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INSTALLATION & OPERATION

11

If you have a second projector, repeat the above steps except

hook your solar cell wires to the -RIGHT2, +RIGHT2, -LEFT2

and +LEFT2 inputs.

DOUBLE CHECK your work to see that the solar cell leads

arrive at the proper terminals.  A reversal of leads will

cause very strange results.  You may hear the center

channel information through the surround speakers, the

surround through the stage, and the left channel out of

phase with the right.  This is a common error, so verify

correct wiring before proceeding.

Two Projector Systems

Connect the 

CHANGEOVER 

and 

GROUND 

terminals on

the MOD 7a 

AUTOMATION 

terminal strip to the booth

automation changeover relay terminals.

Projector changeover is accomplished by using only a

single pair of wires and either a manual switch or relay

contacts in the automation system. A relay closure in the

automation equipment will execute a changeover by

grounding the 

CHANGEOVER 

terminal. Run a two-

conductor shielded cable to the “dry” contacts of the

automation projector changeover relay. On the other end,

connect one wire to the 

CHANGEOVER 

terminal on the

MOD 7a. Ground the other wire to the nearest ground

terminal on the MOD 7a. Connect the shield of the wire, on

the MOD 7a end, to a ground terminal. Cut off the shield on

the automation end. When the automation relay closes,

Projector Two of the MOD 7a will be “enabled,” and the first

pair of stereo preamplifiers (Projector One) will be “dis-

abled.” Releasing the relay will cause the reverse action to

occur.  In other words, Projector One is always ON until the

CHANGEOVER 

terminal is grounded. The 

CHANGEOVER

Connecting the MOD 7a to a Reverse Scan

terminal must be tied to ground to activate Projector Two.  It is

not a pulse-toggled input.

TWO PROJECTOR SYSTEMS - NO AUTOMATION:

Rig a single pole, single throw switch between the

CHANGEOVER 

terminal and a 

GROUND 

terminal.

When the switch is open, Projector 1 will be active, when it

is closed, Projector 2 will be active.

NOTE : Changeover between projectors is done electroni-

cally in the MOD 7a.  This necessitates that BOTH exciter

lamps be lit at the same time. No exciter light changeover is

provided in the unit. An exciter light changeover has at

least 3 dB more circuit noise than an electronic changeover

and is NOT recommended in high quality systems.

Non-Sync Music Connections

The non-sync music inputs for the MOD 7a are run through

the Circle Surround matrix to generate 5.1 channels of

auditorium music.  Connect your stereo music source (CD

player, tape, etc.) to the MUSIC LEFT and MUSIC RIGHT

inputs on the back of the MOD 7a.

Occasionally, a theater may use a monaural sound player

such as a background music cartridge player or satellite

music service that does not have stereo capabilities. In this

event, connecting a mono signal into both LEFT and RIGHT

MUSIC inputs will generate music in the center channel

only.

SMART recommends using a stereo distribution amplifier

such as the 

SMART DA226

 to feed signals from one music

source to multiple sound processors.

Automation Connections

Connect the format pins on the AUTOMATION terminal

strip of the MOD 7a to the system’s corresponding automa-

tion relay terminals.

A momentary ground contact on one of the FORMAT

SELECT inputs on the rear of the MOD 7a will switch the

processor to any desired format, including music.  The 

EX

format select terminal will toggle between EX ON and EX

OFF when pulsed to ground.

Note: The MOD 7a powers up in Non-Sync Music mode.

Muting Function

A convenient 

MUTE 

terminal in the AUTOMATION

section of the back panel allows all output channels of the

MOD 7a to be silenced whenever this terminal is grounded.

Содержание MOD7a

Страница 1: ...OD7a Seven Channel Plus Overhead Channel Cinema Stereo Processor With Circle Surround Analog Matrix Seven channel stereo processor plus overhead channel Digital EX format included Easy interface to di...

Страница 2: ...fective parts must be shipped freight prepaid to us by the dealer or customer Our limited warranty doesn not cover damages resulting from accident misuse or abuse lack of responsible care or failures...

Страница 3: ...p matrix 8 Time Delay Setup 9 INSTALLATION 10 Processor Placement 10 Power Supply Connections 10 Backup Power Supply 10 Soundhead Connections 10 Solar Cell 10 Reverse Scan 10 Two Projector Systems 11...

Страница 4: ...have to add an external ex channel proces sor This saves rack space and money EX mode may be set to come on or off at power up and it can be switched on and off easily with a front panel pushbutton Th...

Страница 5: ...surround and subwoofer channels from an external digital decoder Music Inputs The MOD 7a processes both stereo and mono music sources from tape CD or cartridge players The music is processed through...

Страница 6: ...aserDisc VCR Factory setting Preamp Configuration The MOD 7a preamps can be configured through the use of shunts placed on header pins The drawing below shows the shunt locations and the purpose of ea...

Страница 7: ...d CS channel Factory setting or an overhead OS chan nel Overhead Channel Configuration The MOD 7a can be configured to deliver an overhead channel from digital soundtracks If you are using a digital p...

Страница 8: ...ors The STATUS LEDs indicate some of the operating condi tions of the matrix The RUN LED blinks once per second if the microcontroller is operating properly If it is not blinking then press the RESET...

Страница 9: ...t the time delay as you would for any stereo processor Time Delay Setup The rotary switch is for setting the Surround Delay Time The switch is labeled as shown in this drawing POSITION DELAY in mSec 0...

Страница 10: ...ripe BACKUP Black GROUND Remember to check all connections before applying power to the system A wire that is reversed could be very destructive to the system Soundhead Connections Solar Cell Using th...

Страница 11: ...e toggled input TWO PROJECTOR SYSTEMS NO AUTOMATION Rig a single pole single throw switch between the CHANGEOVER terminal and a GROUND terminal When the switch is open Projector 1 will be active when...

Страница 12: ...the optical format The information pertaining to which format to default to is encoded in the digital soundtracks on DTS prints On Dolby Digital the default is SR Monitor Interface The MONITOR INTERFA...

Страница 13: ...connectors TPG GROUND is located to the left of J1 also on the bottom side Turn Gain controls fully clockwise Turn Slit Loss controls fully counterclockwise The Preamp Gain controls are R1 and L1 for...

Страница 14: ...PREAMP for optimum flat high frequency response Do not over adjust the slit loss correction in an effort to obtain extended response This will result in an undesir able frequency response peak While a...

Страница 15: ...qualization and House Levels The equalizers are normally shipped with the individual trimpots set for a flat frequency response The octave equalizers used for the stage channels are capable of cutting...

Страница 16: ...impact playback in the auditorium for pre show entertainment Although all 2 channel commercial stereo recordings contain hidden extra channel information due to multiple microphone record ing or mult...

Страница 17: ...impot is located on the back panel by the power connector This will only need adjustment if you are employing overhead speakers and amplifier The Hearing Impaired level and Backup Level adjustments ar...

Страница 18: ...R control is used to set the system level for any format The system was calibrated with the FADER at the one o clock position which is where most prints will play at a normal level MUSIC LEVEL CONTROL...

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