off. 

AFL

 (After Fade Listen) routes the post fader signal to the console meters and 

headphone monitoring to allow checks for sound quality and mix level.  The 

AFL

 

signal is sourced before the 

ON

 switch allowing the signal to be checked even when 

the group is switched off. 
Each group has a 4 segment LED peak reading meter providing signal presence 
indication and peak warning which illuminates approximately 5dB before clipping.   

S

UB 

G

ROUPING

 

Sometimes it is necessary to control more than one channel simultaneously,  in the 
case of a drum kit or a group of backing vocalists for example.  Route the relevant 
channels to groups instead of L-R, using the channel group routing switches and the 
pan controls.  The 

PAN

 control positions the signal in the stereo image with the 

L-R

 

switch routing the group output to the Left & Right masters.  Ensure the group L-R 
switch is “in” to route the group output to the L-R masters.  In this way, the level of 
several channels can be controlled by one group fader.  It is possible to set up mono 
or stereo subgroups using the channel and group PAN controls. 

A

UX 

M

ASTERS

 

Each aux mix has a master level control that adjusts the output level to match 
external equipment, or to trim the monitor or effects level without affecting the mix 
balance.  Up to +10dB of boost is available above the nominal ‘0’ position. 

M

ODE 

S

WITCHING

 

The 

Mix Wizard 14:4:2

 features a bank of group 

GROUP/AUX REVERSE

  (

REV)

 

switches, one for each aux bus located under aux send masters 1-6.  These switches 
are recessed to avoid accidental operation.  Set using a pointed object or a pen tip. 
This feature allows you to set the operation of the console for Front Of House, Stage 
monitor or a combination of both.  With the switches out, the groups operate in the 
conventional manner, channel routing being possible with the group routing switches.  
When the 

REV

 switches are pressed in, the group busses are routed to the 

AUX 

send masters

 and the aux busses are routed to the 

GROUPS (

Aux 1 to Group 1, 

etc).  Aux 5 & 6 are routed to L-R faders respectively.  This configuration allows the 
user to control up to six monitor mixes with the convenience of controlling levels on 
faders.  Outputs are on balanced XLRs for long cable runs and a signal processor 
(equaliser,  compressor, limiter, etc.) can be inserted into the signal path using the 
group and left/right insert jacks. 
The channel L-R and group busses are still operational but are now routed to aux 
master controls and can be used for additional monitor or effect sends.   
It is advisable to study the 

Mix Wizard 14:4:2

 block diagram to fully understand this 

flexible routing arrangement. 
An example of an application using a combined configuration could be as follows : 
Route submix channels 1-6 (drum kit) to groups 1 & 2.  GROUPS 1 & 2 panned left & 
right respectively and routed to L-R.  AUX 3-4 set prefade (

PRE

) and aux send 

masters reversed with groups 3-4 for stage monitor sends.  Other channels routed to 
L-R mix as normal.  Aux 5-6 set post fader (

POST

)for effect sends.  This shows the 

versatility of the 

Mix Wizard 14:4:2.  

See 

DUAL MODE

 application diagram on  

page 7. 

 

Summary of Contents for WZ14:4:2

Page 1: ......

Page 2: ...o ALLEN HEATH or its authorised agent as soon as possible for repair under warranty subject to the following conditions CONDITIONS OF WARRANTY 1 The equipment has been installed and operated in accord...

Page 3: ...vide the most efficient service please keep a record of the console serial number and date and place of purchase to be quoted in any communication regarding this product GENERAL PRECAUTIONS Your WZ14...

Page 4: ...omplete the input channel INSERTS for effects patching and DIRECT OUTPUTS for multitrack recording are also provided on the rear panel The 2 full facility stereo input channels feature dual inputs A R...

Page 5: ...o c e s s in g de v i c es s u c h a s compressors limiters and graphic equalisers These switches are recessed t o a v o i d a c c i d e n t a l operation Set using a pen tip or pointed object Set the...

Page 6: ...uts for additional monitoring or effect sends or as independent submix facilities For example aux 5 and 6 jack outputs may provide a seperate stereo mix output from the channel L R routing switches an...

Page 7: ...shows the console configured to control a Left Right and Centre Front of House system with 4 full feature stage monitor mixes Stage monitor sends aux 1 4 are set pre fade so that the signal level is n...

Page 8: ...refit the two screws PRECAUTION Do not transport or carry the console with the locking screws removed Do not attempt to remove the connector pod from the console 19 RACK MOUNTING Mount the console in...

Page 9: ...s earth An earth loop ground loop results causing current to flow between the different earth paths This condition is usually detected as a mains frequency audible hum or buzz To ensure safe and troub...

Page 10: ...re affordable 2 wire signal ground unbalanced effects units or signal processors and mixing console may be utilised Refer to the following diagram for unbalanced to balanced connections DEALING WITH G...

Page 11: ...nel direct output taps the signal off post fader pre fader if the internal link option is changed for connection to external processing or recording equipment This is ideal for multitrack recording du...

Page 12: ...balanced for interference rejection when plugged into equipment with balanced inputs Set up a post fade aux mix to send channel signals to an external effects device such as reverb or delay Return the...

Page 13: ...gnal path AUXILIARY SENDS You can set up to 6 separately balanced mixes using the aux send controls Up to 6dB of additional boost is available Aux 1 4 and Aux 5 6 can be used as either MONITOR SENDS t...

Page 14: ...le Aux 1 4 and Aux 5 6 can be used as either MONITOR SENDS to the performers or as EFFECTS SENDS to external signal processing equipment The output can be listened to using the aux master AFL system M...

Page 15: ...TCHING The Mix Wizard 14 4 2 features a bank of group GROUP AUX REVERSE REV switches one for each aux bus located under aux send masters 1 6 These switches are recessed to avoid accidental operation S...

Page 16: ...l to the corresponding aux bus This is ideal for returning effects to the monitors without using up valuable channel inputs The L R level control feeds the stereo signal to the L R mix PHONES MONITOR...

Page 17: ...WZ14 4 2 USER GUIDE 17 FRONT PANEL LAYOUT...

Page 18: ...220 240V AC T315mA 20mm CONNECTIONS INPUTS Channel 1 10 in XLR pin 2 hot 3 cold bal PAD out 2k ohm variable 60 to 20dBu TRS jack tip hot ring cold bal PAD in 10k ohm variable 30 to 10dBu Stereo 11 12...

Page 19: ...pre ON if required STEREO CHANNEL AUX SENDS The stereo input channels allow stereo input signals to feed the auxiliaries as stereo pairs By removing a link the left input signal will feed AUX 1 3 5 a...

Page 20: ...1 4 METER L METER L R BAL PAN GROUP 1 4 OUTPUT 4dBu 2 1 TO A1 2 TO A2 3 TO A3 4 TO A4 TO AUX TO L R PFL INPUT L MONO R AUX 5 MIX L MIX L AUX 5 REV LEFT INSERT AUX AFL AFL L FADER ON BAL LEFT OUT 4dBu...

Page 21: ......

Reviews: