background image

21

18 EQUALISER

The Equaliser section has HF and LF shelving controls, each with a range switch to provide two centre
frequencies for each control.

Turn the HF knob to the right to boost high (treble) frequencies by up to 15dB at a choice of 6kHz or
12kHz centre frequencies, adding crispness to percussion from drum machines, synths and electronic
instruments.  Turn to the left to cut these frequencies, reducing hiss or excessive brilliance.

Turn the LF knob to the right to boost low (bass) frequencies by up to 15dB at a choice of 60Hz or
120Hz centre frequencies, adding extra punch to synths, guitars and drums.  Turn to the left to reduce
hum, boominess or improve a mushy sound.

Set both knobs in the centre-detented position when not required.

19

EQ SWITCH

The EQ switch bypasses the Equalisation section when released.  Alternately pressing and releasing
the switch provides an easy way of comparing the equalised and unequalised signals.

20

AUXILIARY SENDS

These controls route a mono sum of the input channel signal to any one or more Auxiliary buses.
These are separate from the main outputs and can therefore provide additional outputs for foldback,
echo units or extra loudspeaker `fills’.

AUX 1 & 2 are normally derived after the EQ section and before the channel fader (PRE FADE, POST
EQ), and are therefore unaffected by the fader position and mute status.  This makes them particularly
suitable for foldback or monitor feeds, which need to be controlled separately from the main P.A. mix.

AUX 3 & 4 are normally POST EQ, POST FADE but may be altered globally to be PRE FADE by
pressing the appropriate AUX PRE switch on the Master section.

AUX 5 and 6 are derived after the EQ and channel fader (POST FADE, POST EQ), and therefore
follow any changes in fader level.  They are normally used to drive effects processing units which are
fed back into the mixer and which must fade out with the input channel.

All of the Aux Sends are muted when the MUTE switch is pressed.

21

BALANCE

The BALANCE control sets the amount of the channel signal feeding the Left and Right Mix outputs,
allowing you to balance the source in the stereo image.  When the control is turned fully left or right you
feed only that side of the signal to the mix.

22

ROUTING SWITCHES

The input channel signal may be routed in stereo to the main Stereo MIX (L-R) or pairs of GROUP
busses (1-2, 3-4 etc.), by pressing the respective switches.  The Left side of the channel feeds Groups
1, 3, 5 & 7, and the Right side feeds Groups 2, 4, 6 & 8, subject to the position of the BALANCE control
(21).

23

FADER

This long-throw fader determines the proportion of the channel in the mix and provides a clear visual
indication of channel level.  Normal operating position is at the `0’ mark, providing 10dB of gain above
that point if required.

Содержание LIVE 8

Страница 1: ...1 User Guide...

Страница 2: ...soever arising from the use of information or any error contained in this manual No part of this manual may be reproduced stored in a retrieval system or transmitted in any form or by any means electr...

Страница 3: ...NOUTS 12 TYPICAL CONNECTING LEADS 13 DIMENSIONS 15 Block Diagram 16 Using The Console 17 MONO INPUT CHANNEL 17 STEREO INPUTS 20 GROUP SECTION 23 MASTER SECTION 24 METERBRIDGE 25 Applications 26 APPLIC...

Страница 4: ...nto your outlet consult an electrician for replacement of the obsolete outlet Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the point where t...

Страница 5: ...e objects filled with liquids such as vases on the apparatus No naked flame sources such as lighted candles should be placed on the apparatus Ventilation should not be impeded by covering the ventilat...

Страница 6: ...ithin the product s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons CAUTIONS The exclamation point within an equilateral triangle is intended to alert t...

Страница 7: ...tereo inputs Each stereo input comprises two separate input sections one provided with comparable facilities to the mono inputs and one more basic input for a cassette or CD player which routes to the...

Страница 8: ...nt to supply the correct input levels to the console otherwise signal to noise ratio or distortion performance may be degraded and in extreme cases damage to the internal circuitry may result Likewise...

Страница 9: ...ower and earthing connections consideration must be given to the method of providing audio interconnection and adequate screening of those interconnections This must be done in a logical sequence to a...

Страница 10: ...5 3 97 2 100 1 5 102 1 105 0 5 110 0 25 115 Conforming to this directive will minimise the risk of hearing damage caused by long listening periods A simple rule to follow is the longer you listen the...

Страница 11: ...the adjacent pair of pins The default settings are shown as shaded on the diagram below AUXILIARY PRE SOURCE Default is POST EQ optionally Pre EQ DIRECT OUTPUT SOURCE Default is POST FADE optionally...

Страница 12: ...12 AUDIO CONNECTOR PINOUTS...

Страница 13: ...13 TYPICAL CONNECTING LEADS...

Страница 14: ...14...

Страница 15: ...15 DIMENSIONS 658 1 25 91 86 2 3 39 172 0 6 77 6 0 0 24 Console Frame Width including side trims 24 Input 32 Input 40 Input 1114 43 86 1347 53 03 1581 62 24...

Страница 16: ...16 Block Diagram...

Страница 17: ...ired to particular input channels and because it is located PRE EQ noise generated by the external equipment may be reduced by a small amount of H F cut in the Equaliser 1 48V The 48V switch applies p...

Страница 18: ...which need to be controlled separately from the main P A mix Aux 3 4 are normally POSTEQ POSTFADE but may be selected globally to be PRE FADE POST EQ by pressing the appropriate AUX PRE switch on the...

Страница 19: ...ON LEDonthemastersectionilluminatestowarnthattheheadphonesandthemetersarenowresponding to the PFL AFL selection and the PFL LED on the input channel lights to identify the active channel This is a us...

Страница 20: ...This makes them particularly suitable for foldback or monitor feeds which need to be controlled separately from the main P A mix 15 PFL When the PFL switch is pressed a mono sum of the pre fade signa...

Страница 21: ...POST EQ and are therefore unaffected by the fader position and mute status This makes them particularly suitable for foldback or monitor feeds which need to be controlled separately from the main P A...

Страница 22: ...mute status is shown by the LED 25 PFL When the PFL switch is pressed a mono sum of the pre fade signal is fed to the headphones and L R meters where it replaces the normal Mix L R signal The PFL AFL...

Страница 23: ...ed fully anticlockwise when not required If required the Matrix outputs may be used to create an additional stereo output from the console and in this case the Groups may be fed as stereo pairs for in...

Страница 24: ...The PFL AFL ON LED on the master section illuminates to warn that the headphones and the meters are now responding to the PFL AFL selection and the PFL LED on the input channel lights to identify the...

Страница 25: ...illuminates when the MUTE is active 41 PHONES JACK The PHONES output appears on a 3 pole 1 4 jack suitable for headphones with an impedance of 200 ohms or higher METERBRIDGE A full width Meterbridge...

Страница 26: ...m Mix L R and a secondary system fed from the Matrix outputs The illustration shows the flexibility of the inputs to the mixer and how the direct outputs are available as sources for a multitrack tape...

Страница 27: ...source for the Matrix could be the main Mix or a combination of Mix and Groups The first three Aux sends are used as mono feeds to Effects Units brought back to the Mix on the Stereo Returns Group ou...

Страница 28: ...how the number of Stereo Inputs to the Mix may be expanded by using the Stereo Returns for sources such as keyboards and drum machines when the normal Stereo input channels are already used Additional...

Страница 29: ...ion the main requirement is to drive a large number of separate loudspeaker outputs for spot sound effects The Groups Mix Aux Sends and Matrix outputs are all used for this purpose Each could be provi...

Страница 30: ...B Typical Aux Attenuation 88 dB 83 dB Pan Isolation 36ch to Mix L to R 76 dB 68 dB R to L 81 dB 83 dB Adjacent Channel Crosstalk 99 dB 95 dB Routing Isolation 86 dB 86 dB Mute Offness 104 dB 88 dB FRE...

Страница 31: ...31 Mark up Sheets The following mark up sheets may be copied and used to record control settings...

Страница 32: ...32...

Страница 33: ...33...

Страница 34: ...o and from the Dealer or Soundcraft and postage must be prepaid 4 This warranty shall only be available if a the Equipment has been properly installed in accordance with instructions contained in Soun...

Страница 35: ...35...

Страница 36: ...36...

Отзывы: