AKG MicroMic C417 III User Instructions Download Page 12

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6 Specifications

Type:

pre-polarized condenser microphone

Polar pattern:

omnidirectional

Frequency range:

20 Hz to 20,000 Hz

Sensitivity at 1 kHz:

10 mV/Pa (-40 dBV re 1 V/Pa)

Impedance:

200 

Recommended load impedance:

2000 

Max. SPL for 1%/3% THD:

118/126 dB SPL

Equivalent noise level:

34 dB (A) (to IEC 60268-4)

Power requirement:

C 417

III

PP: 9 to 52 V universal phantom power

C 417

III

L/PL: B 29 L battery power supply,

MPA III L phantom adapter, or
AKG WMS bodypack transmitters

Current consumption:

approx. 2.2 mA

Cable length/Connector:

C 417

III

PP: 3 m (10 ft.) / 3-pin male XLR

C 417

III

L/PL: 1.5 m (5 ft.) / 3-pin mini XLR

Finish:

matte black (PP, L) or flesh-color (PL)

Size:

7.5 x 15 mm (0.3 x 0.6 in.)

Net/shipping weight:

C 417

III

PP: 8 g (0.3 oz.) / 220 g (7.8 oz.)

C 417

III

L/PL: 8 g (0.3 oz.) / 160 g (5.6 oz.)

This product conforms to the standards listed in the Declaration of Conformity.
To order a free copy of the Declaration of Conformity, visit http://www.akg.com
or contact [email protected].

Frequency Response

Polar Diagram

4

Summary of Contents for MicroMic C417 III

Page 1: ...fore using the equipment MODE D EMPLOI p 24 Veuillez lire cette notice avant d utiliser le syst me ISTRUZIONI PER L USO p 35 Prima di utilizzare l apparecchio leggere il manuale MODO DE EMPLEO p 46 An...

Page 2: ...rofessional miniature clip on microphone Omnidirectional condenser transducer for nat ural sound Extended frequency response for clear repro duction of speech vocals violin 1 Precaution Description 1...

Page 3: ...microphone and maximum mobility for the user The microphone is available in two different colors and will almost disappear when blended in with an actor s or singer s makeup An external windscreen su...

Page 4: ...LR micro phone input with phantom power 2 Switch the phantom power on Refer to the in struction manual of the unit to which you connected your microphone 3 If your mixer provides no phantom power Conn...

Page 5: ...s electric motors etc like an antenna This may introduce hum or similar noise when you use a cable that is longer than 16 feet 5 m The optional B 29 L battery supply allows you to connect the micropho...

Page 6: ...input Refer to section 2 2 2 above 1 Push the mini XLR connector 1 on the micro phone cable into the mini XLR socket 2 on the cable of the MPA III L 3 to the stop The connector will lock automaticall...

Page 7: ...optional AKG phantom power supply 4 N 62 E N 66 E B 18 B 15 and use an XLR cable 5 e g an optional MK 9 10 from AKG to connect the phantom power supply 4 to the desired balanced input Refer to the man...

Page 8: ...ance independently of the user s mo vements and thus ensure a constant output level Also a clip on microphone allows the user to move about freely and keeps their hands free 1 Insert the cable into on...

Page 9: ...ied H 40 1 clip se fig 5a or on the supplied H 41 tie pin see fig 5b 2 Fix the microphone on a suitable part of the stage decoration such as a flat backdrop cur tain etc Fix the microphone on the user...

Page 10: ...ist s cheek This method provides the following benefits Since the microphone is not mounted on the violin itself it will not affect the sound of the in strument There will be no risk of damaging the v...

Page 11: ...t too high 2 Mixer input sensi tivity too high Remedy 1 Switch power to mixer or amplifier on 2 Set channel or master fader on mixer or volume control on ampli fier to desired level 3 Connect micro ph...

Page 12: ...ry power supply MPA III L phantom adapter or AKG WMS bodypack transmitters Current consumption approx 2 2 mA Cable length Connector C 417III PP 3 m 10 ft 3 pin male XLR C 417III L PL 1 5 m 5 ft 3 pin...

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