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TUBEPATH

FRONT PANEL CONTROLS

INPUT 

Socket to plug in a bass guitar.

LOW BOOST

LED to boost low end.

BASS

Control to Cut or Boost deep frequencies.

MID 1 

Control to Cut or Boost low-mid frequencies

SHIFT 1 

LED to set the operating frequency of MID 1

MID 2 

Control to Cut or Boost high-mid frequencies

SHIFT 2 

LED to set the operating frequency of MID 2

TREBLE

Control to Cut or Boost high frequencies.

HIGH BOOST

LED to boost treble.

PHONES

Headphone socket (min 200 

Ω

)

GAIN  

C LEDs to adjust the input level.

CONTOUR

Control boosts lows and highs, while cutting mids.

ROUGH/SMOOTH

Switch to alter the timbre of the contour.

2ND STAGE 

Switch adds one output stage tube into the circuit. This feature offers the choice between a so called

hybrid amplifier (tube preamp with transistor power amp) and the sound of an all tube amplifier head.

MASTER

Control determines the mains level.

MUTE

ON/MUTE LED cuts the signal from all outputs, except from the PHONES socket, and 

activates the TUNER output (rear panel). In case of signal flow at the power section (Input or Effects 
Return), there might appear a popping noise when MUTE is pressed. To avoid this, mute your strings
or have effects like delays muted when pressing the MUTE button.

POWER 

On/Off switch for the Mains Power.

TUBE

SAT

TREBLE

6

4

2

0

2

4

6

MID 2

6

4

2

0

2

4

6

MID 1

0

2

4

6

8

10

12

BASS

0

2

4

6

8

10

12

CONTOUR

0

2

4

6

8

10

12

GAIN

0

2

4

6

8

10

12

MASTER

0

2

4

6

8

10

12

INPUT

PHONES

LO

BOOST

ROUGH/

SMOOTH

SHIFT

SHIFT

HI

BOOST

MUTE

2ND STAGE

POWER

500 WATTS TUBE DRIVEN BASS AMPLIFIER

TUBEPATH 5.1

REAR PANEL

MAINS IN AC 

AC Terminal with integrated fuse compartment for connection to the mains power supply.

GROUND LIFT 

Switch isolates the earth connection from the ground of signal. Should several devices be simultane-
ously connected to earth by the same conductor as well as via line connections, a so called hum loop
might appear. In this case operate GROUND LIFT to eliminate the current hum (when pressed).

FOOTSWITCH

Socket to connect a double latch footswitch with a stereo jack. The tip switches Contour on/off, the 
ring switches the 2nd Stage on/off.

TUNER OUT

Socket for a tuning device. The pure bass signal is available when the amp is switched MUTE.

LINE OUT

Output for connection to an external power stage (post MASTER)

EFF. SEND & 

Sockets to implement the effects loop. Connects the input of the effects to the SEND socket and its 

EFF. RETURN

output to the RETURN socket.

EFFECT MIX

control determine the degree to which the effects within the parallel loop affect the signal.

DI PRE/POST

When depressed, the signal at the DI OUT socket is the pure bass signal (PRE). Otherwise it is the 
signal after the tone controls and any connected effects devices have done their work (POST).

DI OUT

Balanced output for the connection to a mixing desk (PA or Studio).

SPEAKER OUT 

Sockets designed to supply speaker cabinets. Lockable Coaxial Speaker Connection and 1/4" jack 
socket (only TubePath 5.1) are connected parallel.

Содержание X-Treme 5.1

Страница 1: ...OFFICIAL WARWICK AMP OWNER MANUAL...

Страница 2: ......

Страница 3: ...ENGLISH...

Страница 4: ...splashing and no objects filled with liquids such as vases shall be placed on the apparatus This symbol wherever it appears alerts you to the presence of uninsulated dangerous voltage inside the enclo...

Страница 5: ...guidelines set out in this manual you will soon be able to appreciate the quality of this new Warwick amplifier Please keep this instruction booklet handy in case you need to consult it again Please s...

Страница 6: ...er must then be switched off and on again to get back into playing mode after having removed the short circuit In any other situati on the amplifier switches automaticallyback to playing mode as soon...

Страница 7: ...R 0 2 4 6 8 10 12 GAIN 0 2 4 6 8 10 12 MASTER 0 2 4 6 8 10 12 INPUT PHONES LO BOOST ROUGH SMOOTH SHIFT SHIFT HI BOOST MUTE 2ND STAGE POWER 500 WATTS TUBE DRIVEN BASS AMPLIFIER TUBEPATH 5 1 REAR PANEL...

Страница 8: ...higher volumes it might be better to reduce the low range CONTOUR control boosts lows and highs while cutting mids GROWL control for boosting cutting low mids ATTACK control for boosting cutting prese...

Страница 9: ...ocket for a tuning device The pure bass signal is available at this socket when the amp is switched MUTE LINE OUT Output for connection to an external power stage post MASTER EFF SEND Sockets to imple...

Страница 10: ...8dB 50Hz Hi Boost 13dB 18kHz Contour Smooth 0dB 50Hz 16dB 300Hz 12dB 16kHz Rough 2dB 100Hz 16dB 1 1kHz 8dB 18kHz Switches FS Foot Switch Contour Rough Smooth FS 2nd Stage FS Low Boost High Boost 2 x...

Страница 11: ...PATH 1 Speaker Set up Quantity Impendance 4 16 ohms Cabinets 2 8 ohms Cabinets 1 6 ohms Cabinet 1 4 ohms Cabinet Note The minimum load of the power amplifier is 4 ohms CONNECT SPEAKERS SIMPLIFIED DIAG...

Страница 12: ...Contour 3dB 110Hz 16dB 320Hz 14dB 14kHz Growl 10dB 220Hz Attack 10dB 1 1kHz Switches FS Food Switch 10dB pad boost FS compressor EQ on off FS mute Headphone 200 ohms min Direct Out 0dB 600 ohms Effect...

Страница 13: ...reme Cabinet WCA 411 Pro 8 ohms Cabinet WCA 115 Pro 8 ohms Speaker Set up Quantity Impendance 4 16 ohms Cabinets 2 8 ohms Cabinets 1 6 ohms Cabinet 1 4 ohms Cabinet Note The minimum load of the power...

Страница 14: ...chester M3 2RH Great Britain E Mail info warwickbass co uk Branch Switzerland Warwick Music Equipment Trading Zurich GmbH Kriesbachstrasse 30 8600 D bendorf Switzerland E Mail info warwick ch Branch C...

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