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patching it to both a High Left input and a Low Right one, or vice versa. 
As well as filtering, SoundStage can change the phase relationships 
between the signals which can give your stereo filters something more 
to bite onto. 
 
Tuned feedback/distortion 
A great way to get more dirt into your mix is to mult the output of 
SoundStage and then feed it through a VCA and back to one of the 
inputs. The filtering will tune the feedback so you can decide where 
you want it to sit in the mix and not have it overpower everything else, 
and going through a VCA will allow you to have precise voltage control 
of the feedback. The SoundStage signal path is designed to saturate in 
a pleasant sounding way, but it can also be pushed into harsher 
overdriven tones. Experiment with crossing over the left and right 
signals and feeding back to their opposite sides, because SoundStage 
is 100% analogue there is no latency so stereo feedback of signals is 
possible and sounds natural. 
 
Stereo Spectral Scanner 
This patch uses the WMD Sequential Switch Matrix to flip voices 
around the stereo field and the frequency spectrum. Patch your voices 
or oscillators to the inputs of the SSM and then patch its outputs to 
four differing inputs of SoundStage. Switching between different 
Matrices in the SSM will give your signals movement, and these signals 
can be moving around other static voices for some really interesting 
creative effects. 
 
These are just a few ways you can use your SoundStage to get more life 
and music and sound from your modular system, there are many more 
which you can find by exploring with your patches. If you come up with 
any cool patches be sure to let us know, we love to hear what people 
come up with using our modules! 

Содержание SoundStage

Страница 1: ...s placed in the stereo field according to its position left to right on the panel The horizontal rows indicate how the inputs are filtered into overlapping Low Low mid Mid High mid and High bands The...

Страница 2: ...les in the spectral field so tracks made with that machine already start to sound mixed straight out of the machine These ideas have come together into the module you ve now got in front of you we hop...

Страница 3: ...e energy to reproduce from your speakers so are panned more centrally Also for people putting their material out on vinyl it helps to have low frequency elements panned centrally to stop the needle be...

Страница 4: ...of them also the way a guitar or bass amp shapes the spectrum of the signal being fed into it in a way which lets them sit together in a mix in a natural way Lastly the old mix trick of using EQ duri...

Страница 5: ...ve uses of the SoundStage s filters for example rhythmic chopping of the spectrum by controlling filter depth with gates or LFOs or more extreme effects such as patching bass voices to the upper input...

Страница 6: ...f Maths to the Level CV input and use the channel 2 pot to set your threshold turning clockwise to increase the threshold You ll have to apply more output level on the SoundStage to make up for the le...

Страница 7: ...ith crossing over the left and right signals and feeding back to their opposite sides because SoundStage is 100 analogue there is no latency so stereo feedback of signals is possible and sounds natura...

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