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SCREAMING BLONDE GUIDE TO CONTROLS

(in order of signal flow)

Independent SansAmp Section:
DRIVE A and DRIVE B

Adjusts the overall amount of gain and overdrive, similar to when the

output section of a tube amp is being pushed. The first half of the rota-

tion will increase the volume as well as the overdrive.

CHAR A and CHAR B

Both Char A and Char B have the same range as each other. They

sweep through an entire range of tonal possibilities associated with

Fender-style amplifiers. In addition to modifying the frequency re-

sponse, Character also influences the attack and drive characteristics.

Therefore, you may need to adjust your gain and tone settings after

tweaking the Character control.

Range of Settings:

• Below 12 o’clock

are in the Black and Silver Face family.  When clean,

there's a soft midrange with a nice top-end sparkle. Driven, the tone

moves to a warmer low-end breakup. 

• Around 12 o’clock

brings you into Blonde territory with more of

everything --more lows, more mids and more highs. 

• Above 12 o’clock

moves things into the Tweed era with a pro-

nounced midrange bark. 

• Full up

gives you lead boosted tones. 

LOW, MID, HIGH

On-board post-EQ section gives you full control, like having a studio

mixing board at your fingertips. Unlike passive tone controls that only

cut, these active controls cut and boost ±12dB. Low is tuned to 125 Hz;

High frequency is 3.2 kHz. Mid is tuned to 1kHz.

VOL A and VOL B

Adjusts the volume of the SansAmp section.

Independent Scream Section:
OVERDRIVE

Adjusts the overall amount of drive. Highly interactive with the level of

your guitar. For instance, you can clean up the amount of distortion by

decreasing the guitar’s volume (except in very extreme settings) with-

out having to change the setting on the pedal. 

TONE

Specialized voicing for adjusting the high-end and mid-range. At max, it’s

flat. As you reduce the setting, it will decrease the high-end without los-

ing mids or getting muddy.

LEVEL

Adjusts the level of the Scream section.

SPEAKER SIMULATION

Speaker simulation is an integral part of the SansAmp circuitry. It is de-

signed for a smooth, even response as would be achieved by a multiply-

miked cabinet, without the peaks, valleys, and notches associated with

single miking. The shape of the speaker curve will not adversely effect

or interfere with the frequency response of your own cabinet. The

speaker simulation works in tandem with the EQ controls to custom

tailor the overall sound.  

Screaming Blonde: 

tuned to match standard 12” Jensen®-style

speakers.

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Содержание Character Plus Series

Страница 1: ...or television reception which can be determined by turning the equipment off and on the user is encouraged to try to cor rect the interference by one or more of the following measures Reorient or rel...

Страница 2: ...a nominal price Whether you re frugal or extravagant you can focus on the one that is your personal favorite or collect them all and trade them with your friends APPLICATIONS AS A STOMPBOX with a guit...

Страница 3: ...tion gives you full control like having a studio mixing board at your fingertips Unlike passive tone controls that only cut these active controls cut and boost 12dB Low is tuned to 125 Hz High frequen...

Страница 4: ...premises which could be desirable in certain circumstances LOW MID HIGH On board post EQ section gives you full control like having a studio mixing board at your fingertips Unlike passive tone contro...

Страница 5: ...ard at your fingertips Unlike passive tone controls that only cut these active controls cut and boost 12dB Low is tuned to 125 Hz High frequency is 3 2 kHz Mid is tuned to 1kHz VOL A and VOL B Adjusts...

Страница 6: ...g 12 o clock brings in the vocal quality of Woman Tone Full up boosts the low mids for non Top Boost AC30 style tone LOW MID HIGH On board post EQ section gives you full control like having a studio m...

Страница 7: ...gear We recommend you start with the tone controls at 12 o clock and cut or boost as needed 4 Tech 21 pedals have exceptionally low noise levels However they may amplify noise emanating from the input...

Страница 8: ...13...

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