TC Electronic Flashback Triple Delay, Руководство пользователя

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Inputs, outputs and controls
Flashback Triple Delay English manual 2014-10-14 25
Tape
Who doesn’t love the smooth sound of an old
tape echo machine? The “Tape” delay makes for
an overall great starting point with its mellow and
“warbling” sound.
Tube
This delay type has been tweaked to sound like
an old tube tape echo – much like the “Tape” de-
lay, but with a bit more warmth. Use this delay if
you want your fans to check the stage for hidden
vintage gear…
Space
It’s hard not to like the luscious tape sound of
the original Roland® Space Echo*. The “Space”
delay instantly gives you rich echo sounds with a
bit of Space Echo* mojo.
Analog
This is as close as you can get to the charming
nature of an old analog transistor bucket-brigade
delay without buying the real thing! With every
repeat, you get more of that old-school “fade to
grey” vibe.
Analog w/mod
Take a trip down Memory Lane with this rich and
larger-than-life sounding delay. “Analog w/mod”
will definitely spice up your sound.
Reverse
If you’ve been around for some time, you know
the drill: Record a guitar part on tape. Flip the
tape over. Play it back. This is a classic effect
made famous by guitar legends such as Jimi
Hendrix – and although it’s kind of “old school”,
the reverse effect still seems to inspire people to
try out new things.
Try this: Turn the Feedback knob all the way up
to hear only the reversed signal.
Dynamic
This is a replica of the legendary Dynamic Delay
initially introduced in the renowned TC 2290. The
delay’s output level is actively altered by the dy-
namics of the input level. While playing, the de-
lay level is attenuated, and in between phrases
the delay level is increased. This allows you to
play with a relative large amount of delay without
muddying fast riffs.
2290
Once upon a time… (i.e., back in 1985) TC Elec-
tronic released the 2290 Dynamic Digital Delay.
It set the bar for professional delays for years to
come and is still held in high regard among delay
enthusiasts. Use the “2290” delay for the crisp-
est and cleanest delay you can imagine. This is
the standard.
2290 w/mod
Take the 2290’s pristine sound, send it through
three (!) chorus pedals… et voilà. If you’re into
the sound of The Edge, you don’t want to miss
this delay.
Slap
A delay type for all things country – but you can
also use this for many other genres. Use this de-
lay to get your rockabilly on. Pay homage to the
rich staccato heritage of Brian Setzer, Chet At-
kins and Scotty Moore, or use this delay as an
alternative to reverb.
Lofi
Fed up with hi-fi? Try the “Lofi” delay to get that
dirty feel. From punk to rock – play around with
the knobs, but no matter what you do: It ain’t
gonna sound “pretty”.
Ping Pong
Like the ball in the eponymous game, the delay
repeats jump from left to right (provided you’re
using both outputs for a stereo signal). The ef-
fect is really wide.
Ping Pong is a lot of fun to play around with in
stereo – but it sounds great in mono, too.