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30

ZOOM 504 II 

ACOUSTIC

ZOOM 504 II 

ACOUSTIC

31

Specifications/Patch

List

Ef
fect

Parameters/Specifications

AUTO SCAN

Automatically detects the frequency where feedback is occurring. 

MANUAL 

Allows the user to set the frequency to be suppressed. Higher values 
shift the attenuated band towards higher frequencies.

oF

Sets the F.B.SUPPRESSOR parameter to OFF. 

For details on how to use the F.B.SUPPRESSOR effect, see pages 18 - 19. 

F.B.SUPPRESSOR

Reduces acoustic feedback by attenuating the frequency band 
where the feedback occurs. The frequency can be detected 
automatically or manually.

Specifications 

Built-in effects

max. 10 simultaneous / 33 total 

Banks and patches

6 banks x 6 patches = 36 patches (rewritable, with
memory store capability) 

A/D converter

16 bit, 64 times oversampling 

D/A converter

16 bit, 8 times oversampling 

Sampling frequency

31.25 kHz 

Input

GUITAR input: standard mono phone jack 
(rated input level -20 dBm/input impedance 470
kilohms) 

Output

Standard stereo phone jack (doubles as line and
headphone jack) 
(maximum output level +5 dBm/output load impedance
10 kilohms or more) 

Control input

For optional FP01 or FP02 / FS01 

Display

2-digit 7-segment LED 

Power requirements

Separately available AC adapter, 9 V DC, 300 mA
(center minus plug) (ZOOM AD-0006) 
Four IEC R6 (size AA) batteries 
Battery life: approx. 28 hours continuous operation
(alkaline batteries) / approx. 8 hours continuous
operation (manganese batteries) 

Dimensions

145 mm (D) x 125 mm (W) x 40 mm (H) 
Weight280 g (without batteries) 

• 0 dBm = 0.775 Vrms 
• Design and specifications subject to change without notice. 

PATCH  PATCH NAME

COMMENT

PEDAL

BAND LEAD
SPACY-12
NUANCE
WHITE PAD
ACOUSTIC DRIVE
ACOUSTIC WAH
J-FOLK
HAWAIIAN STEEL
DELTA BOTTLE
ORIENTALIZE
STREET BLUES
SPANISH GUT
RESONATOR
DIMENSION
GRAPHITE BODY
MIRACLE
STUDIO STRUM
ARPEGGIAN
STUDIO FINGER
ACOUSTIC MASTER
POWER CHORD
THE CAPO
BRILLIANT
UNIT LEAD
EMOTION
THROB
SCENE
WET
BRIGHT BOSSA 
FUNKY

1
2
3
4
5
6
1
2
3
4
5
6
1
2
3
4
5
6
1
2
3
4
5
6
1
2
3
4
5
6

DLY+REV
Large
Volume
Volume
Volume
Wah
Volume
DLY+REV
Emphasizer
12-string
Volume
Volume
Volume
Volume
Volume
Volume
DLY+REV
Volume
Volume
Volume
Volume
Volume
DLY+REV
Light chorus
Dry mix
Volume
Volume
Large
Volume
Volume

BANK

For ACOUSTIC GUITAR

A

[DEMO]

b

[WORLD]

C

[VARIATION]

d

[PLAY]

E

[for ELECTRIC

GUT GUITAR]

Basic acoustic lead sound for band ensemble.
12-string acoustic guitar sound.
Compressed sound for subtle passages.
Rich chorus sound with delay and reverb.
Overdriven Acoustic guitar sound.
New acoustic guitar sound with wah effect.
Early Folk guitar sound.
Lap steel guitar sound.
Ideal for bottle neck and delta blues styles.
Exotic instrument sound from the Far East.
Articulate sound with room ambience.
Nylon(Gut) acoustic guitar sound.
Classic Dobro style sound.
Spacious chorus effect sound.
"Graphite body" acoustic guitar simulation sound.
Special effect sound.
Recording quality strumming sound.
Bright arpeggio effect with detuned Chorus.
Recording quality finger picking sound.
Basic acoustic guitar with short reverb.
Powerful sound for open chord strumming.
Clear intonation sound with Capo effect.
Rich, full sound for open tuning playing.
Excellent lead sound for group playing.
Expressive Nylon/Gut-string acoustic guitar.
Country style sound for "thumb pick" style playing.
Ideal acoustic sound for movie soundtracks.
Mellow tone for pick and finger style playing.
Ideal for Bossa Nova and Spanish acoustic styles.
Funky Auto-Wah sound.

* When using a guitar amplifier, it is recommended to adjust the De-AMP parameter.

PATCH  PATCH NAME

COMMENT

PEDAL

STANDARD
EL-ACOUSTIC
12-PLUS
WARM QUALITY 
SLIDE BOTTLE
NYLON

1
2
3
4
5
6

Volume
Rich chorus
12-string
Wah
Delay
Volume

BANK

ACOUSTIC SIMULATION for ELECTRIC-GUITAR

F

[DEMO]

Standard acoustic simulation sound.
Piezo pickup electric-acoustic sound.
Acoustic 12-string sound.
Warm tone with Auto-Wah effect.
Bottle neck slide playing sound.
Solo Nylon-string sound.

* ACOUSTIC SIMULATION is suitable for single pickup at front position.

Patch List

Содержание ACOUSTIC 504 II

Страница 1: ...ation for future reference SAFETY PRECAUTIONS 2 Features 3 Terms Used in This Manual 4 Using the unit on batteries 5 Controls and Functions Connections Setting the input gain 6 Selecting Patches for P...

Страница 2: ...De AMP reduces harshness when playing an acoustic guitar through a guitar amplifier AIR lends a spacious feeling to the sound TOUCH makes picking more uniform and smooth The 504 II is also useful as...

Страница 3: ...his section explains some important terms that are used throughout the 504 II documentation Effect parameter The effects of the 504 II consist of a succession of modules that determine the sound These...

Страница 4: ...nus plug into this jack When a plug is inserted in this jack the 504 II is turned on This stereo phone jack serves for connection to the guitar amplifier It is also possible to plug a pair of stereo h...

Страница 5: ...the guitar amplifier and adjust the volume to a suitable position Bank Patch number You can use the keys to directly switch among the banks A F Keep both keys depressed for more than 1 second While t...

Страница 6: ...h Bypass Tune the other strings in the same way Pitch is high Pitch is correct Pitch is low The bypass or mute condition cannot be activated when the unit is in the edit mode Press one of the foot swi...

Страница 7: ...lay Terminate the edit mode To terminate the edit mode and return to the play mode set the PLAY EDIT selector to the PLAY position Parameter value Lit Parameters selectable with PLAY EDIT selector 1 P...

Страница 8: ...y When storing or copying a patch it is not possible to use the keys to switch only the bank number Press the STORE key once more When the store copy process is completed the unit reverts to the origi...

Страница 9: ...select To change the Patch call method back to normal direct select operation simply turn the unit off and back on again Confirm Use the foot switches to select the patch you want to use next Changin...

Страница 10: ...starts when the F B SUPPRESSOR parameter is set to SC or set to off and then on again When wishing to retain the SC setting also while the unit is turned off store the currently selected patch 4 Retu...

Страница 11: ...es These factory default patches can be restored also if they were overwritten by patches created by the user There are two ways of restoring factory defaults All Initialize returns the entire set of...

Страница 12: ...ent to the original sound producing a feeling of depth and ambience PLAY EDIT selector Shows the position which is used to call up the parameter Global parameter Global parameters that apply to all pa...

Страница 13: ...ngering GUT Simulates the sound of a classic guitar with nylon strings Selects the preamp characteristics for acoustic guitar Simulator for changing the sound of an electric guitar to that of an acous...

Страница 14: ...a slight shift Higher values result in larger shift between original sound and effect sound PEDAL DOUBLING Allows using the expression pedal FP01 FP02 connected to the CONTROL IN jack to adjust the in...

Страница 15: ...layed component and reverb component to the original sound producing a feeling of depth and ambience TIME LEVEL Original sound Delay sound Delay time PEDAL DELAY Allows using the expression pedal FP01...

Страница 16: ...OB SCENE WET BRIGHT BOSSA FUNKY 1 2 3 4 5 6 1 2 3 4 5 6 1 2 3 4 5 6 1 2 3 4 5 6 1 2 3 4 5 6 DLY REV Large Volume Volume Volume Wah Volume DLY REV Emphasizer 12 string Volume Volume Volume Volume Volum...

Страница 17: ...to provide maximum protection against the emission of electromagnetic radiation from inside the device and protection from external interference However equipment that is very susceptible to interfere...

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