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11

MASTER SECTION

Before you read this section, have a read of the 

channel strip controls in the previous section.

16. POWER LED

This LED turns on when 

the mixer is switched 

on, and (as you can 

probably guess) it turns 

off when the mixer is 

switched off.

17. PHANTOM 
POWER SWITCH 
and LED

Push in this switch 

to provide phantom 

power to the 

MIC (1)

 

input XLR jacks. Phantom 

power is required to 

operate most condenser 

microphones (some 

condenser microphones 

are battery-powered). 

With the switch pushed 

in, the 6306 pr48 

VDC phantom powering on XLR pins 2 and 3.

If you have ribbon mics, tube mics, or dynamic 

mics that do not require phantom power, leave the 

PHANTOM POWER

 switch out. If you are using both 

condenser and dynamic mics, don’t worry. Phantom 

power will not hurt most dynamic mics. Check the 

microphone’s user manual if you’re not sure.

Caution:

 Turn all output levels 

down before operating this switch 

to avoid the possibility of a “pop” 

in your speakers. Do not use 

phantom power with tube or ribbon 

microphones, as this may cause 

damage.

18. CTRL ROOM Switch 

Use this switch to select the signal source for the 

CONTROL ROOM outputs, PHONES, and METERS.

When the switch is up, they all receive the main mix 

signal tapped after the MAIN MIX control.

When the switch is pushed in, they all receive the 

raw CD/TAPE Input signal. Turn down the CTRL ROOM 

(19) control, and PHONES (20) before engaging.

19. CTRL ROOM Knob 

This adjusts the signal level going to the CONTROL 

ROOM (25) outputs. 

Note:

 when the CTRL ROOM (18) switch is up, the 

CONTROL ROOM output is also affected by the MAIN 

MIX (22) control.

20. PHONES

This adjusts the headphone levels without disturbing 

the main mix.

Turn this down before connecting 

and putting on your headphones, 

or engaging the CTRL ROOM (18) 

switch. Bring it up slowly.

Please see page 2 for more 

information on hearing protection.

21. TAPE TO MIX Switch 

If you have a CD or Tape Deck connected to the 

CD/TAPE inputs, push down this switch to add the CD/

TAPE signal to the main mix. This is useful if you want to 

play some entertainment* while the band is taking a 

break. Use the MAIN MIX control to adjust the volume 

level.

* We do not mean to imply that your band isn’t 

entertaining, or that any other music could possibly fi ll 

in for them.

22. MAIN MIX

This rotary knob controls the fi nal level of main 

mix signals sent to the MAIN outputs, TAPE outputs, 

CONTROL ROOM, PHONES and METERS. So it all comes 

down to this one control.

All active mono and stereo channels that are not 

turned down will appear in the main mix. Other signals 

feeding this control include AUX RETURN TO MAIN (13), 

and CD/TAPE when TAPE TO MIX (21) is pushed in.

23. METERS 

These left and right meters have eight LEDs each, 

with thresholds ranging from –24 dB up to +16 dB 

(OL = overload).

The 0 dB LED corresponds to an output level of 

+4 dBu (1.23 V RMS). The OL LEDs turn on when the 

output r20 dBu. There is a fair margin of 

safety before actual clipping distortion occurs, but 

you should turn things down if the OL LEDs come on.

Normally, the meters display the level of the main 

mix, after the MAIN MIX (22) control.

If the CTRL ROOM (18) switch is pushed in, the 

meters display the raw level of the CD/TAPE signal, 

and not the main mix.

You can get a good mix with the meter’s peaks 

fl ashing anywhere between –24 and +8 dB. Most 

amplifi ers clip at about +10 dB, and some recorders 

aren’t so forgiving either. For best real-world results,  try to 

keep your peaks between “0 NRM” (normal) and “+8.”

If your meters are too high, you will get distortion. 

If they are too low, then your signal-to-noise will 

suffer. Use the meters to help you adjust the mixer for 

optimum performance without distortion or noise. 

Then you can adjust your amplifi er’s level controls for 

good overall volume.

NRM

AUX

RETURN

TAPE TO 

MIX

OFF 

MAIN

MAIN MIX

OL

LEFT

RIGHT

16

12

8

4

0

-4

-12

-24

0 = +4dBu

O

O

MAX

O

O

MAX

POWER

+48V

PHONES

CTRL ROOM

TO

MON

TO

MAIN

O

O

MAX

U

O

O

MAX

U

MAX

O

O

U

MAIN

CD/TAPE

PHANTOM POWER

MAIN

16

17

18

19

20

22

21

23

13

14

Содержание 6306

Страница 1: ...owner s manual ...

Страница 2: ...m digital apparatus as set out in the radio interference regulations of the Canadian Department of Communications ATTENTION Le présent appareil numérique n émet pas de bruits radioélectriques dépassant las limites applicables aux appareils numériques de class A de class B selon le cas prescrites dans le règlement sur le brouillage radioélectrique édicté par les ministere des communications du Cana...

Страница 3: ...d not a bad idea to write your product information here for future reference i e insurance claims tech support return authorization etc Contents Safety Instructions 2 Getting Started 4 Introduction 6 Hookup Diagrams 7 TAPCO 6306 Features 8 Channel Inputs 8 Channel Controls 9 Equalization 9 Auxiliaries 9 Master Section 11 Output Connections 12 Rear Panel Features 12 Block Diagram 13 Appendix A Serv...

Страница 4: ... normal singing volume If it s a synthesizer play it at its normal output level 2 While making noise turn up that channel s GAIN until the adjacent LEVEL SET LED starts blinking 3 Raise that channel s LEVEL to unity gain U label You should be hearing your noise now 4 If necessary apply channel EQ changes You may need to compensate for level changes afterward with the channel LEVEL control 5 Repeat...

Страница 5: ...handbag to accessorize your mixer NRM 2 EFX AUX 1 MON 2 EFX 1 MON 2 EFX 1 MON 2 EFX 1 MON AUX RETURN HI 12k LOW 80Hz EQ TAPE TO MIX OFF MAIN LEVEL SET LEVEL SET U 15 15 R L R L R L R L PAN LEVEL LEVEL LEVEL LEVEL MAIN MIX U 15 15 U 15 15 U 15 15 U 15 15 U 15 15 U 15 15 U 15 15 GAIN U 22dB 25dB 3 50 MIC GAIN U 22dB 25dB 3 50 MIC 2 2 3 4 5 6 INPUT 1 INST IN HI Z INST IN HI Z INPUT OL LEFT RIGHT 16 1...

Страница 6: ...y Space Drive control OK we made that last one up but we can pencil it in Introduction Thank you for choosing a TAPCO 6306 mixer by Mackie Designs The TAPCO family of mixers hails back to the days of TAPCO Corporation Greg Mackie s first company TAPCO revolutionized the audio industry back in 1969 with the very first 6 channel mixer specifically designed for keyboards and rock N roll PA The first ...

Страница 7: ...EL SET LEVEL SET GAIN U 22dB 25dB 3 50 MIC GAIN U 22dB 25dB 3 50 MIC 2 3 4 5 6 INPUT 1 INST IN HI Z INST IN HI Z INPUT CD TAPE IN TAPE OUT L R PHONES BAL UNBAL L LINE IN BAL UNBAL L R R L R L R 1 2 R LINE IN MONO L MONO MONO AUX SEND IN OUT OUT OUT AUX RETURN MAIN CTRL ROOM EFX MON DAT Recorder Mono in Stereo out Reverb Microphones 1 and 2 Active Monitor Headphones Tape Player Drum Machine Keyboar...

Страница 8: ...erating levels Through the mono channels MIC XLR inputs there is 50 dB of gain with the knob fully up Through a mono channels INST IN TRS inputs there is 22 dB of attenuation fully down and 25 dB of gain fully up with a U unity gain mark halfway up Having 22 dB of line level attenuation can be very handy when you are injecting a signal that is very hot or when you want to add a lot of EQ boost or ...

Страница 9: ...nnel 3 4 and 5 6 AUX knobs control a mono sum of the channel s stereo signals For instance channel 3 L and 4 R mix together to feed that channel s AUX send knobs 8 AUX 1 MON AUX 1 MON is designed to send a separate mono mix to your stage monitors via the AUX 1 SEND 26 output jack The EQ AUX 1 and GAIN controls will affect the output to your monitors but PAN or BALANCE and LEVEL won t This signal i...

Страница 10: ...e main mix when the TAPE TO MIX 21 button is pushed in The signals can also be routed to the CONTROL ROOM 25 outputs when the CTRL ROOM 18 switch is pushed in See Appendix B for more information about RCA connectors When connecting a mono device just one cord you ll need a Y splitter RCA adapter It turns a mono output cord into two cords so both the right and left tape input jacks can be used This...

Страница 11: ...r Tape Deck connected to the CD TAPE inputs push down this switch to add the CD TAPE signal to the main mix This is useful if you want to play some entertainment while the band is taking a break Use the MAIN MIX control to adjust the volume level We do not mean to imply that your band isn t entertaining or that any other music could possibly fill in for them 22 MAIN MIX This rotary knob controls t...

Страница 12: ...these jacks to capture the entire performance to tape The signal at these jacks is a sample of the main mix as it appears at the MAIN 24 output The output level is affected by the MAIN level control 29 PHONES OUTPUT The stereo signal at this output jack is the same as the CTRL ROOM 25 outputs but it is not affected by the position of the CTRL ROOM 19 knob You can listen to the main mix or the CD T...

Страница 13: ...PCO 6306 BLOCK DIAGRAM SSE 11 03 03 L L R R BALANCE AUX 2 EFX SUM THING SUM THING ELSE AUX RETURN TO MAIN MIX AUX RETURN TO MONITOR AUX 1 MONITOR L R L R LEFT MAIN BUS RIGHT MAIN BUS AUX 1 MON BUS AUX 2 EFX BUS AUX 2 EFX SEND AUX 1 MON SEND HEADPHONE OUTPUT LEFT RIGHT METERS AND PATENTED HAMPSTER HYPNOTIZER CD TAPE TO CTRL ROOM CD TAPE TO MAIN MIX CONTROL ROOM PHONES LEFT MAIN OUT RIGHT MAIN OUT L...

Страница 14: ...cking box and must have the RA number on the box Once it s repaired we ll ship it back the same way in which it was received This paragraph does not necessarily apply to non warranty repair Warranty Service Details concerning Warranty Service are spelled out in the Warranty section on page 19 If you think your TAPCO 6306 has a problem please do everything you can to confirm it before calling for s...

Страница 15: ...phones 1 4 TRS Stereo Unbalanced Wiring Sleeve Shield Tip Left Ring Right 1 4 TS Phone Plugs and Jacks TS stands for Tip Sleeve the two connections available on a mono 1 4 phone jack or plug They are used for unbalanced signals 1 4 TS Unbalanced Wiring Sleeve Shield Tip Hot RCA Plugs and Jacks RCA type plugs also known as phono plugs and jacks are often used in home stereo and video equipment and ...

Страница 16: ...nput 18 dBu Gain 3 dB Inst Input 18 dBu Gain 22 dB Stereo Line Input Tape Input and Aux Return 18 dBu Maximum Voltage Gain Mic Input to Main Output 74 dB Tape Output 74 dB Aux Sends 74 dB Control Room Output 84 dB Phones Output 84 dB Inst Input to Main Output 49 dB Tape Output 49 dB Aux Sends 49 dB Control Room Output 59 dB Phones Output 59 dB Stereo Line Input to Main Output 20 dB Tape Output 20 ...

Страница 17: ...change these specifications at any time without notice During a recent Garden Fete put on by the Society for the Prevention of Misunderstandings SRSoF this mixer was accidentally awarded first prize in the Lemon Bunt Cake category Gain Structure Diagram This diagram shows the gain levels in dBu and the range of adjustment of the signal level as it wanders through the various circuitry inside the m...

Страница 18: ... O O U MAX O O U MAX O O U MAIN CD TAPE 3 4 5 6 PHANTOM POWER 1 MAIN GAIN U 22dB 25dB 3 50 MIC GAIN U 22dB 25dB 3 50 MIC TAPCO 6306 NOTES NRM 2 EFX AUX 1 MON 2 EFX 1 MON 2 EFX 1 MON 2 EFX 1 MON AUX RETURN HI 12k LOW 80Hz EQ TAPE TO MIX OFF MAIN U 15 15 R L R L R L R L PAN LEVEL LEVEL LEVEL LEVEL MAIN MIX U 15 15 U 15 15 U 15 15 U 15 15 U 15 15 U 15 15 U 15 15 2 OL LEFT RIGHT 16 12 8 4 0 4 12 24 0 ...

Страница 19: ...aired under warranty at Mackie s factory will be returned freight prepaid by Mackie to any location within the boundaries of the USA F This warranty is extended to the original purchaser and to anyone who may subsequently purchase this product within the applicable warranty period G This is your sole warranty Mackie Designs Inc does not authorize any third party including any dealer or sales repre...

Страница 20: ...tapcogear com ...

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