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In the up, PRE fader position, the signal to the AUX controls 1&2(11) is before (or pre)

the channel fader (17). Any movement of the fader will not change the signal level to

the AUX controls. This is useful when connected to stage monitors as the volume will

remain the same whatever the fader position. 

In the down position the signal to the AUX controls 1&2 is sourced after (or post) the

channel fader (17). Any movement of the channel fader will also change the signal to

the AUX controls. This is useful when routing the AUX output(s) to additional external 

effects processors as the blend of processed (wet) signal stays proportional to the

untreated (dry) signal, irrespective of the fader position.

Auxiliary sends from the channel primarily used to create an independent mix for 

use in a stage monitoring system but could also be used when additional effects

are required. See  PRE / POST fader switch (10) for each option.

Varies the signal to the L-R MIX output and the left & right speaker outputs. In the

centre position the signal equal on both left & right outputs

When pressed the signal from the channel is turned off or muted. However, the signal

 to the PFL switch is available so channels can still be monitored.

 

It is good practice

 to mute all unused channels to prevent unwanted signals or noise appearing at any

 of the outputs.

 

The red LED illuminates to indicate the channel is muted.

When pressed the channel signal will be shown on the Mix bargraph display and can

be heard at the headphone output. The source of this signal is after the channel EQ 

& Insert return socket but before the fader and mute switch. This is useful for setting 

the signal level in a channel before 'going live'.The yellow LED illuminates to indicate 

when the PFL switch has been pressed.

The red LED indicates when signal peaks in the channel are approaching maximum 

level and consequently a distorted sound. Pressing the PFL button will confirm this 

on the MIX bargraph. Adjust the channel GAIN (4) control to reduce the signal to a

more suitable level.

The green LED indicates when a signal is present in the channel. Depending on the

 type of signal, the LED may flicker or remain constantly illuminated.

 

Controls the signal level from the channel to the L-R MIX faders, MIX output and hence

to the Amplifier speaker outputs. It also controls the signal level to DSP 1&2 controls and,

when Pre/Post fader switch (10) is in, AUX 1&2 controls.

10.PRE / POST fader switch

11.AUX controls 1&2

12.PAN control

13.MUTE switch

14.PFL button

15.PEAK led

16.SIG led

17.Channel fader

TS 

Tip, Sleeve. 1/4" two pole jack plug. Often referred to as a mono jack (or phone jack ). Used for 

unbalanced signals.

UNBALANCED 

Two wire connection using one signal and one screen conductor.

XLR 

An industry standard connector used for audio signals (usually 3 pin). They are used for low level 

signals (like microphones) and line level signals.

WARRANTY

The Manufacturer warrants all Studiomaster products to be free from defects in materials and workmanship

 for a period of one year from date of purchase. The Manufacturer reserves the right to the final decision 

on all warranty claims.

Exclusions to Warranty Cover

Damage caused by accident, misuse, improper installation or neglect.

Damage caused by repair, modification or service by persons not authorised by Studiomaster.

Products on which the serial number has been defaced, altered or removed.

Who is Protected

This warranty is enforceable by the original purchaser and any subsequent owner(s) during the warranty 

period, providing a copy of the original sales receipt is submitted whenever a warranty service is required.

It is recommended that you complete and mail the Warranty Registration Card supplied with your product.

For your reference in the event of a warranty or service repair, please complete the following information

 and attach a copy of your original sales receipt.

Model :

Serial Number :

Purchase Date :

Purchased From :

Note : THIS WARRANTY DOES NOT AFFECT YOUR STATUTORY RIGHTS

SERVICE INFORMATION

If you have a problem with your Studiomaster product or think it has developed a fault you should first 

carefully check the Trouble Shooting section in this guide. If this does not solve the problem or if the 

 product is physically damaged, contact your local dealer or distributor for service details.

Should it be recommended you return the product to your nearest Studiomaster Service Centre you must

 first contact them.

You will be asked for the product type and serial number. You will then be given a Returns Authorisation

 (RA) number.

Pack the unit in its original carton to protect it from shipping damage. 

You must have the Returns Authorisation number clearly marked on the outside of the carton or we may 

refuse the delivery. 

Studiomaster cannot be held responsible for damage resulting from the equipment being packed incorrectly.

Label the equipment clearly with your name and address and include a clear description of the fault. The

 more information you supply helps the service engineer, minimising repair cost when out of warranty.

Important: No liability will be accepted by Studiomaster for any transit damage to units not returned in their 

original packing, for warranty repairs or otherwise.

Environmental Protection

To avoid environmental and health problems due to hazardous substances in electrical and electronic 

products, appliances marked with this symbol must not be disposed of with unsorted municipal waste 

but recovered, reused or recycled.

Содержание Horizon 2012

Страница 1: ...HORIZON 2000 Series...

Страница 2: ...In Accordance with our progressive product development Studiomaster Studioking reserve the right to change features and specifications without prior notice 27...

Страница 3: ...tion Environmental Protection Technical specification Block diagram Voltage 230V Model 220 240V 50 60Hz 115V Model 110 120V 50 60Hz Power Consumption At idle or low power 60W Both amplifiers at 1 8 po...

Страница 4: ...D THIS BEFORE YOU USE YOUR PRODUCT 1 Before connecting the A C power cord make sure the Horizons operating voltage is suitable for your local supply voltage For supplies between 220 and 240V ensure it...

Страница 5: ...active when a vocal microphone is used The frequency of the filter is 80Hz with a slope of 18dB octave 6 HI control High frequency control providing 15dB of cut and boost at 12kHz with a peaking resp...

Страница 6: ...jack or phone jack Used for unbalanced signals UNBALANCED Two wire connection using one signal and one screen conductor XLR An industry standard connector used for audio signals usually 3 pin They are...

Страница 7: ...fect processors External effects processors can also be connected using the signal available at the DSP output sockets 27 PRE POST fader switch In the up PRE fader position the signal to the AUX contr...

Страница 8: ...e voltage 1V rms DECIBEL dB A logarithmic method of measurement for acoustics and electronics One decibel 1 10th of a Bell is the smallest change in loudness perceptible by the human ear although trai...

Страница 9: ...as it cancels outside interference in the connecting cables resulting in a cleaner signal BANDWIDTH The bandwidth is the range of frequencies that will pass through a piece of equipment BUSA common c...

Страница 10: ...t required yet the Mix faders still have a useful range for precise signal adjustment Caution Due to the dynamic nature of music this feature can only be used as a guide to amplifier power output Only...

Страница 11: ...to monitor any signal on the Horizon that has a PFL AFL switch For best results use 250 400 ohm impedance headphones although most types can be used with varying results 50 ohm impedance or lower shou...

Страница 12: ...o the L R MIX 49 AUX HI control High frequency control providing 15dB of cut and boost 12kHz with a shelving response 48 DSP controls 50 AUX MID controls Mid frequency control providing 15dB of cut an...

Страница 13: ...ost types can be used with varying results although 50 ohm impendence or lower should be avoided Headphones are ideal when setting up recording play back or just getting to know the controls on your H...

Страница 14: ...PAspeakers in front of any microphones This will help achieve a high volume level before feedback problems occur A common problem when setting up a PA is the vocal mic s picking up not only your voic...

Страница 15: ...e effect Turning the PROGRAM SELECTION control will step through all 8 programs to help you find one that suits your voice the best Now try a delay by pressing the delay button 48c The PROGRAM SELECTI...

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