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(  ) In addition, turn on "Vibrato II". The intensity (or depth) of the vibrato 
increases. 
 
(  )Turn on "Vibrato III" additionally. This causes the heaviest vibrato. By the way, 
the two vibrato intensity switches II and III are effective only in conjunction with a 
turned on "Delayed Vibrato" or " Contin. Vibrato': 
 
(  )Turn on yet "Slow Vibrato". The previously fast vibrato should slow down 
about 40 %. 
 

General Procedure in Trouble-Shooting of Switch Functions 

 
All modes of operation of the various building blocks throughout the organ which 
are controlled by a mechanical switch are activated as follows: The switch sends 
a negative (-15 V D C) control voltage to the corresponding location. Since it is 
irrelevant from where the control voltage originates we can also activate a 
particular function with the help of our test wire. 
 
Example: Suppose that the function "Slow Vibrato" does not work while all other 
vibrato modes are operating properly. First, we trace the control voltage. 
 
We find that the switch "Slow Vibrato" is shown in Fig. 59. The control wire is No. 
14 5. The wire list states that the other end of wire No. 145 is connected to the 
tone generator G 1, plug A, pin 3. 
 
Using our test lead (extended with a piece of bare wire) we touch this pin on the 
generator. There are two possible results, namely: 
 

a)  The vibrato does not slow down,  
b)  The vibrato slows down. 
c)  

In case a) the problem is located o n the tone generator board (though it was 
tested; did you miss that test?). In case b) we conclude that the control voltage 
does not arrive at the tone generator. 
 
Where did it get lost? In the harness? That is easy to verify by touching the 
corresponding pin of the switchbank (other end of wire No. 145). If the vibrato 
does not slow down we have to assume that the wire you see emerging from the 
switch bank is not the one arriving at pin A 3 on the generator. 
 
More likely, the vibrato will slow down, giving rise to two new questions: 

 

a)  Is the switch "Slow Vibrato" defective? 
b)  Is the control voltage for the entire switch bank  missing? 
c)  

Question b) can be brushed aside immediately since the other switches of the 
same group do control their functions. 
 
The last locations of the trouble are, therefore, the switch itself, the foil pattern on 
the board US 1, or the diode in series with the switch. 
 
Clip the positive test lead of your voltmeter (15 V D C or greater) to ground and 
test the following points in the indicated sequence: 
 
1) Switch bank pin "p m " (master control voltage for entire switch bank). 
 
2) One of the two pins at the rear of the switch (no voltage = defective switch). 
 
3) Pin a where grey wire (No. 145) is connected (no voltage = defective diode, 
wrong polarity of diode or interrupted foil pattern). Also refer to Fig. 28 for layout. 
 
It took us quite a few words to describe this procedure. We hope that you 
understand the fundamental idea behind all trouble-shooting. 
 
a) Identify the function that is not working. 
 
b) Locate the "sender" of the control signal (usually a  switch). 
 
c) Trace the signal, using the wiring list, hookup drawings and foil pattern 
reproductions of this and/or other manuals. 
 
d) Trace the path backwards by means of the test wire or follow it forwards by 
using a voltmeter. 
 

Important

: Keep your inner cool and -if somebody else is watching - maintain an 

air of "situation under complete control". 
 

3.11 Testing of the Selector Switches Drawbars/Fixed 

Stops 

 

AM 079 (Part) 

10 

Содержание CLASSICA W3SK

Страница 1: ...Master Assembly CLASSICA W3SK AM 079 AM 079 Part 1 ...

Страница 2: ...an Drawbars 6 3 5 Testing of the Lower Manual Envelope Control 6 3 6 Testing of the Drawbars and Envelope Control of the Upper Manual 7 3 7 Testing of the Lower Manual Fixed Stops 7 3 8 Testing of the Fixed Stops of the Upper Manual 8 3 9 Testing of the Pedals 9 3 10 Testing of the Frequency Vibrato 9 3 11 Testing of the Selector Switches Drawbars Fixed Stops 10 3 12 Testing of the Wersivoice 11 3...

Страница 3: ...building blocks in the organ top 4 Figure 2 Block diagram of the audio wiring and associated DC controls 5 Figure 3 Schematic layout of the wiring harness GO 3 14 2 2 TABLES Table 1 Wire List of Harness GO 3 15 AM 079 Part 3 ...

Страница 4: ...Figure 1 Layout of the building blocks in the organ top AM 079 Part 4 ...

Страница 5: ... ones are to be plugged in by rereading chapter G 3 1 Preparations Cut off a 100 cm 40 long piece of hookup wire any colour Solder an alligator clip to one end and connect the other end to 15 V of the power supply together with the large number of blue wires This lead will serve as test wire to activate the various analogue audio switches 3 2 Conventions and lnitial Conditions A tongue tab is said...

Страница 6: ... the preamplifiers to their centres of rotation Pull all 12 drawbars of the lower manual out half way Jam a key in the centre of the lower manual in the depressed position There should be no audible sound yet Clip the test lead to plug 4 terminal S 2 of the right preamp The drawbar signal should appear from the right speaker If no tone is heard touch the terminal E 2 plug 3 of the right Area m p w...

Страница 7: ...f the lower manual Pull the volume control L Man out mid way Push the connector from the harness G03 onto the pins of Plug 1 and Plug 2 GP 2 of lower manual Clip the test lead to pin S1 of the right preamp The selected fixed stops will now be audible from the right speaker Check the presence of all fixed stops and compare the sound character with the list below Fixed Stop Voices of the Lower Manua...

Страница 8: ...ixed Stops of the Upper Manual Jam a key of the upper manual in the depressed position Turn on a few fixed stops of the upper manual Pull the volume control U Man out mid way Push the connector from the harness G03 onto the pins of Plug 1 and Plug 2 G P 2 of upper manual Clip the test lead to pin S 3 of either preamp The selected fixed stops will now be audible Check the presence of all fixed stop...

Страница 9: ... especially at lower pitches Again test the changeover of the sound to the other channel by clipping the test lead to pin S 3 of the other preamp 3 9 Testing of the Pedals The drawbars and the fixed stops of the pedal section are to be tested in the same way as the voices for the manuals The corresponding control inputs at the preamplifiers are S 6 for the drawbars left and right S 5 for the fixed...

Страница 10: ...hat is easy to verify by touching the corresponding pin of the switchbank other end of wire No 145 If the vibrato does not slow down we have to assume that the wire you see emerging from the switch bank is not the one arriving at pin A 3 on the generator More likely the vibrato will slow down giving rise to two new questions a Is the switch Slow Vibrato defective b Is the control voltage for the e...

Страница 11: ...rawbars for a matching bright sound The switches Fixed Stops to Wersivoice in both manuals when pushed down assign the respective sounds to the Wersivoice The Wersivoice imposes a rather complex vibrato on the sound such that it seems to emerge from rotating speakers or baffles 3 13Testing of the Channel Selectors Push the connector for plug 4 onto the pins of the left preamplifier While playing o...

Страница 12: ...Turn on the switch Heavy also called Celeste The intensity of the vibrato should increase Turn on the switch Soft only also called Chorus The vibrato becomes less intense Turn on both Heavy and Soft The result is an intensified vibrato like the one you hear when holding your ear very close to a rotating speaker Thus ultra heavy vibrato is disabled automatically and reduced to normal heavy at the c...

Страница 13: ...abilities Maybe you want to start your playing experiments with duplicating some of the sounds Klaus Wunderlich displays live on his LP Wersitime 2 His registration information on the liner notes pertain to the model W 2 S the principles hold true for all other models There is also a record dedicated to the CLASSICA namely the LP Old Masters by Paul Heuser This recording represents a good collecti...

Страница 14: ...Figure 3 Schematic layout of the wiring harness GO 3 AM 079 Part 14 ...

Страница 15: ... S 2 15 V Piano PI 1 plug 3 pin 1 5 Neg supply voltage 9 W blue Power supply P S 2 1 5 V Master pitch control terminal A On interface panel AP 1 10 W blue Power supply PS 2 15 V Envelope control U Man H K 13 terminal 15 Neg supplyvoltage 11 W blue Power supply PS 2 15 V Bus bar U Man Neg supplyvoltage 12 W blue Power supply P S 2 15 V Piano keyers PI 13 terminal V Neg supply voltage 13 W blue Powe...

Страница 16: ...ed Power supply PS 2 15 V Piano keyers Pl13 terminal Pos supply voltage 39 W red Power supply PS 2 15 V Piano keyers Pl12 2nd oct terminal Pos supply voltage 40 W red Power supply PS 2 15 V Piano keyers PI 12 3rd oct terminal Pos supply voltage 41 W red Power supply PS 2 15 V Piano keyers PI 12 4th oct terminal Pos supply voltage 42 W red Power supply PS 2 15 V Piano keyers Pl12 5th oct terminal P...

Страница 17: ...in 17 not used in some harnesses 69 W black Power supply P S 2 G N D Wersidata switches SW 2 point G N D G N D 70 W black Power supply PS 2 G N D Tape jack on AP 1 terminal2 G N D 71 W black Power su pply PS 2 G N D Pedal drawbars Z R 1 pin 12 not used in some harnesses 72 W black Power supply PS 2 G N D Pedal drawbars Z R 1 pin 14 G N D 73 W black Power supply PS 2 G N D Master pitch control term...

Страница 18: ... 3 point 1 P M P M 92 W green Programming U Man P R 1 plug 2 pin 14 Switch bank Vibrato Reverb U S 1 point pm PM for tone generator 93 W green Programming U Man P R 1 plug 2 pin 15 Fixed stops U Man G P 2 plug 1 pin P M PM for fixed stops U Man 94 W green Programming U Man P R 1 plug 2 pin 16 Wersidata switches SW 2 point P M P M 95 W white Left Preamp V V 1 pin R A Right Preamp V V 1 pin R A Reve...

Страница 19: ...Preamp V V 2 left plug 5 cond to pin E 11 shield cut off Preamp VV 2 right plug 5 cond to pin E 11 shield cut off Extension of cable No 108a 109 W red blue Preamp V V 2 left plug 4 pin S 1 Channel selectors S 2 K point 10 L Man fixed stops left 110 W yel red Preamp VV 2 left plug 4 pin S 2 Channel selectors S 2 K point 9 L Man dra wbars left 111 W wh yel Preamp V V 2 left plug 4 pin S 3 Channel se...

Страница 20: ...d stop audio to WV 128 S blue U Man drawbars Z R 4 cond to pin 1 shield to pin 17 Wersivoice W V 7 inputs cond to pin 4 shield cut off U Man audio to WV 129 S white Pedal volume control cond to term S shield to term A Wersivoice W V 7 inputs cond to pin 5 shield cut off Pedal audio to WV fixed stops 130 S red Pedal drawbars Z R l cond to pin 10 shield to pin 9 Wersivoice WV 7 inputs cond to pin 6 ...

Страница 21: ...lug A pin 5 Piano PI 1 plug 1 pin Trig Key down 148b W yel blue Piano PI 1 plug 1 pin Trig U Man envelope HK 13 pin Perc Extension of wire No 148a 149 W brown Tone generator G 1 plug A pin 6 Switch Cont Vibrato US 1 point a Continuous vibrato 150 W yellow Tone generator G 1 plug A pin 7 Switch Del Vibrato US 1 point a Delayed vibrato 151 W yel blk Tone generator G 1 plug B pin 7 Transposer TP poin...

Страница 22: ...tch Long Sustain point a Control for long sustain 164 W yellow L Man envelope H K 13 term sust m ed L Man switch M ed Sustain point a Control for medium sustain 165 W brown L Man envelope H K 13 term sust short L Man switch Short Sustain point a Control for short sustain 166 W gray L Man envelope H K 13 term att soft L Man switch Soft Attack point a Control for soft attack 167 W white U Man envelo...

Страница 23: ... 1999 Thomas Erlebniswelt Musik This document has been reproduced for the benefit of current owners of WERSI organs It should not be used for any commercial purposes AM 079 Part 23 ...

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