4
1) MIC
XLR connector for microphones, input level range:
-60 to -20 dB. This connector can provide +48V
phantom power for condenser microphone when
the Phantom switch is on.
2) LINE
Balanced/unbalanced 1/4’’ phone jack for connecting
a line level source, input level range: -40 to 0 dB.
3) GAIN CONTROL
Use this knob to adjust the level of the input signal
to the optimal setting. For the best balance of S/N
ratio and dynamic range, adjust this knob so that the
peak indicator (10) lights only occasionally.
4) LOW CUT SWITCH
A low cut filter will be inserted into the channel
when this switch is pressed, thereby reducing bass
muddiness or rumble.
5) HI
Controls the high-frequency equalizer boost or cut
level. Max adjust range: +/-15 dB @ 12 KHz.
6) MID
Controls the midrange-frequency equalizer boost or
cut level. Max adjust range: +/-15 dB @ 2.5 KHz.
7) LOW
Controls the low-frequency equalizer boost or cut
level. Max adjust range: +/-15 dB @ 80 Hz.
8) AUX
Sends the channel signal to the AUX bus. The
controlled signal is pre-fader so that the aux level is
independent of the channel fader setting.
9) PAN
Distributes the channel’s stereo signal level feed to
the MAIN bus, which is a single fader that controls
the left/right stereo output. The L/R signals are equal
when the knob is in its center position.
10) PK PEAK INDICATOR
The red LED warns when an excessively high
signal level is present in the channel. The signal
is sampled in front of channel fader. It will light
approximately 3 dB before clipping and therefore
give warning of a possible overload.
11) LEVEL CHANNEL FADER
This rotary fader controls the input channel’s output
level feed to the MAIN bus, adjusting the volume
balance relative to other channels.
MONO CHANNEL
SECTION
CONTROL PANEL
