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Every microphone has a characteristic polar pattern that determines how well it
accepts or rejects signal coming from various areas around the microphone. For
example, omnidirectional mics accept all signals regardless of wherever those
signals originate (in front of the mic, behind it, to the side, etc.).

The R21S can be connected to any mixer, mixer/amplifier, or mic preamp using a
standard microphone cable. As shown in the wiring diagrams below, connect the
female XLR end directly to the R21S’s gold-plated connector and the other end
(normally a male XLR end, although some mixers use 1/4" connectors) to the
mixer, mixer/amplifier, or mic preamp.

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3

2

2

3

1

Female XLR

Male XLR

Hot (2)

Cold (3)

Common (1)

Hot (2)

Cold (3)

Common (1)

Solder Points

End View

End View

Solder Points

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2

1

3

The R21S can be mounted to any standard microphone stand (using the included
mic clip) or can be handheld; due to its unique mic element shock mounting, it 
generates significantly less handling noise than most other microphones. If handheld,
take care not to cover the any part of the head grille with your hand. Be aware of a
phenomenon called the proximity effect which causes a noticeable increase in low
frequencies (bass response) when a microphone is close to the audio source. This
can have positive impact—for example, it will cause your voice to sound much fuller
when you sing close to the mic than when you sing at a distance. The R21S is spe-
cially designed to be used up close, since it provides a built-in windscreen for
removal of pops, sibilance and onstage noise. The key to developing the best mic
technique is experimentation, along with awareness of the general principle that,
the closer your R21S is to a signal source, the greater the bass response.

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-20

-10

0

+10

dB

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1000

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5000

10000

20000

R21S Frequency Chart

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3

2

Female XLR

Hot (2)

Cold (3)

Common (1)

Solder Points

End View

2

1

3

1

3

2

Female XLR

Male Phone

Jack (TS)

Male Phone

Jack (TRS)

Hot (2)

Cold (3)

Common (1)

Solder Points

End View

2

1

3

Tip (Hot)

Hot

Cold

Ring (Cold)

Sleeve (Common)

Tip (Hot)

Hot

Sleeve (Common and Cold)

Common

Common and Cold

Содержание R21S

Страница 1: ...ng directly in front of the mic capsule Extended range frequency response for optimum reproduction and exceptionally clear crisp sound Special shock mounting allows movement of the mic element to greatly reduce handling noise On off switch with a switch lock to protect against performer speaker accidentally switching the R21S off Rugged zinc alloy die casting case ensures reliable performance in e...

Страница 2: ...nted wind noise Never cup your hand over the microphone grill Operating Notes The R21S will boost bass frequencies when the microphone is between 0 6 inches from the sound source As you move the sound source further away from the microphone the bass response will gradually roll off The R21S has a built in wind screen which protects against most wind and breathing noise Under adverse conditions suc...

Страница 3: ...ficantly less handling noise than most other microphones If handheld take care not to cover the any part of the head grille with your hand Be aware of a phenomenon called the proximity effect which causes a noticeable increase in low frequencies bass response when a microphone is close to the audio source This can have positive impact for example it will cause your voice to sound much fuller when ...

Страница 4: ...r mic is to inducing feed back Feedback is that characteristic nasty howling sound that occurs when a mic is placed too close to a loudspeaker the signal from the loudspeaker is fed into the mic then into the loudspeaker then into the mic over and over again until an oscillating tone is generated Because the cardioid pattern utilized by the R21S is so good at rejecting signal not coming from direc...

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