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10

MAIN OUTPUT SECTION

The XM910 has two internal power amplifiers and depending on the power amp MODE selection switch, the
amplifiers are sent the MAIN or MONITOR bus signal. The following section describes the MAIN bus operation,
which allows you to adjust the over-all tone and volume, and specify the mix level of the built-in effects.

Output Level Meter

The OUTPUT LEVEL METER allows you to
monitor the level of the signal which is being
sent to the MIX OUT jacks.

NOTE: To avoid distortion, adjust the MASTER
LEVEL control so that the 0 indicator LED lights
occasionally.

MASTER - Volume Control 

The MASTER  level control is the over-all vol-
ume control for the MAIN bus. The MAIN level
affects both the MAIN bus signal which is output
to the speakers and the line level signal which is
output from the MIX OUT jacks.

EFX TO MAIN - Effects Return Control

The EFX TO MAIN control is used to adjust the
level of the effect sound being sent back from
the built-in digital effect to the MAIN mix bus.
This allows you to hear the DSP effects in your MAIN speakers.

Graphic Equalizer

The XM910’s 10-band stereo Graphic Equalizer allows you to contour the frequency response of the
MAIN / MONO mix bus signal, providing a maximum of 12dB of cut/boost for each frequency band.
This is an especially useful tool for cutting frequencies that cause annoying feedback.  The frequency
response is flat when the sliders are in the center position. Moving a slider in the positive direction will
boost that frequency by as much as 12dB, and moving the slider in the negative direction will cut that
frequency by up to 12dB. Once you set a response curve using the Graphic Equalizer, the EQ curve
is applied to both the MAIN / MONO bus signal that is output to the speakers, and the line level signal
which is output from the MIX OUT jacks.

Low Cut - switch

The MAIN / MONO output of the XM910 includes a LOW CUT (or high pass) filter which rolls off the
low frequencies from 75Hz and below at the rate of 18dB per octave. The LOW CUT filter allows you
to remove the lower frequencies that you sometime just don’t want to pick up. For example, when you
are using the XM910 mostly for vocals, you may not want to pick up the low end generated by other
live instruments like bass and low-end synthesizers played out of back-line amplifiers on stage.  In
many live sound applications, the LOW CUT filter is especially useful for removing stage rumble.

Controls and Functions

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Содержание XM910

Страница 1: ...Powered Mixers TEN CHANNEL POWERED MIXER WITH 24BIT DIGITAL EFFECTS...

Страница 2: ...objects have fallen into the unit the unit has been exposed to rain or moisture does not operate normally or has been dropped PRECAUCION Para reducir el riesgo de incendios o descargas no permita que...

Страница 3: ...Output Connections 13 16 Operating the XM910 17 20 System Set ups 21 22 XM910 Wiring Guide 23 Specifications 24 Block Diagram 25 Copyright 2004 Samson Technologies Corp Printed March 2004 Samson Techn...

Страница 4: ...an ideal mixer and power amp solution offering big sound in a compact package In these pages you ll find a detailed description of the features of the XM910 powered mixer as well a description of its...

Страница 5: ...s connect easily to the low noise mic pre amps with available 48 Volt Phantom Power The 3 Band EQ on each channel enables you to tailor the tonal response for each input Two Auxiliary sends on each ch...

Страница 6: ...4 Front Panel Layout FRONT PANEL LAYOUT...

Страница 7: ...39 MIX OUT Left and Right output jacks for the main mix output pre amp signal 40 AMP IN Left and Right input jacks for connect ing directly to the internal power amplifier 41 EFX FOOTSWITCH Switches...

Страница 8: ...his is commonly referred as a POST FADER send This means that the amount of signal that is sent to the EFFECT bus will be affected not only by the setting of the EFX knob control but it will also be a...

Страница 9: ...ccept a stereo signal The AUX send and Equalizer are laid out on the same as the mono inputs on the control panel but internally they are con trolling a stereo signal path As an added bonus these inpu...

Страница 10: ...is used to turn the internal Digital Effect on and off The effects are by passed when the switch is in the in position and the display shows two dashes PEAK LIMITER Switch In order to keep the sound l...

Страница 11: ...hantom power supply to operate condenser microphones When the switch is engaged the LED will illuminate indicating that phantom power is now available on the microphone pre amps IMPORTANT NOTE To avoi...

Страница 12: ...to contour the frequency response of the MAIN MONO mix bus signal providing a maximum of 12dB of cut boost for each frequency band This is an especially useful tool for cutting frequencies that cause...

Страница 13: ...will boost that frequency by as much as 12dB and moving the slider in the negative direction will cut that frequency by up to 12dB Once you set a frequency response curve using the Graphic Equalizer...

Страница 14: ...the CD 1 level control to set the perfect level Be sure to set the DJ crossfader all the way to the left side CD 2 Input Level Control The CD 2 input volume control is used to adjust the volume of th...

Страница 15: ...to use condenser microphones The Phantom Power is switched on off simultane ously for channels 1 through 6 XLR Connector pin out Pin 1 Ground Pin 2 Hot Pin 3 Cold LINE L MONO Left Line Input Stereo c...

Страница 16: ...MAIN MASTER level control and the graphic equalizer The nominal output level is 4dBu and the impedance is100 Ohms In addition the Left and Right AMP IN jacks can be used combination with the MAIN Lef...

Страница 17: ...erefore one speaker with an impedance of 8 ohms can be connected to each amp s A and B jacks If the two amplifiers are used in a BRIDGE mode only one speaker can be connected to the BRIDGE jack The to...

Страница 18: ...s can be connected in parallel to both the A and B jacks of AMP1 and AMP 2 or a single speaker can be connected to the BRIDGE jack bridge connection For each of these the required speaker impedance wi...

Страница 19: ...it is important to remember the Golden Rule of audio LAST ON FIRST OFF Translated this means that when turning on your system you should always turn your power amplifiers on LAST and when turning your...

Страница 20: ...NITOR section to adjust the EFFECTS Return level The EFX to MAIN MON control is the overall level control for the DSP effects processor If you are not using the XM910 in MAIN MONITOR or BRIDGE mode be...

Страница 21: ...sed by the external effects device USING THE MAIN OUTPUTS AND AMP INPUTS AS AN EFFECTS LOOP You can use the XM910 s MAIN Left and Right outputs along with the Left and Right AMP inputs as a stereo ins...

Страница 22: ...MAIN section to the 5 position 5 Start playback on the CD Tape or MD player connected to CD 1 and use the CD 1 LEVEL control to adjust the level so that the zero LED of the MAIN section peak level me...

Страница 23: ...50W 4 SERVO 550 STUDIO AMPLIFIER RIGHT LEFT BRIDGED MONO STEREO INPUTS BALANCED 10K 0dBm0 TIP RING SLEEVE TIP RING SLEEVE GND This system shows the XM910 power amp oper ating in MAIN MAIN mode with on...

Страница 24: ...itor speakers speaker con nected to POWER AMP 1 For inputs two micro phones are connected to channel 1 and 2 s low impedance inputs and the output of the Bass Direct Box is also con nected to the Low...

Страница 25: ...ced Wiring Guide CONNECTING THE XM910 The are several ways to interface the XM910 to support a variety of applications The XM910 features balanced inputs and outputs so connecting balanced and unbalan...

Страница 26: ...N MIC to AMP OUT 63dB CH IN MIC to MAIN OUT MONITOR OUT 54dB CH IN MIC to AUX 2 OUT 30dB CH IN MIC to REC OUT 32dB CH IN LINE to MAIN OUT MONITOR OUT 26dB AUX IN to MAIN OUT 24dB TAPE IN to MAIN OUT C...

Страница 27: ...25 Block Diagram...

Страница 28: ...Samson Technologies Corp 575 Underhill Blvd P O Box 9031 Syosset NY 11791 9031 Phone 1 800 3 SAMSON 1 800 372 6766 Fax 516 364 3888 www samsontech com...

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