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9

Initial Wiring Considerations

For optimum performance, it is essential for the earthing system to be clean and noise free, as all signals are referenced
to this earth. A central point should be decided on for the main earth point system, and all earths should be 'star fed' from
this point. It is common electrical practice to `daisy chain' the earths to all electrical outlets but this method is unsuitable for
audio installations. The preferred method is to run an individual earth wire from each outlet, back to the system star point

to provide a safety earth screen reference for each piece of equipment.A separate earth wire should also be run from each equipment
rack and area, to the star point. This may or may not be used depending on circumstances, but it is easier to install in the first place, than
later when problems arise.The location of the star point should be a convenient, easily accessible place, preferably at the rear of the
console or in the main equipment rack.

Install separate 'clean' and 'dirty' mains outlets, wired individually back to the incoming mains distribution box. Use the 'clean' supply for
all audio equipment and the `dirty' supply for all lighting, etc. Never mix the two systems.

If necessary, to provide sufficient isolation from mains borne interference, install an isolating transformer. This should be provided with
a Faraday Shield which must be connected with earth.

Never locate the incoming mains distribution box near audio equipment, especially tape recorders, which are very sensitive to electro-
magnetic fields.

Ensure that all equipment racks are connected to earth, via a separate wire back to the star point.

Equipment which has unbalanced inputs and outputs may need to be isolated from the rack to prevent earth loops.

Audio Wiring

Having provided all equipment with power and earthing connections, consideration must be given to the method of
providing audio interconnection and adequate screening of those interconnections. This must be done in a logical
sequence to avoid problems and assist in the localisation of problem equipment.

Connect the FOH or Monitor system to the console and check for any hum, buzz, or RFI. Only when you are satisfied with the quietness
of the console and the PA system should you proceed with the next step.

Connect stereo or Multitrack Tape recorders, FX and foldback sends one at a time, checking and isolating any connection which
degrades performance.

Connect all other peripheral devices.

Connect all microphone lines.

By following this sequence much time and future trouble will be saved, and the result will be a quiet, stable system.

Shielding

Audio equipment is supplied with a variety of input and output configurations, which must be taken into consideration when
deciding where the screen connections should be made. There are three sources of unwanted signal being impressed on
the screen, which are as follows:

Extraneous electrostatic or electromagnetic fields.

Noise and interference on the earth line.

MAINS INSTALLATION

General Wiring Procedures

To take full advantage of the excellent signal to noise ratio and low distortion of Soundcraft consoles, care must be taken to ensure that
incorrect installation and wiring does not degrade the performance of the desk. Hum, buzz, instability and Radio Frequency interference
can usually be traced to earth loops and inferior earthing systems. In some areas, especially heavily industrial areas, the incoming mains
earth will not be adequate and a separate technical earth for all the audio equipment must be supplied. However, check with your local
electricity supply company to ensure that safety regulations are not infringed or negated.

The successful, hum free, installation of a system requires forethought, and the establishment of a set of ground rules, which must be
consistently adhered to at all stages of installation.

Содержание LIVE 8

Страница 1: ...1 User Guide...

Страница 2: ...soever arising from the use of information or any error contained in this manual No part of this manual may be reproduced stored in a retrieval system or transmitted in any form or by any means electr...

Страница 3: ...NOUTS 12 TYPICAL CONNECTING LEADS 13 DIMENSIONS 15 Block Diagram 16 Using The Console 17 MONO INPUT CHANNEL 17 STEREO INPUTS 20 GROUP SECTION 23 MASTER SECTION 24 METERBRIDGE 25 Applications 26 APPLIC...

Страница 4: ...nto your outlet consult an electrician for replacement of the obsolete outlet Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the point where t...

Страница 5: ...e objects filled with liquids such as vases on the apparatus No naked flame sources such as lighted candles should be placed on the apparatus Ventilation should not be impeded by covering the ventilat...

Страница 6: ...ithin the product s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons CAUTIONS The exclamation point within an equilateral triangle is intended to alert t...

Страница 7: ...tereo inputs Each stereo input comprises two separate input sections one provided with comparable facilities to the mono inputs and one more basic input for a cassette or CD player which routes to the...

Страница 8: ...nt to supply the correct input levels to the console otherwise signal to noise ratio or distortion performance may be degraded and in extreme cases damage to the internal circuitry may result Likewise...

Страница 9: ...ower and earthing connections consideration must be given to the method of providing audio interconnection and adequate screening of those interconnections This must be done in a logical sequence to a...

Страница 10: ...5 3 97 2 100 1 5 102 1 105 0 5 110 0 25 115 Conforming to this directive will minimise the risk of hearing damage caused by long listening periods A simple rule to follow is the longer you listen the...

Страница 11: ...the adjacent pair of pins The default settings are shown as shaded on the diagram below AUXILIARY PRE SOURCE Default is POST EQ optionally Pre EQ DIRECT OUTPUT SOURCE Default is POST FADE optionally...

Страница 12: ...12 AUDIO CONNECTOR PINOUTS...

Страница 13: ...13 TYPICAL CONNECTING LEADS...

Страница 14: ...14...

Страница 15: ...15 DIMENSIONS 658 1 25 91 86 2 3 39 172 0 6 77 6 0 0 24 Console Frame Width including side trims 24 Input 32 Input 40 Input 1114 43 86 1347 53 03 1581 62 24...

Страница 16: ...16 Block Diagram...

Страница 17: ...ired to particular input channels and because it is located PRE EQ noise generated by the external equipment may be reduced by a small amount of H F cut in the Equaliser 1 48V The 48V switch applies p...

Страница 18: ...which need to be controlled separately from the main P A mix Aux 3 4 are normally POSTEQ POSTFADE but may be selected globally to be PRE FADE POST EQ by pressing the appropriate AUX PRE switch on the...

Страница 19: ...ON LEDonthemastersectionilluminatestowarnthattheheadphonesandthemetersarenowresponding to the PFL AFL selection and the PFL LED on the input channel lights to identify the active channel This is a us...

Страница 20: ...This makes them particularly suitable for foldback or monitor feeds which need to be controlled separately from the main P A mix 15 PFL When the PFL switch is pressed a mono sum of the pre fade signa...

Страница 21: ...POST EQ and are therefore unaffected by the fader position and mute status This makes them particularly suitable for foldback or monitor feeds which need to be controlled separately from the main P A...

Страница 22: ...mute status is shown by the LED 25 PFL When the PFL switch is pressed a mono sum of the pre fade signal is fed to the headphones and L R meters where it replaces the normal Mix L R signal The PFL AFL...

Страница 23: ...ed fully anticlockwise when not required If required the Matrix outputs may be used to create an additional stereo output from the console and in this case the Groups may be fed as stereo pairs for in...

Страница 24: ...The PFL AFL ON LED on the master section illuminates to warn that the headphones and the meters are now responding to the PFL AFL selection and the PFL LED on the input channel lights to identify the...

Страница 25: ...illuminates when the MUTE is active 41 PHONES JACK The PHONES output appears on a 3 pole 1 4 jack suitable for headphones with an impedance of 200 ohms or higher METERBRIDGE A full width Meterbridge...

Страница 26: ...m Mix L R and a secondary system fed from the Matrix outputs The illustration shows the flexibility of the inputs to the mixer and how the direct outputs are available as sources for a multitrack tape...

Страница 27: ...source for the Matrix could be the main Mix or a combination of Mix and Groups The first three Aux sends are used as mono feeds to Effects Units brought back to the Mix on the Stereo Returns Group ou...

Страница 28: ...how the number of Stereo Inputs to the Mix may be expanded by using the Stereo Returns for sources such as keyboards and drum machines when the normal Stereo input channels are already used Additional...

Страница 29: ...ion the main requirement is to drive a large number of separate loudspeaker outputs for spot sound effects The Groups Mix Aux Sends and Matrix outputs are all used for this purpose Each could be provi...

Страница 30: ...B Typical Aux Attenuation 88 dB 83 dB Pan Isolation 36ch to Mix L to R 76 dB 68 dB R to L 81 dB 83 dB Adjacent Channel Crosstalk 99 dB 95 dB Routing Isolation 86 dB 86 dB Mute Offness 104 dB 88 dB FRE...

Страница 31: ...31 Mark up Sheets The following mark up sheets may be copied and used to record control settings...

Страница 32: ...32...

Страница 33: ...33...

Страница 34: ...o and from the Dealer or Soundcraft and postage must be prepaid 4 This warranty shall only be available if a the Equipment has been properly installed in accordance with instructions contained in Soun...

Страница 35: ...35...

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