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FUZZY BRIT GUIDE TO CONTROLS

(in order of signal flow)

Independent SansAmp Section:
DRIVE A and DRIVE B

Adjusts the overall amount of gain and overdrive, similar to when the

output section of a tube amp is being pushed. The first half of the rota-

tion will increase the volume as well as the overdrive.

CHAR A and CHAR B

Both Char A and Char B have the same range as each other. They

sweep through an entire range of tonal possibilities associated with 

Marshall-style amplifiers. In addition to modifying the frequency re-

sponse, Character also influences the attack and drive characteristics.

Therefore, you may need to adjust your gain and tone settings after

tweaking the Character control.

Range of Settings:

• Below 12 o’clock

bring you the Bluesbreaker/JTM45® era of British

blues-- warm, overdriven tone with the characteristic bulldog bite.  

• Nearing 12 o’clock

brings you into the Plexi range with a noticeable

throatiness in the mids.

• Above 12 o’clock

gets you the classic presence boost of the ‘70s Metal-

face.

• Full up

it goes to 11. That’s right, 11.

LOW, MID, HIGH

On-board post-EQ section gives you full control, like having a studio

mixing board at your fingertips. Unlike passive tone controls that only

cut, these active controls cut and boost ±12dB. Low is tuned to 125 Hz;

High frequency is 3.2 kHz. Mid is tuned to 1kHz. 

VOL A and VOL B

Adjusts the volume of the SansAmp section.

Independent Fuzz Section:
FUZZ

Adjusts the overall amount of fuzz. Highly interactive with the level of

your guitar. For instance, you can clean up the amount of fuzz by de-

creasing the guitar’s volume (except in very extreme settings) without

having to change the setting on the pedal. Conversely, you can increase

the amount of fuzz by simply increasing the guitar’s volume.

TONE

Very musical, specialized low pass filter that shifts the high cut from

10kHz to 1kHz. It allows you to remove the high end without losing

mids or getting muddy.

LEVEL

Adjusts the level of the Fuzz section.

SPEAKER SIMULATION

Speaker simulation is an integral part of the SansAmp circuitry. It is de-

signed for a smooth, even response as would be achieved by a multiply-

miked cabinet, without the peaks, valleys, and notches associated with

single miking. The shape of the speaker curve will not adversely effect

or interfere with the frequency response of your own cabinet. The

speaker simulation works in tandem with the EQ controls to custom

tailor the overall sound.  

Fuzzy Brit:

tuned to match English Greenback-style speakers.

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Содержание Character Plus Series

Страница 1: ...or television reception which can be determined by turning the equipment off and on the user is encouraged to try to cor rect the interference by one or more of the following measures Reorient or rel...

Страница 2: ...a nominal price Whether you re frugal or extravagant you can focus on the one that is your personal favorite or collect them all and trade them with your friends APPLICATIONS AS A STOMPBOX with a guit...

Страница 3: ...tion gives you full control like having a studio mixing board at your fingertips Unlike passive tone controls that only cut these active controls cut and boost 12dB Low is tuned to 125 Hz High frequen...

Страница 4: ...premises which could be desirable in certain circumstances LOW MID HIGH On board post EQ section gives you full control like having a studio mixing board at your fingertips Unlike passive tone contro...

Страница 5: ...ard at your fingertips Unlike passive tone controls that only cut these active controls cut and boost 12dB Low is tuned to 125 Hz High frequency is 3 2 kHz Mid is tuned to 1kHz VOL A and VOL B Adjusts...

Страница 6: ...g 12 o clock brings in the vocal quality of Woman Tone Full up boosts the low mids for non Top Boost AC30 style tone LOW MID HIGH On board post EQ section gives you full control like having a studio m...

Страница 7: ...gear We recommend you start with the tone controls at 12 o clock and cut or boost as needed 4 Tech 21 pedals have exceptionally low noise levels However they may amplify noise emanating from the input...

Страница 8: ...13...

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