Top pro music gear MX.6FX, Руководство пользователя

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CTRL RM OUT
L
R
L
R
MAIN OUT
7
8
2 TRACK IN OUT
IN OUT
L
R
9
10
9- TAPE IN
Use the Tape input to connect a CD Player, Tape, DAT, iPOD or any
other line-level source. You can send this signal either to CONTROL
ROOM OUTPUT and/or to the MAIN MIX OUTPUT using the relative
2TK TO select buttons.
10- TAPE OUT
These RCA jacks will route the main mix signal into a tape or DAT
recorder.
CHANNEL STRIP
11
12
13
14
15
16
17
3-BAND EQ
You have three EQ control for each mono and stereo input channel
each pro/-15 dB of boost and cut (MID is +/-12 dB). The
signal will be unaffected when the controls are on center position.
You may use an external equalizer to make up a mix properly but a
master equalizer will not have effect on a single channel and you
may overload the signal easily. Individual EQ will give you a much
better control on single tracks.
11- HI
If you turn this control up, you will boost all the frequencies above
12 kHz (shelving filter). You will add transparency to vocals & guitar
and also make cymbals crispier. Turn the control down to cut all
frequencies above 12 kHz. In such way, you can reduce sibilances
of human voice or reduce the hiss of a Tape player.
12- MID
This is a peaking filter and it will boost/cuts frequencies with their
center at 2.5 kHz. This control will affect especially upper male and
lower female vocal ranges and also the harmonics of most musical
instruments.
13- LOW
If you turn this control up, you will boost all frequencies below 80
Hz. You will give more punch to bass drums and bass guitar; and
you will make the male vocalist more "macho". Turn it down and
you will cut all the frequencies below 80 Hz. In this way you can
avoid low-frequency vibrations and resonance thus preserving the
life of your woofers.
8- MAIN MIX OUTPUTS
This stereo output is controlled by the Main Mix Level on Master
section and will send the audio signal to an amplifier or to a pair
of active speakers. The output level can be varied from -
to +15 dB.
14- AUX SEND
This control is used to adjust the level of the signal sent to AUX
SENDS output (if nothing is connected to AUX SEND socket, the
signal will be sent to the resident digital multi-effect), and such adjustment doesn't affect the
main mix output signal at all. AUX is configured as POST fader, however, it can also be configured
as PRE fader through internal modification. (For more detail, please refer to chapter 6)
MX
Either the 1/4" TRS phone jack or XLR connector can be wired in balanced and unbalanced
modes, which will be determined by the actual application status, please wire your system as
the following wiring examples:
XLR Type Unbalanced
Pin3 (-)
Pin2 (+)
Pin1 ( )
(Linked to Pin1 manually, )
XLR Type alanced B
Pin1 ( )
Pin2 (+)
Pin3 (-)
TRS Type Balanced
Tip
Ring
Sleeve
+
-
TRS Type Unbalanced
Tip
Ring
Sleeve
+
TS Type Unbalanced
Sleeve
Tip
+
For 1/4" Phone jack
For XLR Connector
For these applications the unit provides 1/4" TRS and XLR connectors to easily interface with
most professional audio devices. Follow the configuration examples below for your particular
connection.
In-line Connection In-line Connection
Tip
Ring
Sleeve
Tip
Ring
Sleeve
Tip
Ring
Sleeve
1
2
3
1
2
3
1
2
3
TIP RING SLEEVE
SLEEVE RING TIP
TIP RING SLEEVE
2
1
3
1
2
3
1
2
3
Tip
Ring
Sleeve
Tip
Ring
Sleeve
Tip
Sleeve
Tip
Sleeve
Tip
Sleeve
Cent e r
Cent e r
Centre
Screen
Screen
Screen
1
2
3
Tip
Ring
Sleeve
1
2
3
1
2
3
Tip
Ring
Sleeve
1
2
3
Tip
Sleeve
1
2
3
TIP SLEEVE
TIP SLEEVE
TIP RING SLEEVE
TIP RING SLEEVE
1
2
3
2
1
3
2
1
3
TIP RING SLEEVE
TIP SLEEVE
1
2
3
1
2
3
SLEEVE TIP
SLEEVE RING TIP
Unbalanced
Balanced
10
MX