TC Electronic Finalizer PLUS/96 Скачать руководство пользователя страница 8

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MAIN PAGE  

Input

MAIN PAGE 

Input

Select the In section on the Main page using the
BLOCK keys.
The global level controls should be set to optimize the
performance of the 24 bit A/D converter in the
Finalizer.

The In block is divided into two pages accessible by
using the MENU keys. The Input choice in page 1
enables or disables other parameters such as External
Insert and Sample Rate Conversion and the Input
choice should therefore be carried out as step no. 1.

Please note that the DSP ÒMODE 48/96Ó is available
only in the Finalizer 96.

Basic operation

Press the PARAMETER keys to move the cursor, and turn the
ADJUST wheel to change values. 

Page 1

This page is identical to page 1 in the Out block

Considerations setting up the Input page:
Maximum A/D performance

When converting from Analog to Digital, maximum A/D
performance is crucial to maintain the maximum quality. In order
to achieve this, the A/D converter should be given the best
operational conditions. Setting the clock of the converter is one of
the points where you have to carefully consider your choice.
The ideal situation for any converter is to use the internal clock of
the converter itself. This will ensure a minimum of artifacts like
jitter. 

Input Sample Rate and Sample Rate Conversion (SRC)

When a Digital Input is used, the transmitting device and the
Finalizer need to run at the same Clock Rate, or Sample Rate
Conversion (SRC) must to be used.
If the SRC is off, you have to put either the Finalizer in External
Clock mode, or the transmitting device has to get a Clock Rate
from the Finalizer running in internal clock mode.
To test the Digital connection, try listening for a minute or so to a
sine tone at e.g. -18dBFS generated by the transmitting device. If
you hear no distortion or glitches, you’ve probably got it right.

INPUT

Input type
select

Clock 
select

Digital Output
formats

I 2

I 1

NORMALIZER

EXPANDER

COMPRESSOR

LIMITER

OUTPUT

Left/Right
Input level

L/R Fine
adjust

LoCut 
Frequency

Sample Rate Conversion may be applied to the AES/EBU,
S/PDIF or Tos-link Input. The Input Sample rate is asynchronous,
with the Output of the Sample Rate Converter locked to the
system Clock source.
Internal references at 44.1and 48 or an external Word Clock 
signal may be used to drive the Sample Rate Converter.

Sample Rate LEDs
When a Digital Input is used, and the signal is recognized, one of
the three yellow Rate LEDs light up. If no signal is present, and
you’ve selected a Digital Input or Insert, all three LEDs will
blink.
Note: Blinking LEDs indicate an error condition. The Outputs of
the Finalizer are muted.

Digital Input Formats and levels

Several Digital Input formats are supported: AES/EBU, S/PDIF, 
Tos-link and ADAT. If you select ADAT format, you are allowed
to pick two independent tracks for processing in the Finalizer.
Format conversions between any of the mentioned formats are
available. 
Level calibrations are easily maintained in the Digital domain.
However, with a Digital Input selected, level and balance
adjustments may be performed digitally in Input page 2.
When a Digital Input is selected, the Clock selection defaults to
EXT DI (External Digital In). This selection may be overruled as
explained in the ”Sample Rate”.

Mode 48/96

Mode 48 gives you a maximum frequency response of 24kHz.
Mode 96* (double Sample Rate) gives you a maximum frequency
response of 48kHz. 

Clock - Sample Rate

Select which clock you want the Finalizer to sync to.
Mode 48: Internal 44.1, Internal 48, External sync. or External
Sync, AES/EBU, S/PDIF or ADAT.
Mode 96*: Internal 88.2, Internal 96, External sync. or External
Sync, AES/EBU, S/PDIF or ADAT.

Optical - Digital Output Formats

The available Output formats are determined by the Input and
Insert selections. Optical Outputs may be chosen between ADAT,
Tos-link and Thru. 
- When ADAT is selected, you may assign the Finalizer

signals to any two ADAT channels. 

- When Thru is selected, the Optical Output is a copy of the 

Optical Input, regardless of format.

* 96kHz is only available in Finalizer 96. “MODE 96” must be
selected.

Finalizer & ADAT

When using the Finalizer in a setup with ADAT’s there are a
couple of recommendations to keep in mind.
There are two different situations: An ADAT setup with BRC
(Big Remote Control), and an ADAT setup without BRC.

If the BRC is not connected, the ADAT should be slaved to
incoming Finalizer Clock. Use the following:

1. Connect the Finalizer’s optical out to the ADAT optical in.
2.  Select "Digital in" on the ADAT.
The ADAT will now use the Finalizer clock.
Note: Slaving the Finalizer to the ADAT clock will reduce the
Finalizer’s A/D converter performance.

When using the Finalizer with ADAT’s and a BRC it is
recommendable to use this setup: 

1. Connect the Finalizer’s optical out to the ADAT optical in.
2. Connect the ADAT’s optical out to Finalizer optical in.
3. Enter the In section of the Finalizer (Mainpage) and set  the 

"Clock" to "ADAT".

This will force the Finalizer to follow the clock of the ADAT.
Note: This is only possible when using the Analog Inputs of the
Finalizer.

The ADAT is forced to follow the clock of the BRC. In order to
synchronize the Finalizer to the ADAT, the clock of the ADAT is
used as master clock in the Finalizer.

Sample Rate
Conversion
on/off

In page no 1

In page no 2

Insert

Mode selector

Finalizer96K Manual 01.99  28/01/99 16:23  Side 14

Содержание Finalizer PLUS/96

Страница 1: ...Finalizer PLUS 96 STUDIO MASTERING PROCESSOR USER S MANUAL Finalizer96K Manual 01 99 28 01 99 16 23 Side 1...

Страница 2: ...26 Limiter 30 Output 32 Level 32 Dither 32 Fade 33 Tools Flow 34 Peak Hold Meter 34 Phase Meter 35 Calibration Tone 35 Digital I O 36 Wizard 38 Compare 39 Utility 40 Reset page 42 Technical specificat...

Страница 3: ...ou to touch up the overall spectral details Dynamic EQ De esser Controls a specific frequency in order to remove unwanted sibilance MS Encoder Decoder Converts a Mid Side signal to Left Right or vice...

Страница 4: ...he three bands on the Com Lim Exp pages Select which band to modify in the EQ block POWER MEMORY CARD Electronic power switch Easy touch Turn on the machine with a single light touch To turn off the m...

Страница 5: ...nnecting the Finalizer to unbalanced equipment you must tie pins 1 and 3 together in the cable ends away from the Finalizer Please refer to page 52 for soldering instructions of the different cable ty...

Страница 6: ...ital Input of DAT 2 Finalizer Setup The Finalizer is carefully designed to optimize the overall level and enhance the energy and clarity in your mix The use of the three band Compressor Limiter and Ex...

Страница 7: ...Storing a preset with the same name Press the STORE key Select a location for your new preset using the ADJUST wheel You can store your preset in the RAM bank only and the Finalizer therefore automati...

Страница 8: ...tion The Outputs of the Finalizer are muted Digital Input Formats and levels Several Digital Input formats are supported AES EBU S PDIF Tos link and ADAT If you select ADAT format you are allowed to p...

Страница 9: ...Analog gain up to 26dB or attenuation to 6dB before the A D converters may be applied For professional signal interfacing the Level control should normally be positioned between 6 and 6dB correspondi...

Страница 10: ...sound of the DRG Please try this and listen Stereo Adjust With Stereo Adjust you can change the stereo information content of the signal Turn the MS M mono S stereo parameter clockwise to increase ste...

Страница 11: ...by a few dB This is what is perceived as an enhancement of the overall Stereo image INPUT I 2 I 1 NORMALIZER EXPANDER COMPRESSOR LIMITER OUTPUT Insert Type Balance adjust Level bar External Insert In...

Страница 12: ...ou might introduce noticeable distortion on signals with a low harmonic content and or on very pure signals The distortion introduced is somewhat similar to the tape saturation that can occur when ove...

Страница 13: ...The Cross over points are common for the Compressor Limiter and Expander The Edit Guide The symbol in the lower left corner of the display is an Edit guide This indicator will help you get back to par...

Страница 14: ...equencies separately To optimize the Output gain and energy in your material the Finalizer uses auto Make Up gain meaning that the three bands are gained individually and automatically depending on ho...

Страница 15: ...to 6dB the Compressor is reacting to RMS values and to peaks 6dB higher than the current RMS value Make up gain Make up gain is automatically calculated in the Finalizer as a function of your Thresho...

Страница 16: ...r the percentage the softer the clip Expert Menu Press MENU keys to enter the expert page Attack The Attack time is the response time that the Limiter uses to reach the gain reduction level Release Re...

Страница 17: ...g to be done within the HD editing system If in doubt try recording a low level sine wave through the Finalizer with the Dither switched off For a 16 bit system use a tone at e g 60dBFS Play it back a...

Страница 18: ...eter is an Output meter with infinite hold It is possible to see the level of the maximum peak in 0 1dB precision Press OK to reset the meter TOOLS Phase Meter correlation Time division Curve speed TO...

Страница 19: ...dicated here Copyright Copy inhibit Status of the copybits OUT In this display you set up various important Output parameters COPY ENABLE Set the copyrights of your material No copies 1 copy only Infi...

Страница 20: ...ypassed signal WIZARD Making the whole thing very simple Press the WIZARD key The Wizard is a guide that will help you find the right settings of the Normalizer Compressor Limiter and EQ for your spec...

Страница 21: ...this method the card is left untouched but new Finalizer PLUS 96 presets cannot be written to it This action will destroy all existing Finalizer PLUS 96 RAM presets If you want to Convert your preset...

Страница 22: ...rs Impedance Max Input Level Min Input Level for 0 dBFS Sensitivity A to D Conversion A to D Delay Dynamic Range THD Frequency Response Crosstalk Analog Outputs Connectors Impedance Max Output Level F...

Страница 23: ...up Battery Life Warranty Parts and labor XLR AES EBU RCA Phono S PDIF Optical Tos link ADAT AES EBU 24 bit S PDIF 20 bit EIAJ CP 340 IEC 958 EIAJ Optical Tos link ADAT Lite pipe HPF TPDF Dither 8 24 b...

Страница 24: ...destroyed Press OK to test Result reads Low battery Time to change battery in your PC card Not OK Try the test using another PCMCIA card Press the HELP key to exit test Battery test Select Battery tes...

Страница 25: ...he heart of the Finalizer This section adds that extra punch to your material When you are applying Multiband Compression you have to survey the program material i e is there too much or too little to...

Страница 26: ...f the Limiter especially using the softer Ratios will keep the mix sounding natural Using the soft clipper with adequate look ahead time will prevent any overshoot from the Finalizer The Crossover A l...

Страница 27: ...Pin 3 Cold Pin 1 Pin 1 Ground Pin 2 Pin 2 Hot Pin 3 Pin 3 Cold Sleeve Pin 1 Ground Tip Pin 2 Hot Sleeve Pin 3 Cold XLR XLR Jack unbalanced XLR Jack balanced XLR APPENDIX Soldering instructions MIDI Ca...

Страница 28: ...PLUS 96 Digital Signal Processor that is covered by this certificate and marked with CE label conforms with following standards EN 60065 Safety requirements for mains operated Electronic and related...

Страница 29: ...Fader to maximum position To compensate for mechanical tolerances draw back the Master Fader slightly Press OK Move the Master Fader to minimum position To compensate for mechanical tolerances draw ba...

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