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SWM7000-Quick-Guide-070525.pmd - rr

© Sabine 2007

Sabine DSP Quick Setup Guide

COMPRESSOR/LIMITER

Vocal Settings

RATIO

A soft voice could be set to 2:1, whereas a loud
voice might require a ratio setting of 6:1.

THRESH

The higher the threshold setting, the more signal
is required to initiate compression.  Ideally this
should be set to reign in peak levels, and allow
signals of lower gain to pass uncompressed.
Threshold settings will depend on the nature and
variety of the signal source.

ATTACK

Short attack times usually work well for voice.  How-
ever, too strong a compression ratio, too low a
threshold, and too fast an attack may attenuate
speech consonants, which provide important in-
telligibility cues to the audience, thus compromis-
ing clarity.

Guitar Settings

RATIO

A high compression ratio (with gain makeup) will
add sustain to held notes and chords.

THRESH

Moving the threshold will change the audible thick/
thinness of the guitar tone, but generally you want
to compress all the notes played.

ATTACK

Be wary of too quick an attack, which may reduce
the percussive attack of the guitar notes.

In general, be wary of too much gain makeup, and too high a
compression ratio, which may make a noisy guitar amplifier
more objectionable. Ratio settings might range from 6 to 19:1,
threshold variable, slower attack, soft knee, output gain
boosted slightly to significantly depending on amount of com-
pression.

Bass Guitar Settings

RATIO

Set to 4:1

THRESH

Set to compress peaks only.

ATTACK

Quick attack, medium release, hard knee; (try vari-
ous release settings, depending on the speed of
notes played).

GAIN

Output boosted slightly.

2

MIC SUPERMODELING

TM

DE-ESSER

RATIO

Less Sustain

More Sustain

THRESH

Thinner sound

Thicker sound

Be wary of too quick an attack, which may reduce
the percussive attack of the guitar notes.

ATTACK

Scroll through available microphone settings. See
website for additional downloadable microphones.

MIC

 

SUPERMODELING

Less reduction

More reduction

DE

-

ESSER

RATIO

THRESH

Short attack is better for vocals. Be careful not
to over attenuate speech consonants.

ATTACK

Soft voice

Loud voice

Soft voice

Loud voice

NOTE: Mic SuperModeling

TM

 is not

available using beltpack transmitters.

NOTE:

   Use these settings as a place from which to start, then adjust to your own satisfaction.

Vocal

Guitar

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