PIPE
USER MANUAL
PULSE
Controls assignment:
Knob
•
— TEMPO — controls pulse frequency;
Knob
•
•
— DECAY — controls pulse duration;
Knob
•
• •
— REV TIME — controls reverb time;
Sensor FX — RESTART — restarts the pulse generator. Use this to sync the PIPE to a sequencer
or live band.
Description:
PULSE turns your voice into a rhythmic, arpeggiated synthesizer-like sound. By adjusting
the length of the pulses with the DECAY knob, you can make the pulses more distinct and
clipped. Or instead, you can merge them into a big single sound. The algorithm includes a
ringing reverb, giving your voice a metallic tone. The level of the effect is controlled by the
REV TIME knob.
Use the FX sensor to sync the effect to a sequencer or live band.
Set the appropriate tempo and touch the sensor at the downbeat. When your finger touches
the sensor, the pulse generator restart and sync to the performed track. If sync is lost, just
touch the sensor again.
Tips for using this algorithm:
To get an expressive sound similar to a synthesizer with an arpeggiator, rhythmically sing
different notes and timbres: pure notes, notes with overtones, noise sound. The rhythmic
pulse will be formed by the PIPE. Work the sound into one body of melody, rhythm and
timbre.
BASSDRUM
Controls assignment:
Knob
•
— TUNE — tunes the main frequency of the drum;
Knob
•
•
— PITCH — controls decay time of the frequency accent;
Knob
•
• •
— DECAY — controls decay time of the drum sound;
Sensor FX — DIST — turns on the distortion.
Description:
BASSDRUM is a voice controlled,TR-909 inspired bass drum. The algorithm is sensitive to
the input sound. You can create various sound variations and accents in the drum sound,
intuitively creating complex rhythms that are difficult to program on a drum machine.
The algorithm also recognizes the sound characteristics of a snare drum. This is done by
analyzing the high frequencies of the input signal. If the amount of high frequencies exceeds
a certain threshold, the sound of the bass drum is interrupted and the processed sound from
the microphone is played instead. This means that you can freely alternate between bass
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