AKG MicroMic C417 III User Instructions Download Page 6

17

Important!

Refer to fig. 3.

Balanced input:

Unbalanced input:

2.3.2 Using the
MPA III L

Refer to fig. 4.

Disconnecting
the cable:

To avoid damaging the cable, never try to
pull out the cable itself!

2. Connect the B 29 L (2) to the desired input.

Use a commercial XLR cable (3) to connect
the B 29 L (2) to a balanced input.

Refer to section 2.2.2 above.

1. Push the mini XLR connector (1) on the micro-

phone cable into the mini XLR socket (2) on the
cable of the MPA III L (3) to the stop.
The connector will lock automatically.

Refer to section 2.3.1 above.

2. Connect the MPA III L (3) to a balanced XLR

microphone input with phantom power.

3. Switch the phantom power on. (Refer to the in-

struction manual of the unit to which you
connected your microphone.)

2 Interfacing

B 29 L

1

2

3

4

5

Fig. 3: Using the B 29 L to power the microphone.

4

Summary of Contents for MicroMic C417 III

Page 1: ...fore using the equipment MODE D EMPLOI p 24 Veuillez lire cette notice avant d utiliser le syst me ISTRUZIONI PER L USO p 35 Prima di utilizzare l apparecchio leggere il manuale MODO DE EMPLEO p 46 An...

Page 2: ...rofessional miniature clip on microphone Omnidirectional condenser transducer for nat ural sound Extended frequency response for clear repro duction of speech vocals violin 1 Precaution Description 1...

Page 3: ...microphone and maximum mobility for the user The microphone is available in two different colors and will almost disappear when blended in with an actor s or singer s makeup An external windscreen su...

Page 4: ...LR micro phone input with phantom power 2 Switch the phantom power on Refer to the in struction manual of the unit to which you connected your microphone 3 If your mixer provides no phantom power Conn...

Page 5: ...s electric motors etc like an antenna This may introduce hum or similar noise when you use a cable that is longer than 16 feet 5 m The optional B 29 L battery supply allows you to connect the micropho...

Page 6: ...input Refer to section 2 2 2 above 1 Push the mini XLR connector 1 on the micro phone cable into the mini XLR socket 2 on the cable of the MPA III L 3 to the stop The connector will lock automaticall...

Page 7: ...optional AKG phantom power supply 4 N 62 E N 66 E B 18 B 15 and use an XLR cable 5 e g an optional MK 9 10 from AKG to connect the phantom power supply 4 to the desired balanced input Refer to the man...

Page 8: ...ance independently of the user s mo vements and thus ensure a constant output level Also a clip on microphone allows the user to move about freely and keeps their hands free 1 Insert the cable into on...

Page 9: ...ied H 40 1 clip se fig 5a or on the supplied H 41 tie pin see fig 5b 2 Fix the microphone on a suitable part of the stage decoration such as a flat backdrop cur tain etc Fix the microphone on the user...

Page 10: ...ist s cheek This method provides the following benefits Since the microphone is not mounted on the violin itself it will not affect the sound of the in strument There will be no risk of damaging the v...

Page 11: ...t too high 2 Mixer input sensi tivity too high Remedy 1 Switch power to mixer or amplifier on 2 Set channel or master fader on mixer or volume control on ampli fier to desired level 3 Connect micro ph...

Page 12: ...ry power supply MPA III L phantom adapter or AKG WMS bodypack transmitters Current consumption approx 2 2 mA Cable length Connector C 417III PP 3 m 10 ft 3 pin male XLR C 417III L PL 1 5 m 5 ft 3 pin...

Reviews: