18
3 Use
3.1 Introduction
3.2 Attaching
the Pickup to
the Instrument
Note:
Fig. 5: Pressing the
adhesive com-
pound on the
underside of the
pickup.
Refer to figs. 6
through 9
on page 19.
Since a soundboard vibrates differently in different
places, you can get diferent sounds by carefully
selecting the spot where you mount the pickup.
Section 3.2 describes proven techniques that you
may want to use as starting points for your own
experiments.
If you are going to attach the pickup to a lacquer-
ed surface, check the condition of the lacquer
coat first.
If the lacquer coat is porous or cracked, the ad-
hesive compound will lose some of its tack and
may damage the lacquer coat further when you re-
move the pickup.
1. Remove the backing from the supplied ad-
hesive compound.
2. Press some of the adhesive compound (just
enough to cover the "footprint" of the pickup)
on the underside of the pickup.
3. Press the pickup onto the bridge of your instru-
ment or onto the soundboard, near the bridge.
☞
✂
Summary of Contents for C 411 III
Page 9: ...9 3 Anwendung Abb 6 Gitarre Abb 7 Violine Abb 8 Banjo Abb 9 Zither...
Page 19: ...19 3 Use Fig 6 Guitar Fig 7 Violin Fig 8 Banjo Fig 9 Zither...
Page 29: ...29 3 Utilisation Fig 6 Guitare Fig 7 Violon Fig 8 Banjo Fig 9 Cithare...
Page 39: ...39 3 Impiego Fig 6 Chitarra Fig 7 Violino Fig 8 Banjo Fig 9 Cetra...
Page 49: ...49 3 Utilizaci n Fig 6 Guitarra Fig 7 Viol n Fig 8 Banjo Fig 9 C tara...
Page 59: ...59 3 Aplica o Fig 6 Guitarra Fig 7 Violino Fig 8 Banjo Fig 9 C tara...
Page 62: ...62 Notizen Notes Notes Note Notas Notas...