10
Input Channel Controls Con nued
EQ
–
The channel EQ adjusts the gain or a enua on at three
specific frequency ranges. The Low pot set at 200Hz, mid at 1.1kHz
and high at 2kHz. Each control gives approximately
-
20dB of cut and
+6dB of boost.
HPF
–
The high
-
pass filter (HPF) a enuates all frequencies below
the cut
-
off point, with a swept frequency range from 18Hz to 1.8kHz.
It features Variable
-
Q and a two
-
pole response.
The Variable
-
Q automa cally increases the filter’s resonance at higher
cut
-
off frequencies for that classic analogue filter sound, without the
danger of excessively boos ng low frequencies.
Cue
–
The Cue bu on illuminates red when ac ve, and routes the
pre
-
fader channel signal to the headphone monitor for audi oning.
The bu on has a toggle func on and will turn on/off with each press.
Each channel cue is independent and will not be overridden when
pressing other channel cue bu ons.
Meter
–
Each channel has its own associated 10 bar LED meter.
The meter is peak reading and is scaled from
-
25VU to PK (+12VU).
For Op mal signal
-
to
-
noise ra o (SNR) with minimum distor on (THD)
set the channel audio level so that the blue 0VU LED is illuminated,
and the signal peaks are just ligh ng the white +3VU LED.
Adjustment is set using the Channel Trim (see page 9).
Fader
–
The channel faders provide smooth mix transi ons
between the different audio sources. They are not intended to be
used to set the channel level fed to the main Mix Buss
-
use the
Channel Trim control for this.
Each fader has a range from Off, (down) to
unity, (up), with a
progressive linear law. There is no signal gain built into the channel
fader, and for best dynamic range it should be operated fully up on
any channel feeding into the mix. The TKD conduc ve plas c faders
are damped for precise level changes
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