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INSTALLATION & OPERATION

5

Circle Surround DSP Matrix

The patented Circle Surround process produces 5
channels of audio from a standard optical stereo
soundtrack. This means you can have split surround
optical sound presentations in auditoriums that are
equipped for split surround operation.  SMART is the
first manufacturer to introduce this technology into
professional cinema applications.  The Circle Surround
Analog Matrix in the MOD 7 produces highly accurate
decoding of the optical stereo A or SR soundtrack. The
same matrix is used in DIGITAL format to derive the ex
and overhead channels.

Fader Control/Remote Equalization Settings

The MOD 7 has one master FADER that controls the
overall playback level for all eight channels.  This master
fader is used as the volume control for all formats.  The
individual left and right music level controls are located
on the front right of the main circuit board (MR and ML).
The octave equalization settings (7 bands plus bass and
treble) are set with potentiometers on the front PCB
panel, so re-equalizing the MOD VI will not be necessary
in the event of a main circuit board replacement.

Format Switching

The formats on the MOD 7 are Mono, Stereo A, Stereo
SR, EX On/Off, Digital and Music.  All formats may be
manually controlled by the gray pushbuttons on the
front panel.  Red Light Emitting Diodes mounted in the
pushbuttons indicate the selected format.  Format
switching is also possible by connecting an automation
or remote switch contacts to the AUTOMATION
terminals on the back of the MOD 7.

Solar Cell/Reverse Scan Inputs

The MOD 7 has stereo solar cell inputs with electronic
changeover for two projectors.  Each pair of stereo cell
inputs is an electronically balanced circuit that helps to
reduce any interference pickup on the solar cell leads.
Separate “neutral” leads for right and left channels
allow for Reverse Scan wiring.

Digital Inputs

The MOD 7 is fully compatible with popular digital
formats (i.e. DTS, Dolby Digital, etc.).   The MOD 7 will
easily handle the stage, split surround, and subwoofer
channels from an external digital decoder.

Music Inputs

The MOD 7 processes both stereo and mono music
sources from tape, CD or cartridge players.  The music

is processed through the Circle Surround matrix to
produce 5.1 channels of sound from a stereo music
source. These inputs may be also be used as an A/V
input for use with a DVD, LaserDisc, or VCR players.
The music inputs are processed  through the Circle
Surround matrix.

Surround Channel Time Delay

The MOD 7 has a digital time delay circuit for the
surround channel while playing optical stereo prints.
Time delay of the surround channel in optical stereo
mode is necessary for two reasons: 1) to mask any front
to surround crosstalk and, 2) to synchronize the stage
and surround channels to eliminate echo caused by
different sound path lengths from the stage and
surround speakers.

Main Outputs

The MOD 7 has seven output channels: LEFT, CENTER,
RIGHT, LEFT SURROUND, CENTER SURROUND (ex or
rear), RIGHT SURROUND, and SUB.

In addition, the MOD 7 includes the latest feature, an
OVERHEAD channel. This channel is derived from the
matrix-encoded LS and RS channels in a similar fashion
as the CENTER SURROUND (ex) channel.

Main Power Supply

A fully-regulated universal voltage switching power
supply is furnished with the MOD 7 processor.  This
supply is heavily filtered and supplies ample current
for both the positive and negative 15 VDC supplies.
This external power supply minimizes the chances of
hum pickup when high gain electronic circuits are
placed in the same chassis as a power supply.

Emergency Sound Backup Power Supply

A 120V backup power supply is included with the
MOD 7 to power the backup preamp built into the
MOD 7.  This will reduce your chances of losing a show
when using the MOD 7 processor.  The 120V backup
supply delivers about 12 VDC at 100mA.  For installa-
tions where 120V is not available, the user should
supply their own power supply.  The output should be
12VDC @ 100mA and be relatively ripple free.  The
bypass capability is a standard feature on the MOD 7.
BYPASS supplies sound to the Center Channel only.

Monitor Output

The Monitor Output db25 connector provides a conve-
nient point for wiring a monitor to the MOD 7.

FEATURES

Содержание MOD 7

Страница 1: ...Seven Channel Plus Overhead Channel Cinema Stereo Processor With Circle Surround Analog Matrix Seven channel stereo processor plus overhead channel Digital EX format included Easy interface to digita...

Страница 2: ...ctive parts must be shipped freight prepaid to us by the dealer or customer Our limited warranty doesn not cover damages resulting from accident misuse or abuse lack of responsible care or failures no...

Страница 3: ...matrix 8 Time Delay Setup 9 INSTALLATION 10 Processor Placement 10 Power Supply Connections 10 Backup Power Supply 10 Soundhead Connections 10 Solar Cell 10 Reverse Scan 10 Two Projector Systems 11 N...

Страница 4: ...ave to add an external ex channel proces sor This saves rack space and money EX mode may be set to come on or off at power up and it can be switched on and off easily with a front panel pushbutton The...

Страница 5: ...lit surround and subwoofer channels from an external digital decoder Music Inputs The MOD 7 processes both stereo and mono music sources from tape CD or cartridge players The music is processed throug...

Страница 6: ...serDisc VCR Factory setting Preamp Configuration The MOD 7 preamps can be configured through the use of shunts placed on header pins The drawing below shows the shunt locations and the purpose of each...

Страница 7: ...hen place this shunt in the OFF position The MOD 7 can be configured to deliver an overhead channel from digital soundtracks If you are using a digital player and have installed overhead speakers and...

Страница 8: ...rs The STATUS LEDs indicate some of the operating condi tions of the matrix The RUN LED blinks once per second if the microcontroller is operating properly If it is not blinking then press the RESET p...

Страница 9: ...t the time delay as you would for any stereo processor Time Delay Setup The rotary switch is for setting the Surround Delay Time The switch is labeled as shown in this drawing POSITION DELAY in mSec 0...

Страница 10: ...pe BACKUP Black GROUND Remember to check all connections before applying power to the system A wire that is reversed could be very destructive to the system Soundhead Connections Solar Cell Using thre...

Страница 11: ...pulse toggled input TWO PROJECTOR SYSTEMS NO AUTOMATION Rig a single pole single throw switch between the CHANGEOVER terminal and a GROUND terminal When the switch is open Projector 1 will be active...

Страница 12: ...the optical format The information pertaining to which format to default to is encoded in the digital soundtracks on DTS prints On Dolby Digital the default is SR Monitor Interface The MONITOR INTERFA...

Страница 13: ...connectors TPG GROUND is located to the left of J1 also on the bottom side Turn Gain controls fully clockwise Turn Slit Loss controls fully counterclockwise The Preamp Gain controls are R1 and L1 for...

Страница 14: ...EAMP for optimum flat high frequency response Do not over adjust the slit loss correction in an effort to obtain extended response This will result in an undesir able frequency response peak While adj...

Страница 15: ...qualization and House Levels The equalizers are normally shipped with the individual trimpots set for a flat frequency response The octave equalizers used for the stage channels are capable of cutting...

Страница 16: ...impact playback in the auditorium for pre show entertainment Although all 2 channel commercial stereo recordings contain hidden extra channel information due to multiple microphone record ing or multi...

Страница 17: ...impot is located on the back panel by the power connector This will only need adjustment if you are employing overhead speakers and amplifier The Hearing Impaired level and Backup Level adjustments ar...

Страница 18: ...ER control is used to set the system level for any format The system was calibrated with the FADER at the one o clock position which is where most prints will play at a normal level MUSIC LEVEL CONTRO...

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