If you turn this control up, you will boost all the frequencies above 12 kHz (shelving filter). You will add
transparency to vocals and guitar and also make cymbals crispier. Turn the control down to cut all frequencies
above 12 kHz In such way, you can reduce sibilances of human voice or reduce the hiss of a Tape player.
10- HI
This is a peaking filter and it will boost/cut frequencies from 100 Hz to 8 kHz depending on the position of the
MID freq control. This control will affect especially upper male and lower female vocal ranges and also the
harmonics of most musical instruments.
11- MID
12- HI-MID
13- MID-LOW
14- LOW
15- AUX SENDS Level Control
These four controls are used to adjust the level of the respective signal sent
to AUX bus, AUX1 and AUX2 can be switched to PRE/POST-FADER via the
PRE/POST button, so, generally, they can be used for monitor
This control gives you up to 15 dB boost or cut at 3 kHz. It is useful for
controlling voice. It can accurately polish your performance via adjusting
this knob.
This control gives you up to 15 dB boost or cut at 500 Hz.
If you turn this control up, you will boost all frequencies below 80 Hz.
You will give more punch to bass drum and bass guitar and make the
vocalist more "macho". Turn it down, you will cut all the frequencies
below 80 Hz. In this way, you can avoid low frequency vibrations and
resonance thus preserving the life of your woofers.
application and effects & sound processors input. AUX3 and AUX4 are
configured as POST-Faders. In this typical compact unit, excluding sending
out the signal directly to the external effect or processor equipment, AUX
SEND4 can also be assigned to the internal onboard effect module.
16- PAN/BAL Control
Abbreviation of PANORAMA control for mono channels, or the stereo channels, always says, BALANCE control.
Keep this control in center position, then the signal will be positioned in the middle of stage.
Each channel is equipped with a MUTE button. Pressing this button is equal to turning the fader down, which
can mute the corresponding channel output except for the channel INSERT send and SOLO (in PFL mode).
And the MUTE LED will illuminate.
Inside your MX2442, the audio signal is monitored in several different stages and then sent to the PEAK LED.
When the LED is red illuminated, it warns you that you are reaching signal saturation and possible distortion,
then you should reduce the input level for avoiding distortion.
17- PEAK LED
18- MUTE Button & LED
19- FADER
This fader will adjust the overall level of this channel and set the amount of signal send to the main output.
20- ASSIGNMENT Controls
Each channel provides four push-buttons: SUB1-2, SUB3-4, MAIN L-R and SOLO. Pressing the SOLO button, the
corresponding SOLO LED will illuminate and the SOLO signal will replace other signals send to the Headphone/
Control Room and Meters. Usually use the SOLO function in live work to preview channels before they are let
into the mix. It is useful to set an instrument's input level and EQ, and you can also solo any channel that you
want to. The SOLO switch never affects any mix other than the Control Room. The other three buttons can be
considered as signal assignment switches. Pressing the SUB1-2 will assign the channel signal to Subgroup1/2,
you can depend on the PAN switch to adjust the amount of channel signal sent to the SUB1versus SUB2, when
turns the PAN to completely left, then the signal can be only controlled by Subgroup1 and viceversa. In the
same way, pressing the SUB3-4 or MAIN L/R will assign the channel signal to Subgroup3/4 or MAIN MIX L/R,
and will also be affected by PAN.
