SYNTHESIS TECHNOLOGY
PAGE 20
MOTM-510 ASSEMBLY 7/11/04
WWW.SYNTHTECH.COM
Pretty simple, really. Refer back to equation (1); by altering Z WARP we are changing the
value of Z in the equation (1). This, of course, alters Out and munges the wave form.
OK, one last demo before moving on to other aspects. This one uses the same patch diagram as
for DEMO #3 except we’ll add another sine wave from a third oscillator to AUDIO Z and tweeze
the knobs a bit. I call this piece “Concerto for Farty Armpit Noises” which is probably not PC.
Oh well.
LFO
S&H
VCO
VCO
SQR
510
SIN
SIN
TRI
OFFSET Y
AUDIO Y
AUDIO X
AUDIO OUT
X IN = 0 X WARP = 3
Y IN = 0 Y WARP = 0
Z IN = 10 Z WARP = 5
POWER = ROOT
FACTOR = 10
VCO
SIN
AUDIO Z
Figure 2: Patch Diagram for Demo #5
And finally, here is an extended improvisation using the patch diagrammed in Figure 2. The
only alteration was the addition of an LFO feeding the S&H IN of the MOTM-101 to get a more
regular pattern to play with. All the timbre variations you hear are accomplished by turning
knobs and changing the ROOT/UNITY/POWER switch. This is an amazing amount of
variation coming out of one module! No filters were used and no envelopes:
Содержание MOTM-510 The WaveWarper
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