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PA-CP

 User Guide 

The MASTER Connectors 

TRS Line Outputs

      ¼”  jack  line  level  outputs  which 

produce 0dBu when the console meters read ‘0’.  With a 
maximum output level of +21dBu there is plenty of headroom 
available.  They are impedance balanced and can be used with 
balanced or unbalanced equipment. 

  

TRS jack

 refers to the popular 3-pole stereo ¼” phone 

jack.  It is so called because it has three contacts: tip, ring and 
sleeve.    It  is  used  with  balanced  audio  signals  (tip  hot,  ring 
cold), stereo signals (tip left, ring right), or single jack inserts 
(tip send, ring return).  The 2-pole mono TS jack is used with 
unbalanced signals. 

 

  

Line level

  refers to audio signals in the region of 1 volt.  

For comparison, Mic level refers to very low level signals in the 
order of millivolts, and Speaker level refers to amplifier output 
levels in the order of tens of volts.  Several line level standards 
exist.  These refer to the ‘nominal’ operating level, the point at 
which the meters read ‘0’.  Professional audio equipment 
generally works at 0dBu (0.775V) or +4dBu (1.23V), while 
semi-professional or consumer equipment often works at the 
lower -10dBV (0.31V).  The 

PA Series

 has a very wide dynamic 

range making its 0dBu referenced outputs well suited to 
working with these standards. 

  

Using line level signals

  Use these outputs to feed line 

level equipment such as amplifier, signal processor, recorder 
and IEM transmitter inputs.  Do not connect them directly to 
loudspeakers, or to phantom powered inputs.  Adjust the 
sensitivity of the connected equipment to match the normal 
0dBu operating level of the console. 

 

   

Impedance balanced

    outputs,  like  differential 

electronic balanced drivers, use a 3 wire connection and 
provide the benefit of interference rejection when plugged into 
balanced equipment inputs.  The signal is carried on the tip 
and is referenced to ground on the sleeve.  Unlike the 
electronically balanced connection, the ring does not carry 
signal.    However,  it  is  held  at  the  same  impedance  as  the  tip 
signal wire.  This means that interference is injected equally 
into both the tip and ring wires and cancels out when plugged 
into a balanced input leaving the audio signal unaffected. 

   

Using balanced or unbalanced connections

    Use 

balanced 2-core plus screen connections when you connect 
the outputs to balanced equipment with cables longer than 10 
meters.  The 

PA Series

 outputs work at line voltage and very 

low impedance making unbalanced single core plus screen 
connections suitable for short cable runs as these are seldom 
prone to interference.  To reduce interference pickup avoid 
running the cables near to or alongside mains power, lighting 
or computer equipment and cables. 

 

FB1, FB2 OUT

   Use these pre-fade aux sends to drive 

two independent  foldback monitor amplifiers, or transmitters if 
you are using in-ear monitors (IEM). 

AUX

   Use this post-fade aux send to drive an external effects 

unit, or for a special feed such as mono recording, audio for 
video feed or additional speaker zone. 

FX

      This  output  follows  the  channel post-fade sends to the 

internal effects unit.  Use it when you are not using the internal 
effects unit, or to feed an external effects unit at the same time 
for layered effects. 

Summary of Contents for PA-CP Series

Page 1: ...USER GUIDE Publication AP4956 PA CP Series Powered Mixer...

Page 2: ...t development Allen Heath Limited Kernick Industrial Estate Penryn Cornwall TR10 9LU UK http www allen heath com Limited One Year Warranty This product is warranted to be free from defects in material...

Page 3: ...le away from any equipment which produces heat such as power supplies power amplifiers and heaters Environment Protect from excessive dirt dust heat and vibration when operating and storing Avoid toba...

Page 4: ...d service agents You can also access our Web site on the Internet for full company and product information To help us provide the most efficient service please keep a record of your console serial num...

Page 5: ...nel pan 17 Using the channel faders 17 Using PFL 17 Using the stereo channels 18 Mixing two stereo signals into the channel 18 Sending ST1 3 direct to LR 18 Using the stereo channel equaliser 19 Effec...

Page 6: ...useable speaker power so achieving the full 500W per side into 4 ohms or 8 ohms Full protection is provided including isolating relays short circuit and over current protection output sensing clip li...

Page 7: ...e effects External stereo effects input to sum with internal effects AB amplifiers with slave output and amplifier breakpoint inputs 2 Track input for monitor and BGM replay 2 Track recording with ana...

Page 8: ...ADER parametric output equaliser MAX 5k 5k O O 6 O O 6 O O O O 6 O O OO 6 6 6 15 15 15 6 O O O O 15 60Hz 15 60Hz 15 15 6 15 O O 6 MIN O O 6 10 O O 3 0 10 10 12kHz O O 12kHz O O 10 20 30 30 10 20 5 0 1...

Page 9: ...rs Do not use bridged operation Set the rear panel CONSTANT POWER slide switch to the correct position for the speakers used 5 Plug in a music source Plug a CD player or similar test source into the S...

Page 10: ...ater in this user guide The console can be rack mounted in either of two positions as described below 4 Rack Position 1 Shows the ears fitted for top of rack mounting The controls are angled upwards a...

Page 11: ...qualified electrician If the supply earthing is solid to start with you are less likely to experience problems Do not remove the earth connection from the console mains plug The console chassis is con...

Page 12: ...pment such as CD players and domestic amplifiers The Speakon connector type is used to feed the output of power amplifiers to the loudspeakers It can handle high power levels and can be locked into po...

Page 13: ...diagrams Plugging into the line input automatically overrides the mic input Do not use Y adaptors to combine stereo L and R signals such as those from a CD player into one input Use the stereo or two...

Page 14: ...t is 3dB down at its 100Hz cut off point and reduces the frequencies below that by 12dB every octave halving of frequency Using the filter The high pass filter is an invaluable tool for cleaning up th...

Page 15: ...he equaliser It is best to keep the adjustments made using the equaliser as small as possible Use the microphones best suited for the application and ensure they are positioned carefully for optimum p...

Page 16: ...used to add effects such as electronically simulated reverb or echo to the mix Turning up the FX control sends a portion of the channel signal to the internal effects unit where it is processed before...

Page 17: ...monitors and house mix Press PFL You should hear the signal in your headphones and see its level displayed on the console meters Adjust the gain control so that the meters read an average 0 with loude...

Page 18: ...channel Use a pen or similar pointed object to press the switch if you want to route the ST1 3 signal direct to the LR mix instead of the stereo channel Mixing two stereo signals into the channel Swit...

Page 19: ...uieten a hissy keyboard some LF and HF cut to shape a reverb return and LF to cut back low frequency hum or resonance On the other hand a small amount of HF boost can brighten up a dull recording or a...

Page 20: ...or stereo output is plugged into the EXT FX IN sockets GAIN matches it to the operating level of the channel The external signal sums with the internal effects and is routed through the FX fader to th...

Page 21: ...ternal effects only MUTE Press this switch to turn the FX channel signal off This affects both the internal and external effects signals The large red LED lights to warn that the channel is muted Note...

Page 22: ...cts Start with the channel FX sends turned fully off and the FX channel fader set to its normal 0 position Make sure that FX MUTE is not selected or the MIDI bypass turned on Choose one of the 16 effe...

Page 23: ...reo chorus for guitars and keyboards FLANGE Classic stereo flange effect ROTARY SPK Rotary speaker emulation for organs and guitars PHASER Stereo phasing effect MIDI A standard 5 pin MIDI IN socket is...

Page 24: ...ow then you are likely to hear the residual hiss and noise that is present in all electronic circuits If it is too high then there is a danger that it will try to exceed the maximum output and therefo...

Page 25: ...e or post LR faders It affects both the analogue and digital SPDIF outputs In its normal up position the source follows the fader movements When the switch is pressed the LR faders can be used as the...

Page 26: ...te if a fault is sensed and have a two second switch on delay and instant power off Constant power Most amplifiers produce their maximum output into 4 ohms with considerably less into 8 ohms The uniqu...

Page 27: ...hy the parametric output EQ You are probably familiar with the 7 or 9 band graphic EQ used on traditional powered mixers These have a similar bell shaped response but set at fixed frequency points The...

Page 28: ...of the connected equipment to match the normal 0dBu operating level of the console Impedance balanced outputs like differential electronic balanced drivers use a 3 wire connection and provide the bene...

Page 29: ...s the signal path after the mix stage and before the LR fader With nothing plugged in the signal is routed through the switching contact within the socket The connection is unbalanced with both the in...

Page 30: ...nbalanced inputs Operating level is 0dBu The output follows the panel AB source selection and EQ settings It does not break the signal path to the AB amplifiers AB AMP INPUT TRS inputs to plug externa...

Page 31: ...trange phasing effects due to frequency cancellation If you hear this then check the wiring of the amps cables and speaker connections Speaker Impedance Live sound speakers are typically 4 ohm or 8 oh...

Page 32: ...dent with moulded mains plug supplied AC mains 100 to 240V AC 50 60Hz internally wired Consumption 1600W max peak Mains fuse rating 100 240V AC T10A 250V 20mm A H part number AL3455 Manufacturer Schur...

Page 33: ...AKER A B Speakon pin1 speaker positive pin1 speaker negative Minimum 4 ohms Do not bridge or common the pins Insert Connections Type Level Channel LR Unbalanced TRS tip send ring return 0dBu GAIN LM H...

Page 34: ...You can now lift the panel away and place it inverted on the work surface 3 Unscrew the 6x 6B pan head front trim fixing screws shown in the diagram Take care to avoid damage to the faders The front t...

Page 35: ...15 60Hz 15 FB1 O O FB2 6 O O AUX O O 6 6 O O FB2 O O O O AUX 250Hz 250Hz 250Hz 250Hz 12kHz LINE 10 10 30 10 10 30 10 10 10 30 10 30 10 10 30 10 30 10 O 6 R PAN O O L PAN PK PK O O L PAN 6 O O R L PAN...

Page 36: ...36 PA CP User Guide Check out our Internet site http www allen heath com...

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