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1

Ch 1

Ch 2

Ch 3

Aux

Tip:

Send
Ring:

Rtn

Effects

Footswitch

RCA Input

Pre EFX

POWER

CLIP

CLIP

CLIP

Acoustic Master

Custom

0

10

1

9

2

8

3

7

4

6

5

Master

Gain 1

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10

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9

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8

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7

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6

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Gain 2

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10

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9

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8

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7

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6

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Gain 3

0

10

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9

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8

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Aux Gain

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10

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9

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8

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Post-EFX

Line Out

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10

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9

2

8

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7

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WE

T

DR

Y

Mix

Modify

Select

10

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11

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13

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14

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3

16

2

9

1

Ch 1& 2 Effects

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Mix

Modify

Select

10

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16

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9

1

Ch 3 Effects

Feedback

Notch

Insert

Ch 1

Off

1kHz

Freq

-15

0

+15

Bass

-15

0

+15

Bass

-15

0

+15

Bass

-15

0

+15

Lo-Mid

-15

0

+15

Lo-Mid

-15

0

+15

Lo-Mid

-15

0

+15

Hi-Mid

-15

0

+15

Hi-Mid

-15

0

+15

Hi-Mid

-15

0

+15

Feedback

Notch

Ch 2

EFX

Off

1kHz

Freq

Feedback

Notch

Insert

Ch 2

Insert

Config.

Insert

Ch 3

Off

1kHz

Freq

Treble

-15

0

+15

Treble

-15

0

+15

Treble

Effects

Tip:

Ch 1-2
Ring:

Ch 3

Gnd

Lift

Defeat

Active

 9. Delay

 10. Delay+Reverb

 11. Drive

 12. Harmonizer

 13. Flanger

14. Delay

 15. Rotary Speaker

16. Compressor

 

Time

Gain

Rate

Pitch

Level

 1. Hall Reverb

 2. Room Reverb

 3. Plate Reverb

 4. Chorus

 5. Reverb

 6. Rev+Dly

 7. Tremolo

 8. Reverb

Decay

Depth

Rate

15 VDC

Phantom 

Po

we

r

48 VDC

Phantom 

Po

we

r

Ch 1

Ch 2

Ch 3

Input

Input

Input

Input

Aux

The Acoustic Master Custom  

The Traynor Acoustic Master Custom is a 225-watt bi-amped amplifier designed specifically 

to make an acoustic guitar sound as natural and realistic as possible when amplified. The 

compact size and light weight of the Acoustic Master Custom makes it easy to take anywhere. 

Active or passive pickups of your acoustic guitar, a microphone, and even line-level signals 

can all be used. Other features include two separate digital effects processors with 16 custom 

sounds, one shared on channels1 and 2 and the other on channel 3. Balanced line outputs 

(pre and post effects), inserts, and a sweepable notch filter make this amp perfect for stage 

use. The versatility and response of the Acoustic Master Custom will make it a pleasure to 

play for years to come. 

1. Power

The Blue LED, located next to the Master Volume, will illuminate when the unit is turned on. 

The power switch is located at the back of the unit near the power receptacle.

2. Channel  1

Channel 1 has been voiced specifically for acoustic guitars. This input is unbalanced with an 

input impedance of 1 Mega-ohm. It can accept either passive (piezo/coil) or active pick-ups. Tone  

controls include Gain, Bass, Lo-Mid, Hi-Mid and Treble, as well as a sweepable notch filter which 

eliminates most feedback generated by the guitar at high volumes.

Note: Channel 1 has a high input impedance and is designed to accept both active and 

passive pickups, however Channel 2 and 3 only accept guitars that use active pickups.

Channel 1 is very high gain, the sensitivity is about 50mV and will accept the low output 

of guitars that use passive pickups. If you wish to use an active or 'hot' guitar on channel 

1 please follow the following procedure.

1. Turn the Gain Control on Channel 1 to '0' leaving the Master at (approx.) 11 o'clock; 

strum your guitar and watch the Clip LED, if it illuminates with normal playing, reduce the 

gain on the guitar until the LED does NOT illuminate when playing normally.

2. Increase the Gain on Channel 1 while strumming or plucking normally until the Clip 

LED illuminates and then back-it-off a little. If more output is needed from the amp, 

increase the Master Volume to the desired level.

3. If your guitar is active and does NOT have a volume control, use Channel 2 or 3 as your input.

Содержание Acoustic Master Custom

Страница 1: ...Acoustic Master Custom A C O U S T I C G U I T A R A M P L I F I E R MODEL TYPE YS1084...

Страница 2: ...cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped AVIS AFIN DE...

Страница 3: ...es include two separate digital effects processors with 16 custom sounds one shared on channels1 and 2 and the other on channel 3 Balanced line outputs pre and post effects inserts and a sweepable not...

Страница 4: ...rive 12 Harmonizer 13 Flanger 14 Flanger Delay 15 Rotary Speaker 16 Compressor Time Gain Rate Pitch Level 1 Hall Reverb 2 Room Reverb 3 Plate Reverb 4 Chorus 5 Chorus Reverb 6 Chorus Rev Dly 7 Tremolo...

Страница 5: ...strings 6 Feedback Notch Filter Control Ch 1 Ch 2 and Ch 3 Use the sweepable Feedback Notch filter to help eliminate feedback caused when the guitar is too close to the amp at higher volume levels If...

Страница 6: ...switch affects both the pre and post EFX line outs to help reduce ground hum This switch is located beside the line out jacks 15 Line Out XLR Pre effects The Line Out is a balanced mono signal that c...

Страница 7: ...x 1 et 2 et une pour le canal 3 Les sorties ligne sym triques pr et post effets une boucle d effets et un filtre coupe bande balayage en font l amplificateur parfait pour usage sur sc ne La polyvalenc...

Страница 8: ...ry Speaker 16 Compressor Time Gain Rate Pitch Level 1 Hall Reverb 2 Room Reverb 3 Plate Reverb 4 Chorus 5 Chorus Reverb 6 Chorus Rev Dly 7 Tremolo 8 Tremolo Reverb Decay Depth Rate 15 VDC Phantom Powe...

Страница 9: ...e instrument Utiliser la commande Bass pour r duire la sonorit boom ou pour augmenter le battement des graves R glez les commandes des fr quences m dianes Lo Mid et Hi Mid pour obtenir plus de clart o...

Страница 10: ...r le niveau d entr e pour viter l cr tage audible Si un cr tage se produit r duisez le niveau du volume sur votre guitare ou celui de la commande de Gain 13 Entr e RCA L entr e RCA se compose d un ens...

Страница 11: ...r au pied optionnel tel que le APEX AFS2 double commutateur verrouillage peut tre utilis pour contourner ind pendamment les effets internes pour les canaux 1 2 et 3 18 Commande Master Volume La comman...

Страница 12: ...Notch Filter Bass Lo Mid Hi Mid Treble Tone Controls Bass Lo Mid Hi Mid Treble Feedback Notch Filter XLR 1 4 inch Balanced Tone Controls Bass Lo Mid Hi Mid Treble Feedback Notch Filter RCA Post DSP Li...

Страница 13: ...hannel 3 inputs 1 Channel 3 controls gain 4 band tone control Notch D EFX Channel 4 inputs 1 Channel 4 controls gain monitor channel post Master Volume Channel 5 inputs RCA pre master volume Master Vo...

Страница 14: ...anal 3 entr es 1 Canal 3 commandes gain 4 bandes de commandes de tonalit Notch D EFX Canal 4 entr es 1 Canal 4 commandes gain canal de moniteur post Master Volume Canal 5 entr es RCA pr master volume...

Страница 15: ...the delay from 100 980 ms 10 Delay Reverb This is a delay that is followed by a smaller hall reverb The Modify knob sets the delay in the range of 200 600 ms 11 Drive Similar to the style of distorti...

Страница 16: ...La commande Modify ajuste le retard de 100 980 ms 10 Delay Reverb Un retard suivi d un hall reverb plus petit La commande Modify ajuste le temps de retard de 200 600 ms 11 Drive Effet semblable au sty...

Страница 17: ...registrer votre nom aupr s de Yorkville Sound ou de votre d taillant Si pour une raison quelconque ce produit devient d fectueux durant les deux ann es qui suivent la date d achat initial retournez le...

Страница 18: ...state Niagara Falls New York 14305 USA Voice 716 297 2920 Fax 716 297 3689 WORLD HEADQUARTERS CANADA Yorkville Sound 550 Granite Court Pickering Ontario L1W 3Y8 CANADA Voice 905 837 8481 Fax 905 837 8...

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