SWR Mo' Bass, Руководство пользователя

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Filter Sweep Pedal
Want to get even crazier? We've provided the ability to control the opening and closing of the Bassynth's filter with an
"expression" foot pedal, like the type of pedals commonly used with keyboards. Simply plug the pedal’s STEREO cable into
the "Filter Sweep Pedal" jack on the rear of the Mo' Bass. Set the Filter control to the minimum ('0'). Then strike a note and
slowly move the pedal back and forth. From one end of the pedal to the other, you should hear the entire range of the filter.
The Filter Sweep Pedal will start at whatever point you preset on the Mo' Bass Filter control (be it '0', '3', '6', etc.) and open
up the filter from that point up to '10'. Remember, just because you have the pedal in the circuit doesn't mean that the
Basssynth won't react to the dynamic sensitivity of your attack - it's still touch-sensitive.
Important: You can use a standard volume pedal for this function, but you will need a special cable called an "insert cable."
Plug the two "mono" ends into your volume pedal's in/out jacks and plug the "stereo" end into the Mo' Bass "Filter Sweep
Pedal" jack.)
There are so many potential combinations of sounds when using the Bassynth in conjunction with the other effects in the
Mo' Bass that even we couldn't pretend to know them all. And even if we did, it's probably best that you discover them for
yourself. Take your time, turn the knobs slowly, and have at it.
Mo' EQ
This EQ is a fundamentally different type of EQ than the one found in the preamp stage of the Mo'Bass. Technically
speaking, the Mo'EQ is a Band Pass-type of EQ, while the Mo' Bass preamp contains semi-parametric and shelving types of
EQ. A Band Pass Filter EQ has a fixed bandwidth, with the cut or boost affecting only the frequencies within the bandwidth
parameter. The bandwidth at the frequencies specified for each tone control is 1 octave.
Mo' EQ Treble Control
The band pass filter on this EQ control is set at 10 kHz. That's pretty high for the typical bass amp. Starting from mid-posi-
tion ("flat"), turning the Mo' EQ Treble Control counter-clockwise cuts the highs at 10 kHz, while turning the control clockwise
boosts the highs at 10 kHz. Boosting 10kHz will add a subtle, yet sweet "glassy" overtone to the signal.
Mo' EQ Midrange Control
The band pass filter on this EQ control is set at 1.5 kHz. Starting from mid-position ("flat"), turning the Mo' EQ Midrange
Control counter-clockwise cuts the upper mids at 1.5 kHz, while turning the control clockwise boosts the mids at 1.5 kHz.
Cutting 1.5 kHz can help you "scoop" the EQ for a more transparent sound, while boosting it will help accentuate the upper
mids of your tone.
Mo' EQ Bass Control
The band pass filter on this EQ control is set at 40 Hz. That's very low for the typical bass amp. Starting from mid-position
("flat"), turning the Mo' EQ Bass Control counter-clockwise cuts the lows at 40 Hz, while turning the control clockwise boosts
the lows at 40 Hz. Boosting 40 Hz is something you may feel rather than hear...but boy, you'll feel it. We recommend using
some caution when operating this control. It could cause the wrong speaker cabinet to wince in pain and cry for mercy. Turn
the knob slowly, OK?
Using Mo' EQ
Like we've been saying all along, it's better to have certain kinds of EQ post-effects rather than pre-effects. The Mo' EQ was
designed primarily to enhance the characteristics of the onboard effects. To engage the effect, press the Mo' EQ switch and
the green LED should illuminate.
When used in conjunction with the Overdrive, the Mo' EQ Bass Control can help boost low-end along with a boost in gain and
overall level. The Mo' EQ Midrange and Treble Controls can help define and bring to prominence just the right "edge" on your
overdriven signal. It can also produce feedback, which could be a good or bad thing depending on how you feel about it.
The SubWave generates enough extra low-end all by itself for most people, but maybe you really want to shake the house.
Boost the Mo' EQ Bass control while engaging the SubWave and watch the walls rattle. Or, if the bass becomes
overbearing, maybe you actually want to cut a little bit at 40 Hz.
In our opinion, the Mo' EQ is most dramatic when it's when used in conjunction with the Bassynth. Notice how the Bassynth
Resonance Control becomes more dramatic with a liberal dose of the Mo' EQ Treble Control. And how the Bassynth
Envelope and Filter Controls appreciate the presence of a boosted Mo' EQ Midrange Control. As for the way the Bassynth is
affected by the Mo' EQ Bass control, all we can say is stand back, be careful, and turn the knob slowly when boosting. (Your
speaker cabinet will thank you in the morning.) (continued)
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