17
2 Interfacing
2.3.2 Using the
MPA III L
Refer to fig. 4.
Refer to fig. 4.
2.3.3 Connecting
to a Bodypack
Transmitter
1. Connecting the cable: Push the mini XLR
connector (1) on the pickup cable into the mini
XLR socket (2) on the cable of the MPA III L (3)
to the stop.
The connector will lock automatically.
Disconnecting the cable: Refer to section
2.3.1 above.
2. Connect the MPA III L (3) to a balanced XLR
microphone input with phantom power.
3. Switch the phantom power on. (Refer to the in-
struction manual of the unit to which you
connected your pickup.)
4.
If your mixer provides no phantom power:
Connect the MPA III L (3) to an optional AKG
phantom power supply (4) (N 62 E, N 66 E, B 18,
B 15) and use an XLR cable (5) (e.g., an optional
MK 9/10 from AKG) to connect the phantom
power supply (4) to the desired balanced input.
Refer to the manual of your bodypack transmitter.
Mini XLR
Mini XLR
MPA
MPA
Phantom
Fig. 4: Connection diagram with MPA III L.
Summary of Contents for C 411 III
Page 9: ...9 3 Anwendung Abb 6 Gitarre Abb 7 Violine Abb 8 Banjo Abb 9 Zither...
Page 19: ...19 3 Use Fig 6 Guitar Fig 7 Violin Fig 8 Banjo Fig 9 Zither...
Page 29: ...29 3 Utilisation Fig 6 Guitare Fig 7 Violon Fig 8 Banjo Fig 9 Cithare...
Page 39: ...39 3 Impiego Fig 6 Chitarra Fig 7 Violino Fig 8 Banjo Fig 9 Cetra...
Page 49: ...49 3 Utilizaci n Fig 6 Guitarra Fig 7 Viol n Fig 8 Banjo Fig 9 C tara...
Page 59: ...59 3 Aplica o Fig 6 Guitarra Fig 7 Violino Fig 8 Banjo Fig 9 C tara...
Page 62: ...62 Notizen Notes Notes Note Notas Notas...