Studiomaster 162BPX Скачать руководство пользователя страница 4

Controls & Features -  Mono Channels 1-12

GAIN

 : The Gain control is used to match the incoming signal level to the internal operating  

 

level of the 162BPX. This ensures the best performance, reduces noise and avoids  

 

 

distortion. The Mic Gain range is 12 to 60dB

HI

 : The HI control cuts or boosts the high frequency (or treble) element of the sound. In the  

 

centre (12 o'clock) position, the sound is unaffected. The HI control works at 12kHz.

MID

 : The MID consists of two controls. The lower control operates in the same way as the  

 

HI & LO. The upper control (the 'sweep') adjusts the frequency at which it operates. The    

 

MID frequency sweep control adjusts between 250Hz and 6kHz.

LO

 : The LO control operates in the same way as the HI control except that it affects the    

 

low frequency (bass) part of the sound. The LO control operates at 60Hz.

Tone controls : HI, MID & LO

The controls marked HI, MID and LO are very useful for changing the characteristics or tone of the sound. For simplicity or 
for new users set these controls to the centre position, which effectively turns off or bypasses the tone control section and 
you will not need to worry about these controls until you feel more confident.

However to get the best out of your audio system or if you just want to experiment read on....
Adding a little HI on CDs can add brightness to the sound. For microphones increasing the MID ranges tends to 'lift' the 
vocal adding clarity to the voice.
For CDs, adding LO makes the bass section of music more prominent. For microphones doing the opposite and removing a 
little bass helps stop the 'popping' or 'boomy' sound often apparent when a microphone is used too close to the mouth.
For best results with microphones or CDs, don't be over enthusiastic with the tone controls as this can make the sound un-
natural. With guitars or other instruments more extreme tone setting can be used to create more of a sound effect.

AUX/DSP

 : The AUX/DSP control is assigned post - fader and used to send the sound in    

 

the channel to the internal DSP (digital signal processor). The sound is also sent to the  

 

 

AUX SEND output for use with external effects processors.

MON

 : The MON control can be used when an additional or different mix of sound is  

 

 

required (such as using stage monitor speakers or multiple headphones for the musicians).

 

As the MON control is turned clockwise more of the sound in the channel is routed, via the  

 

MON SEND control (24), to the MON SEND output on the rear panel. This would then be    

 

connected to an amplifier to power the stage monitor speakers or headphone system.

 

Mon and AUX controls are very similar except that adjusting the channel fader does not    

 

affect the sound at the MON SEND. Musicians listening to the sound from the MON SEND  

 

do not want it changing when a channel fader is adjusted. The opposite is required when    

 

an effects loop is used, the effect needs to change with the position of the channel fader.    

 

This keeps the blend of original and treated signal constant.

PAN

 : Adjusts the position of the channel signal between left or right output channel.

PEAK

 : The Peak LED indicates that the channel signal is approaching its maximum level.  

 

If the Peak LED remains lit, reduce the channel GAIN (1) control setting until the LED  

 

 

flashes only on signal peaks.

PFL

 : Depressing the PFL (pre fade listen) button allows the selected channel (or  

 

 

channels) to be monitored via the headphone output. When the PFL button is activated the  

 

Peak LED stays fully illuminated and the level is also shown on the Main Mix bargraph  

 

 meters.

10 

FADER

 : The fader adjusts the level from the channel to the main output. The fader acts as  

 

a volume control for each channel. they join all the various sounds together creating a  

 

 

blend or 'mix' of sounds. The long, smooth faders make small adjustments easy as well as  

 

giving a visual representation of sound levels. In use, aim to set the fader at the 0dB  

 

 

position. It can then be raised or lowered to adjust the sound (mix).

WHAT HAPPENS IF I PRESS THIS?

CONTROLS & FEATURES

EXPECT THE BEST

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EXPECT THE BEST

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+10

0

-5

-10

-20

-30

8

+5

40

30

20

-

+

-

+

1K

1K5

600

3K

350

-

+

0 10

0 10

L

R

LO

60Hz

AUX/

DSP

MON

PAN

12 60dB

MID

PFL

PEAK

HI

12K

GAIN

250Hz 6KHz

1

1

2

3

4

5

6

7

8
9

10

EXPECT THE BEST

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EXPECT THE BEST

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EXPECT THE BEST

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EXPECT THE BEST

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EXPECT THE BEST

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EXPECT THE BEST

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EXPECT THE BEST

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Содержание 162BPX

Страница 1: ...Hz LO 45Hz HI 12K HI 12K BAL 0 10 0 10 L R BAL 0 10 0 10 L R BAL GAIN MIC GAIN LINE LEVEL 4 10 LINE LEVEL 4 10 REV 30 30 MON MON AUX DSP MON AUX DSP MON 40 20 12 50dB 40 20 12 50dB LO 45Hz LO 45Hz HI...

Страница 2: ...Mono Stereo channels 13 16 4 Controls Features Output DSP Section 5 Controls Features Rear Panel Output Section 6 Controls Features Rear panel Input Section 7 Trouble Shooting 7 Internal Options 8 Wir...

Страница 3: ...nd please complete and return your warranty card Returning the completed warranty card does not diminish your statuary rights in any way SAFETY INSTRUCTIONS 1 Before connecting the A C power cord make...

Страница 4: ...to the internal DSP digital signal processor The sound is also sent to the AUX SEND output for use with external effects processors 6 MON The MON control can be used when an additional or different mi...

Страница 5: ...t on the rear panel This would then be connected to an amplifier to power the stage monitor speakers or headphone system Mon and AUX controls are very similar except that adjusting the channel fader d...

Страница 6: ...hen mixes with the original untreated sound giving the required effect 30 DSP ON OFF Turns on and off the selected DSP program 31 POWER LED The Power LED indicates the 162BPX is switched on 32 48V LED...

Страница 7: ...is recessed to prevent accidental operation and should be operated using a plastic ball point pen or similar instrument A warning LED 32 on the front panel indicates that the Phantom Power is turned...

Страница 8: ...a a DI box or suitable preamplifier for best results 47 LINE LEFT MONO RIGHT Channels 13 16 Line 1 4 TRS jack for the connection of stereo line level devices drum machines keyboards effect processors...

Страница 9: ...400 ohm types will give best performance 32 50 ohm types can be used but may give lower maximum sound level WHY IS IT NOT WORKING TROUBLE SHOOTING The following options are accessed by removing the fr...

Страница 10: ...ocessor input JACK from processor output JACK to processor input Ring Output from mixer Tip Amplifier Input Pin 3 Signal Pin 1 Screen Ground Earth Link to Pin 2 Pin 3 Signal Sleeve Screen Ground Earth...

Страница 11: ...mode 3 Vocal 1 ADT 2 Reverb Delay mode 6 settings between 100ms and 720ms Metering Peak reading 12 segment 3 colour LED bargraphs Maximum Input Level At Max gain At Min gain Mic 38dBu 10dBu Line 21dBu...

Страница 12: ...red or removed Who is Protected This warranty is enforceable by the original purchaser and any subsequent owner s during the warranty period providing a copy of the original sales receipt is submitted...

Страница 13: ...e unit in its original carton to protect it from shipping damage You must have the Returns Authorisation number clearly marked on the outside of the carton or we may refuse the delivery Studiomaster c...

Страница 14: ...NOTES NOTES 12 www studiomaster com www studiomaster com...

Страница 15: ...In Accordance with our progressive product development Studiomaster Studioking Limited reserve the right to change features and specifications without prior notice EXPECT THE BEST EXPECT THE BEST...

Страница 16: ...600 3K 350 1K 1K5 600 3K 350 1K 1K5 600 3K 350 1K 1K5 600 3K 350 1K 1K5 600 3K 350 1K 1K5 600 3K 350 1K 1K5 600 3K 350 1K 1K5 600 3K 350 0 10 0 10 L R LO 60Hz AUX DSP MON PAN 12 60dB MID PFL PFL PFL...

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