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Features

Input Channels...................................................................page 12

With up to 16 (MG166CX/MG166C: 10) mic/line inputs or up to four 
stereo inputs, the MG mixer can simultaneously connect to a wide 
range of devices: microphones, line-level devices, stereo 
synthesizers, and more.

Compression......................................................................page 10

Compression increases the overall level without introducing 
distortion by compressing excessive peaks in the signals from 
microphones and guitars.

AUX Sends and Stereo AUX Return.................................page 16

You can use the AUX SEND jack to feed the signal sent to an 
external signal processor, and then return the processed stereo 
signal through the RETURN jack.

High-quality digital effects (MG166CX)....................pages 15, 19

With digital effects built in, the MG166CX can deliver a wide range 
of sound variations all by itself.

Caractéristiques

Canaux d’entrée.................................................................page 48

Avec 16 entrées micro/ligne (MG166CX/MG166C: 10) ou quatre 
entrées stéréo maximum, la console de mixage MG peut connecter 
simultanément une grande variété d’appareils : micros, appareils 
de ligne, synthétiseurs stéréo, etc.

Compression......................................................................page 46

La compression augmente le niveau général sans engendrer de 
distorsion en comprimant les pics excessifs des signaux des 
micros et des guitares.

Envois AUX et retour AUX stéréo.....................................page 52

Vous pouvez utiliser la prise jack AUX SEND pour envoyer le signal 
vers une unité de traitement de signaux externes, puis pour 
renvoyer le signal stéréo traité via la prise jack RETURN.

Effets numériques de qualité supérieure (MG166CX)...pages 51, 55

Grâce aux effets numériques intégrés, la console MG166CX peut 
proposer de nombreuses variations de sons.

Funktionen

Eingangskanäle..................................................................Seite 30

Mit bis zu 16 Mikrofon-/Line-Eingängen (MG166CX/MG166C: 10) 
oder bis zu vier Stereoeingängen können viele Geräte gleichzeitig 
am MG-Mischpult angeschlossen werden: Mikrofone, Geräte mit 
Leitungspegel, Stereo-Synthesizer uvm.

Kompression......................................................................Seite 28

Kompression erhöht den Durchschnittspegel, ohne Verzerrung 
hinzuzufügen, indem übermäßige Pegelspitzen der Signale von 
Mikrofonen oder Gitarren komprimiert werden.

AUX Sends und Stereo AUX Return.................................Seite 34

Von der AUX SEND-Buchse können Sie das Signal einzeln an 
einen externen Signalprozessor führen, und das verarbeitete 
Stereosignal über die RETURN-Buchse zurück in das Pult führen.

Hochwertige Digitaleffekte (MG166CX)....................Seiten 33, 37

Mit den eingebauten digitalen Effekten kann das MG166CX aus 
sich heraus eine Reihe von Klangvariationen liefern.

Características

Canales de entrada.........................................................página 66

Con un máximo de 16 entradas de micrófono/línea 
(MG166CX/MG166C: 10) o cuatro entradas estereofónicas, la 
mezcladora MG puede conectarse simultáneamente con una gran 
variedad de dispositivos: micrófonos, dispositivos de nivel de línea, 
sintetizadores estereofónicos, etc.

Compresión.....................................................................página 64

La compresión aumenta el nivel general sin causar distorsión, 
mediante la compresión del exceso de picos en las señales de los 
micrófonos y guitarras.

Envíos AUX y retorno AUX estereofónico....................página 70

Puede utilizar la toma AUX SEND para introducir la señal enviada 
en un procesador de señales externo y luego devolver la señal 
estereofónica procesada a través de la toma RETURN (retorno).

Efectos digitales de alta calidad (MG166CX)........páginas 69, 73

Gracias a sus efectos digitales incorporados, la mezcladora 
MG166CX puede producir por sí misma una amplia gama de 
variaciones de sonido.

Owner’s Manual
Bedienungsanleitung
Mode d’emploi
Manual de instrucciones

Содержание MG166C

Страница 1: ...ns Funktionen Eingangskanäle Seite 30 Mit bis zu 16 Mikrofon Line Eingängen MG166CX MG166C 10 oder bis zu vier Stereoeingängen können viele Geräte gleichzeitig am MG Mischpult angeschlossen werden Mikrofone Geräte mit Leitungspegel Stereo Synthesizer uvm Kompression Seite 28 Kompression erhöht den Durchschnittspegel ohne Verzerrung hinzuzufügen indem übermäßige Pegelspitzen der Signale von Mikrofo...

Страница 2: ... Part 15 for Class B digital devices Compliance with these require ments provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices This equipment generates uses radio frequencies and if not installed and used according to the instructions found in the users manual may cause interference ...

Страница 3: ... the electric plug from the device or an outlet always hold the plug itself and not the cord Pulling by the cord can damage it To avoid generating unwanted noise make sure there is adequate distance 50 cm or more between the AC power adaptor and the device Do not cover or wrap the AC power adaptor with a cloth or blanket Before moving the device remove all connected cables When setting up the devi...

Страница 4: ...ice personnel about replacing defective components The MG mixer may heat up by as much as 15 to 20 C while the power is on This is normal Please note that the panel temperature may exceed 50 C in ambient temperatures higher than 30 C and use caution to prevent burns This Owner s Manual applies to the MG206C MG166CX MG166C The main differences between the three models are the number of input channe...

Страница 5: ...read through this manual carefully before beginning use so that you will be able to take full advantage of this mixer s superlative features and enjoy trouble free operation for years to come 1 Be sure that the mixer s power switch is in the STANDBY position Use only the included power adaptor PA 30 or an equivalent recommended by Yamaha Use of a different adaptor may result in equipment dam age o...

Страница 6: ...ry somewhat according to the input devices you are using Getting Sound to the Speakers PAN BAL switches 1 4 GAIN controls 4 PEAK indicators Equalizer 5ON switches 4PFL switches 5ST switches 1 7Channel faders 4 7 Level meter 3 PHANTOM switch Microphones instruments 2 Speakers Power Amp 2 Headphones 2 4 Monitor Speakers 1 6 7STEREO OUT Master fader MG206C 1 3POWER switch Mixer Basics ...

Страница 7: ...G mixer s phantom power switch on before turning on the power to the power amp or powered speakers See page 17 for more detail 4 Adjust the channel GAIN controls so that the corresponding PEAK indica tors flash briefly on the highest peak levels To use the level meter to get an accurate read ing of the incoming signal level turn the chan nel PFL switch on Adjust the GAIN controls so that the level...

Страница 8: ... be heard is approximately 1 000 000 one million times louder That s too many digits to deal with for practical calculations and so the more appro priate decibel dB unit was created for sound related mea surements In this system the difference between the softest and loudest sounds that can be heard is 120 dB This is a non linear scale and a difference of 3 dB actually results in a doubling or hal...

Страница 9: ...oost with Caution If you re trying to create special or unusual effects go ahead and boost away as much as you like But if you re just trying to achieve a good sounding mix boost only in very small increments A tiny boost in the midrange can give vocals more pres ence or a touch of high boost can give certain instruments more air Listen and if things don t sound clear and clean try using cut to re...

Страница 10: ...ith the direct signal The amount of time shift is controlled or modulated by an LFO Low frequency Oscillator For phasing effects the shift is very small The phase difference between the modulated and direct signals causes cancellation at some frequencies and rein forces the signal at others and this causes the shim mering sound we hear For chorus and flanging the signal is delayed by sev eral mill...

Страница 11: ...6C Owner s Manual 11 Setup DI Recorder Synthesizer CD Player Microphone Powered speakers Powered monitor speakers Bass Headphones Guitar Effect processor Effect processor exciter Powered monitor speakers MG206C Rear panel Reference ...

Страница 12: ... A B B 4 3 Channels 13 14 and 15 16 Stereo Channels 1 to 8 Monaural Channels 9 to 12 Monaural MG206C Channels 17 18 and 19 20 Stereo 1 2 1 5 6 6 C D F G H I E 0 A 9 9 7 7 8 3 4 B C D F G H I E 0 B A Channels 9 10 and 11 12 Stereo Channels 1 to 6 Monaural Channels 7 and 8 Monaural Channels 13 14 and 15 16 Stereo MG166CX MG166C A MG166C EFFECT AUX3 ...

Страница 13: ...e 34 to 10 scale is the LINE input adjustment range 7 Switch High Pass Filter This switch toggles the HPF on or off To turn the HPF on press the switch in The HPF cuts frequencies below 80 Hz the HPF does not apply to the line inputs of stereo input channels 3 4 8 COMP Control Adjusts the amount of compression applied to the channel As the knob is turned to the right the compression ratio increase...

Страница 14: ...ning of the channel signal on the GROUP 1 2 and GROUP 3 4 buses or on the STEREO L R bus The BAL control knob sets the balance between left and right channels Signals input to the L input odd channel go to the GROUP 1 or 3 buses or to the STEREO L bus signals input to the R input even chan nel go to the GROUP 2 or 4 buses or the STEREO R bus On channels where this knob provides both PAN and BAL co...

Страница 15: ...ernal digital effect unit to the AUX buses The signal level sent to the AUX buses is not affected by the EFFECT RTN fader 5 ON Switch Switches the internal effect on or off The internal effect is applied only if this switch is turned on The switch lights orange when on An optional Yamaha FC5 foot switch sold separately can be used to tog gle the digital effects ON and OFF The ON switch lights and ...

Страница 16: ... Panels MG206C MG166CX MG166C Owner s Manual Reference 16 Master Control Section 0 A I G D E C 9 B 6 8 7 5 4 3 2 1 H F 0 A I G E 9 B H F 6 8 4 1 3 7 2 5 D C Rear panel MG206C MG166CX MG166C 1 C MG166C EFFECT AUX3 ...

Страница 17: ...MONITOR OUT jacks These are impedance balanced TRS phone type output jacks The signal output by these jacks is determined by the MONITOR switch the 2TR IN switch and the PFL switches on the input channels 8 PHONES Jack Connect a pair of headphones to this TRS phone type output jack The PHONES jack outputs the same signal as the MONITOR OUT jacks 9 PHANTOM 48 V Switch This switch toggles phantom po...

Страница 18: ...llustration shows how the switch settings cor respond to the signal selection When overdubbing you can adjust the levels of the mon itor playback signal and the signal being recorded separately MONITOR MIX Signal Flow If the input channel PFL switch is on then only the PFL output from that channel is sent to the MON ITOR OUT jacks PHONES jack and level meter F GROUP 1 2 Fader Adjusts the signal le...

Страница 19: ...ECHO DELAY TIME Echo suitable for vocals 11 CHORUS 1 LFO Frequency Creates a thick sound by modulating the delay time The PARAMETER control adjusts the frequency of the LFO that modulates the delay time 12 CHORUS 2 LFO Frequency 13 FLANGER LFO Frequency A sweeping pitched effect The PARAMETER control adjusts the frequency of the LFO that modulates the delay time 14 PHASER LFO Frequency Phase modul...

Страница 20: ... the phone and RCA pin jacks on one channel Please connect to only one of these jacks on each channel Is the input signal from the connected device set to an appropriate level Are you applying the effects at an appropriate level Are microphones connected to the MIC input jacks If you are using condenser microphones is the PHANTOM 48 V switch turned ON No effect is applied If you are using MG166CX ...

Страница 21: ...mum voltage gain 1 kHz All faders and controls are maximum when measured PAN BAL panned hard left or hard right Rs 150 Ω INPUT GAIN maximum MIC to CH INSERT OUT 60 dB MIC to STEREO OUT 84 MIC to GROUP OUT MIC to GROUP to ST 94 MIC to REC OUT 62 2 MIC to MONITOR OUT ST TO MONITOR 94 MIC to PHONES OUT 83 MIC to AUX SEND PRE 76 MIC to AUX SEND POST 86 CH 17 18 19 20 LINE to STEREO OUT 58 CH 17 18 19 ...

Страница 22: ...lanced 10 dB 10 dBu 245 mV 10 dBu 2 45 V 30 dBu 24 5 V ST CH INPUT CHs 17 18 19 20 34 dB 10kΩ 600Ω Lines 54 dB 1 55 mV 34 dB 15 5 mV 14 dB 155 mV Phone jack unbalanced RCA pin jack 10 dB 10 dBu 245 mV 10 dBu 2 45 V 30 dBu 24 5 V CH INSERT IN CHs 1 12 10kΩ 600Ω Lines 20 dBu 77 5 mV 0 dBu 0 775 V 20 dBu 7 75 V TRS phone Jack unbalanced Tip Out Ring In Sleeve GND RETURN L R 10kΩ 600Ω Lines 12 dBu 195...

Страница 23: ...ned hard left or hard right Rs 150 Ω INPUT GAIN maximum MIC to CH INSERT OUT 60 dB MIC to STEREO OUT 84 MIC to GROUP OUT MIC to GROUP to ST 94 MIC to REC OUT 62 2 MIC to MONITOR OUT ST TO MONITOR 94 MIC to PHONES OUT 83 MIC to AUX SEND PRE 76 MIC to AUX SEND POST EFFECT SEND 86 CH 9 10 11 12 LINE to STEREO OUT 58 CH 9 10 11 12 LINE to GROUP OUT CH 9 10 11 12 LINE to AUX SEND PRE 47 CH 9 10 11 12 L...

Страница 24: ... dBu 15 5 mV 14 dBu 155 mV Phone jack unbalanced 10 dB 10 dBu 245 mV 10 dBu 2 45 V 30 dBu 24 5 V ST CH INPUT CHs 13 14 15 16 10kΩ 600Ω Lines 30 dBu 24 5 mV 10 dBu 245 mV 10 dBu 2 45 V Phone jack unbalanced RCA pin jack CH INSERT IN CHs 1 8 10kΩ 600Ω Lines 20 dBu 77 5 mV 0 dBu 0 775 V 20 dBu 7 75 V TRS phone Jack unbalanced Tip Out Ring In Sleeve GND RETURN L R 10kΩ 600Ω Lines 12 dBu 195 mV 4 dBu 1...

Страница 25: ...e to install ventilation panels to prevent high temperatures from developing inside the mixer Specifications and descriptions in this owner s manual are for information purposes only Yamaha Corp reserves the right to change or modify products or specifications at any time without prior notice Since specifications equipment or options may not be the same in every locale please check with your Yamah...

Страница 26: ...CH INPUT 13 14 15 16 AUX 1 14dBu AUX 2 14dBu ST MONITOR 6dBu AUX1 AUX2 AUX3 AUX4 STEREO L STEREO R GROUP 1 GROUP 2 GROUP 3 GROUP 4 PFL L PFL R PFL CTRL SUM SUM SUM SUM 0dBu GROUP Fader 0dBu 10dBu BA BA GROUP Fader 0dBu 10dBu BA BA TO STEREO SUM SUM SUM 1 GROUP OUT 4dBu 2 3 4 1 2 3 4 10dBu ST Fader BA BA 0dBu 0dBu SUM R STEREO OUT 4dBu L REC OUT 10dBV 7 8dBu MONI PHONES 16dBu INV INV 0dBu LED Meter...

Страница 27: ...6 10dBu R R L MONO RETURN 4dBu HA 0dBu 0dBu 3 Stage EQ 3 Stage EQ Lo 0dBu HA YE ON 0dBu YE YE ON 0dBu 10dBu BA 0dBu PRE PAN ST G1 2 G3 4 0dBu 0dBu 0dBu 0dBu 6dBu 6dBu 6dBu 15V PFL ST G1 2 0dBu G3 4 0dBu 6dBu CH Fader 0dBu PRE AUX 1 AUX 2 AUX 6dBu 6dBu PFL 15V Same as CH9 10 6dBu ST AUX 2 14dBu AUX 1 14dBu TO ST TO MONITOR 2TR IN 6dBu AUX1 AUX2 AUX STEREO L STEREO R GROUP 1 GROUP 2 GROUP 3 GROUP 4 ...

Страница 28: ...UNTRIES Yamaha Music Central Europe GmbH Siemensstraße 22 34 25462 Rellingen Germany Tel 49 4101 3030 Yamaha Corporation Asia Pacific Music Marketing Group Nakazawa cho 10 1 Naka ku Hamamatsu Japan 430 8650 Tel 81 53 460 2313 TURKEY CYPRUS Yamaha Music Central Europe GmbH Siemensstraße 22 34 25462 Rellingen Germany Tel 04101 3030 OTHER COUNTRIES Yamaha Music Gulf FZE LOB 16 513 P O Box 17328 Jubel...

Страница 29: ... web site http www yamahaproaudio com Yamaha Manual Library http www yamaha co jp manual U R G Pro Audio Digital Musical Instrument Division Yamaha Corporation 2007 Yamaha Corporation WJ74360 703POAP7 3 01A0 Printed in China ...

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