background image

MIX

 

controls the mixture between the noise part and the multiple, detuned oscillators. 
Turned fully counterclockwise, only the noise component will be audible, turned 
fully  clockwise,  only  the  oscillator  mixture  will  be  audible,  allowing  for  more 
“authentic” sounds, due to the metallic sound.

PITCH

 

defines the pitch/frequency of the oscillator mix as well as for the 

ATTACK

 impulse.

 

HI  HAT  1

  and 

HI  HAT  2

  can  be  triggered  in  two  versions,  using  the 

TRIG

 

button 

  -  either  as  cymbal/open  hi-hat  or  as  closed  hi-hat.  The  closed  hi-

hat  has  a  fixed,  short  decay  time,  independent  of  the 

DECAY

  control.  After 

switching  on  the  DRM1  MKIII,  the 

TRIG

  button 

  defaults  to  trigger  the 

cymbal/open  hi-hat,  with  the  sound’s  length  being  defined  by 

DECAY

.  To 

toggle  the  trigger-modes,  press  and  hold 

TRIG 

  for  approx.  two  seconds. 

The  corresponding  LED  will  light  up  shortly  to  confirm  the  operation. 
 
By using MIDI, both sounds of these instrument channels, cymbal/open hi-hat 
and closed hi-hat, can be played by different MIDI notes. Here, the dependency 
between  the  two  sounds  on  one  channel  is  automatically  reflected  (see  "MIDI 
Functions" on page 18).

16

Содержание DRM1 MKIII

Страница 1: ...Bedienungsanleitung User Guide DRM1 MKIII...

Страница 2: ...ck due to significant historical and political changes This product was introduced many years ago but the DRM1 is still being produced Why There are still musicians that do not own this product Becaus...

Страница 3: ...Rear Panel 8 The Sound Generation 9 KICK 10 DRUM 1 DRUM 2 12 MULTI 13 SNARE 14 HI HAT 1 HI HAT 2 15 CLAP 17 MIDI Functions 18 Setting the MIDI channel and note number for an individual instrument cha...

Страница 4: ...t consult an electrician for replacement of the obsolete outlet 8 Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the point where they exit fro...

Страница 5: ...tallation Ensure that the room in which you use the DRM1 MKIII is wired in accordance with the local electrical code and checked by a qualified inspector Do not install the DRM1 MKIII in hot humid or...

Страница 6: ...amplifier After connecting the module to a power socket using the supplied power chord setup the audio and MIDI connections as follows Setting up audio connections CONNECT FIRST AND THEN SWITCH ON To...

Страница 7: ...to an audio interface For safety reasons while connecting and powering up the unit turn down the MASTER control of the DRM1 MKIII as well as the input controls of the units that follow in the signal c...

Страница 8: ...th LED triggers sound in instrument channel sound shaping parameters see The DRM1 MKIII s instrument channels on page 10 PAN and VOLUME channel volume and panning see The Sound Generation on page 9 OU...

Страница 9: ...ower connector and fuse holder The fuse holder of the power connector is equipped with an active and a replacement fuse Check the active fuse if the DRM1 MKIII shouldn t work anymore and replace it by...

Страница 10: ...ous analogue drum machines invented by our friends from Japan The DRM1 MKIII has a lot to offer It covers many aspects of those classic units but also a lot more But one thing can certainly be said Th...

Страница 11: ...found in genres such as Hip Hop or R n B With DECAY set to maximum long sounding bass drums can be achieved Use these for Jeep Beats D n B and Dubstep BOOOOOOOM PITCH sets the overall sound frequency...

Страница 12: ...th At higher values the sound will start to overdrive and distort making an additional overdrive or distortion pedal superfluous when wanting to create harder sounding bass drums NOISE adds a short fi...

Страница 13: ...AY setting ATTACK adds a short fixed needle impulse to the sound s start to support its assertiveness Always adjust ATTACK in correlation to the complete mix FM INT defines the intensity of the freque...

Страница 14: ...mpulse to the sound s start to support its assertiveness Always adjust ATTACK in correlation to the complete mix PITCH 2 setsthepitch frequencyofthesecondoscillator ChangingPITCHwillalwayschange the f...

Страница 15: ...s effect is only audible with NOISE being enabled NOISE sets the volume of the sound s noise component By this the snare will receive more body and therefore sounds more authentic With this control s...

Страница 16: ...sets the release time or the sound s length FILTER sets the cutoff frequency of the low pass filter coloring the overall sound of the channel BEND adjusts the amount of a possible cutoff modulation by...

Страница 17: ...her as cymbal open hi hat or as closed hi hat The closed hi hat has a fixed short decay time independent of the DECAY control After switching on the DRM1 MKIII the TRIG button defaults to trigger the...

Страница 18: ...e speed of a sequence of the individual claps needle impulses NOISE adjusts the amount of noise that sounds conjointly with the claps Without adding any NOISE the results sound unnatural RESO specifie...

Страница 19: ...these steps for each instrument channel if needed This way you may play the DRM1 MKIII s sound on different MIDI channels Setting the MIDI channel and note numbers for all instrument channels 1 Press...

Страница 20: ...nd The closed hi hat is automatically assigned to a note number two semitones equals two MIDI notes below the open hi hat Therefore pay attention to keep that position unoccupied when assigning note n...

Страница 21: ...n the output jack Use as individual output The OUT jack can be used as an individual out in two ways 1 By using a standard TS cable the signal will be automatically excluded from the main outputs Figu...

Страница 22: ...n red to the output of the effect processor Trigger Inputs optional You can purchase the DRM1 MKIII either with or without trigger inputs The 10 trigger inputs allow triggering the DRM1 MKIII s sound...

Страница 23: ...g 18 dBu PHONES 1 x 1 4 TRS jack impedance 32 600 Controls 7 sound shaping parameter PAN VOLUME per instrument channel MASTER VOLUME MIDI IN THRU accepts MIDI NOTE NUMBERS with VELOCITY Measurements d...

Страница 24: ...HDB electronic GmbH Badesteig 20 08258 Markneukirchen GERMANY Fon 49 0 37422 4027 0 Email info vermona com Web www vermona com...

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