Rupert Neve Designs 5060 CENTERPIECE Скачать руководство пользователя страница 5

5

ADC

DAC

36

30

24

18

12

6 0dB 66

60

54

48

42

20Hz

250Hz

100

 

 

 

 

 

MIN

 MAX

 

 

 

 

TEXTURE

0dB

 

 

 

 

 -6

 +6

 

 

 

 

TRIM

GAIN

POWER

SILK

48V

HPF

HPF

MIC PRE

+ SILK

22

20

18

14

10

4

-2

-10

LEVEL

“The Lone 5060” 

PEAK

PEAK

 

0

 

MIN

MAX

 

-30

-6

 

0

 

 

 

9-10

11-12

13-14

15-16

17-18

19-20

21-22

23-24

1-2

3-4

5-6

7-8

-50

-60

-20

-10

-40

-25

-15

0

-5

+10

+5

0

-5

-10

-30

-40

-50

-15

+10

+5

0

-5

-10

-30

-40

-50

-15

+10

+5

0

-5

-10

-30

-40

-50

-15

+10

+5

0

-5

-10

-30

-40

-50

-15

MIX

STEREO INPUT CHANNELS  9 - 24

TB ASSIGN

MONITOR SELECT

HEADPHONE

MONITOR SOURCE

STEREO INPUT CHANNELS  1 - 8

RUPERT NEVE DESIGNS

MASTER

MONITOR

TB LEVEL

TEXTURE

DIM LEVEL

HEADPHONE

-10

-15

-5

-30

-20

0

-10

-15

-5

-30

-20

0

-10

-15

-5

-30

-20

0

-10

-15

-5

-30

-20

0

-10

-15

-5

-30

-20

0

-10

-15

-5

-30

-20

0

-10

-15

-5

-30

-20

0

-10

-15

-5

-30

-20

0

RED-SCRUB

GRN-SHUTTLE

MIC

5060 CENTERPIECE

TALK

DIM

MON 2

MON 3

EXT 3

EXT 2

EXT 1

MIX

1/2

3/4

SILK

MON 1

MONO

INS

MUTE

INS

MUTE

INS

MUTE

INS

INS

MUTE

MODE

2 4   x   2     D e s k t o p   M i xe r

ADC

DAC

36

30

24

18

12

6 0dB 66

60

54

48

42

20Hz

250Hz

100

 

 

 

 

 

MIN

 MAX

 

 

 

 

TEXTURE

0dB

 

 

 

 

 -6

 +6

 

 

 

 

TRIM

GAIN

POWER

SILK

48V

HPF

HPF

Rupert Neve

Designs

511

MIC PRE

+ SILK

22

20

18

14

10

4

-2

-10

LEVEL

Headphone Mixer / Amp

Headphone Mixer / Amp

Headphone Mixer / Amp

Mono / Stereo Subwoofers

Cutting Room Playback

Third Pair of Speakers

Optional:

Supplemental Digital Control

Tablet Computers
Control Surfaces
Digital Faders / Rotary Encoders
Future Control Technology

Transport control 
over Midi or USB

Mon 3 (Latchable)

Stereo Mix Output to 2-Track In

2-Track Output to Ext Monitor In

Stereo or Mono Channel 

Insert Send and Returns

for Outboard Processing

Stereo Mix Insert 

Send and Returns 

for Outboard Processing

-15

+15

0

-15

+15

0

-15

+15

0

-6dB

+20

100mS

2.5 S

250

1 S

-30dB

+20dB

-10

+10

GAIN

1.1:1

40:1

RATIO

1.5:1

3:1

FF

FB

LO PEAK

8K

16K

THRESH

S/C HPF

RELEASE

LINK

5mS

75mS

ATTACK

25

50

COMP IN

EQ IN

EQ PRE

POST

220

100

60

35

MID FREQ

MID HI Q

LOW FREQ

0

22
20
18
14
10
4
-2
-10

1
2
4
6
10
14
18
22

Level

GR

3K

1.5K

700

350

200

6K

HF

MID

LF

HI PEAK

HPF

Red 120Hz

Blue 60Hz

I

NDUCTOR EQ

5051

EQ/Compressor

C

OMPRESSOR

LINE 1

LINE 2

-15

+15

0

-15

+15

0

-15

+15

0

-6dB

+20

100mS

2.5 S

250

1 S

-30dB

+20dB

-10

+10

GAIN

1.1:1

40:1

RATIO

1.5:1

3:1

FF

FB

LO PEAK

8K

16K

THRESH

S/C HPF

RELEASE

LINK

5mS

75mS

ATTACK

25

50

COMP IN

EQ IN

EQ PRE

POST

220

100

60

35

MID FREQ

MID HI Q

LOW FREQ

0

22
20
18
14
10
4
-2
-10

1
2
4
6
10
14
18
22

Level

GR

3K

1.5K

700

350

200

6K

HF

MID

LF

HI PEAK

HPF

Red 120Hz

Blue 60Hz

I

NDUCTOR EQ

5051

EQ/Compressor

C

OMPRESSOR

LINE 1

LINE 2

-15

+15

0

-15

+15

0

-15

+15

0

-6dB

+20

100mS

2.5 S

250

1 S

-30dB

+20dB

-10

+10

GAIN

1.1:1

40:1

RATIO

1.5:1

3:1

FF

FB

LO PEAK

8K

16K

THRESH

S/C HPF

RELEASE

LINK

5mS

75mS

ATTACK

25

50

COMP IN

EQ IN

EQ PRE

POST

220

100

60

35

MID FREQ

MID HI Q

LOW FREQ

0

22
20
18
14
10
4
-2
-10

1
2
4
6
10
14
18
22

Level

GR

3K

1.5K

700

350

200

6K

HF

MID

LF

HI PEAK

HPF

Red 120Hz

Blue 60Hz

I

NDUCTOR EQ

5051

EQ/Compressor

C

OMPRESSOR

LINE 1

LINE 2

-15

+15

0

-15

+15

0

-15

+15

0

-6dB

+20

100mS

2.5 S

250

1 S

-30dB

+20dB

-10

+10

GAIN

1.1:1

40:1

RATIO

1.5:1

3:1

FF

FB

LO PEAK

8K

16K

THRESH

S/C HPF

RELEASE

LINK

5mS

75mS

ATTACK

25

50

COMP IN

EQ IN

EQ PRE

POST

220

100

60

35

MID FREQ

MID HI Q

LOW FREQ

0

22
20
18
14
10
4
-2
-10

1
2
4
6
10
14
18
22

Level

GR

3K

1.5K

700

350

200

6K

HF

MID

LF

HI PEAK

HPF

Red 120Hz

Blue 60Hz

I

NDUCTOR EQ

5051

EQ/Compressor

C

OMPRESSOR

LINE 1

LINE 2

-15

+15

0

-15

+15

0

-15

+15

0

-6dB

+20

100mS

2.5 S

250

1 S

-30dB

+20dB

-10

+10

GAIN

1.1:1

40:1

RATIO

1.5:1

3:1

FF

FB

LO PEAK

8K

16K

THRESH

S/C HPF

RELEASE

LINK

5mS

75mS

ATTACK

25

50

COMP IN

EQ IN

EQ PRE

POST

220

100

60

35

MID FREQ

MID HI Q

LOW FREQ

0

22
20
18
14
10
4
-2
-10

1
2
4
6
10
14
18
22

Level

GR

3K

1.5K

700

350

200

6K

HF

MID

LF

HI PEAK

HPF

Red 120Hz

Blue 60Hz

I

NDUCTOR EQ

5051

EQ/Compressor

C

OMPRESSOR

LINE 1

LINE 2

-15

+15

0

-15

+15

0

-15

+15

0

-6dB

+20

100mS

2.5 S

250

1 S

-30dB

+20dB

-10

+10

GAIN

1.1:1

40:1

RATIO

1.5:1

3:1

FF

FB

LO PEAK

8K

16K

THRESH

S/C HPF

RELEASE

LINK

5mS

75mS

ATTACK

25

50

COMP IN

EQ IN

EQ PRE

POST

220

100

60

35

MID FREQ

MID HI Q

LOW FREQ

0

22
20
18
14
10
4
-2
-10

1
2
4
6
10
14
18
22

Level

GR

3K

1.5K

700

350

200

6K

HF

MID

LF

HI PEAK

HPF

Red 120Hz

Blue 60Hz

I

NDUCTOR EQ

5051

EQ/Compressor

C

OMPRESSOR

LINE 1

LINE 2

-15

+15

0

-15

+15

0

-15

+15

0

-6dB

+20

100mS

2.5 S

250

1 S

-30dB

+20dB

-10

+10

GAIN

1.1:1

40:1

RATIO

1.5:1

3:1

FF

FB

LO PEAK

8K

16K

THRESH

S/C HPF

RELEASE

LINK

5mS

75mS

ATTACK

25

50

COMP IN

EQ IN

EQ PRE

POST

220

100

60

35

MID FREQ

MID HI Q

LOW FREQ

0

22
20
18
14
10
4
-2
-10

1
2
4
6
10
14
18
22

Level

GR

3K

1.5K

700

350

200

6K

HF

MID

LF

HI PEAK

HPF

Red 120Hz

Blue 60Hz

I

NDUCTOR EQ

5051

EQ/Compressor

C

OMPRESSOR

LINE 1

LINE 2

-15

+15

0

-15

+15

0

-15

+15

0

-6dB

+20

100mS

2.5 S

250

1 S

-30dB

+20dB

-10

+10

GAIN

1.1:1

40:1

RATIO

1.5:1

3:1

FF

FB

LO PEAK

8K

16K

THRESH

S/C HPF

RELEASE

LINK

5mS

75mS

ATTACK

25

50

COMP IN

EQ IN

EQ PRE

POST

220

100

60

35

MID FREQ

MID HI Q

LOW FREQ

0

22
20
18
14
10
4
-2
-10

1
2
4
6
10
14
18
22

Level

GR

3K

1.5K

700

350

200

6K

HF

MID

LF

HI PEAK

HPF

Red 120Hz

Blue 60Hz

I

NDUCTOR EQ

5051

EQ/Compressor

C

OMPRESSOR

LINE 1

LINE 2

24

22

20

18

16

12

6

0

REDUCTION

OUTPUT

24

22

20

18

16

12

6

0

REDUCTION

OUTPUT

50

40

30

20 mS

80 mS

70

60

0.5

0.4

0.2

0.1 S

3.0 S

2.0

1.0

50

40

30

20mS

80mS

70

60

0.5

0.4

0.2

0.1 S

3.0 S

2.0

1.0

0

-8

-20

-30dB

+20dB

+14

+8

2:1

 1.5

1:1

40:1

5:1

3:1

2:1

 1.5

1:1

40:1

5:1

3:1

0

Min

Max

0

Mono

Wide

Min

Max

18

 15

12

10

Off

+24

21

+10

0

+20

50

0

100

Min

Max

+10

0

+20

50

0

100

0

-8

-20

-30dB

+20dB

+14

+8

18

 15

12

10

Off

+24

21

2

4

6

8

10

12

18

24

2

4

6

8

10

12

18

24

PORTICO II

M a s t e r   B u s s

P r o c e s s o r

SFE

Depth

CH A
Width

CH B

SFE to COMP

CHANNEL A

RUPERT NEVE DESIGNS

FF

FB

SC

250 Hz

RMS
Peak

Comp

In

SC

Insert

SC

Insert

SC

250 Hz

LINK

FB

FF

RMS
Peak

Comp

In

Silk+ : Red

Silk : Blue

CHANNEL B

In

In

Width EQ

Depth EQ

EQ

EQ

Width

Depth

Ratio

Texture

Limit dBu

Threshold

Blend %

Limit dBu

Ratio

Silk+ : Red

Silk : Blue

Blend %

Threshold

Gain dB

Texture

Gain db

Release

Attack

Release

Attack

CH A Master

Depth

Depth

Width

Width

CH B

CH A

HF

HM

LM

LF

HF

HM

LM

LF

POWER

Equalizer

Comp

Reverb 1

Reverb 2

Reverb 3

Delay

24

22

20

18

16

12

6

0

REDUCTION

OUTPUT

24

22

20

18

16

12

6

0

REDUCTION

OUTPUT

50

40

30

20 mS

80 mS

70

60

0.5

0.4

0.2

0.1 S

3.0 S

2.0

1.0

50

40

30

20mS

80mS

70

60

0.5

0.4

0.2

0.1 S

3.0 S

2.0

1.0

0

-8

-20

-30dB

+20dB

+14

+8

2:1

 1.5

1:1

40:1

5:1

3:1

2:1

 1.5

1:1

40:1

5:1

3:1

0

Min

Max

0

Mono

Wide

Min

Max

18

 15

12

10

Off

+24

21

+10

0

+20

50

0

100

Min

Max

+10

0

+20

50

0

100

0

-8

-20

-30dB

+20dB

+14

+8

18

 15

12

10

Off

+24

21

2

4

6

8

10

12

18

24

2

4

6

8

10

12

18

24

PORTICO II

M a s t e r   B u s s

P r o c e s s o r

SFE

Depth

CH A
Width

CH B

SFE to COMP

CHANNEL A

RUPERT NEVE DESIGNS

FF

FB

SC

250 Hz

RMS
Peak

Comp

In

SC

Insert

SC

Insert

SC

250 Hz

LINK

FB

FF

RMS
Peak

Comp

In

Silk+ : Red

Silk : Blue

CHANNEL B

In

In

Width EQ

Depth EQ

EQ

EQ

Width

Depth

Ratio

Texture

Limit dBu

Threshold

Blend %

Limit dBu

Ratio

Silk+ : Red

Silk : Blue

Blend %

Threshold

Gain dB

Texture

Gain db

Release

Attack

Release

Attack

CH A Master

Depth

Depth

Width

Width

CH B

CH A

HF

HM

LM

LF

HF

HM

LM

LF

POWER

 

L

R

 

L

R

LEVEL

LEVEL

PAN

PAN

INSERT

INSERT

STEREO 

2

STEREO 

2

-10

-15

-3

-30

-20

0

-10

-15

-3

-30

-20

0

 

MIN

MAX

TEXTURE

 

MIN

MAX

TEXTURE

STEREO 

1

STEREO 

2

SIGNAL

SIGNAL

Silk+ : Red

Silk : Blue

Silk+ : Red

Silk : Blue

1

2

3

4

5

6

7

8

9

16

15

14

13

12

11

10

RUPERT NEVE DESIGNS

16 x 2+2
Summing

Mixer

5059

POWER

 

L

R

 

L

R

LEVEL

LEVEL

PAN

PAN

INSERT

INSERT

STEREO 

2

STEREO 

2

 

L

R

 

L

R

LEVEL

LEVEL

PAN

PAN

INSERT

INSERT

STEREO 

2

STEREO 

2

 

L

R

 

L

R

LEVEL

LEVEL

PAN

PAN

INSERT

INSERT

STEREO 

2

STEREO 

2

 

L

R

 

L

R

LEVEL

LEVEL

PAN

PAN

INSERT

INSERT

STEREO 

2

STEREO 

2

 

L

R

 

L

R

LEVEL

LEVEL

PAN

PAN

INSERT

INSERT

STEREO 

2

STEREO 

2

 

L

R

 

L

R

LEVEL

LEVEL

PAN

PAN

INSERT

INSERT

STEREO 

2

STEREO 

2

 

L

R

 

L

R

LEVEL

LEVEL

PAN

PAN

INSERT

INSERT

STEREO 

2

STEREO 

2

S

ATELLITE

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 

L

R

 

L

R

LEVEL

LEVEL

PAN

PAN

INSERT

INSERT

STEREO 

2

STEREO 

2

-10

-15

-3

-30

-20

0

-10

-15

-3

-30

-20

0

 

MIN

MAX

TEXTURE

 

MIN

MAX

TEXTURE

STEREO 

1

STEREO 

2

SIGNAL

SIGNAL

Silk+ : Red

Silk : Blue

Silk+ : Red

Silk : Blue

1

2

3

4

5

6

7

8

9

16

15

14

13

12

11

10

RUPERT NEVE DESIGNS

16 x 2+2
Summing

Mixer

5059

POWER

 

L

R

 

L

R

LEVEL

LEVEL

PAN

PAN

INSERT

INSERT

STEREO 

2

STEREO 

2

 

L

R

 

L

R

LEVEL

LEVEL

PAN

PAN

INSERT

INSERT

STEREO 

2

STEREO 

2

 

L

R

 

L

R

LEVEL

LEVEL

PAN

PAN

INSERT

INSERT

STEREO 

2

STEREO 

2

 

L

R

 

L

R

LEVEL

LEVEL

PAN

PAN

INSERT

INSERT

STEREO 

2

STEREO 

2

 

L

R

 

L

R

LEVEL

LEVEL

PAN

PAN

INSERT

INSERT

STEREO 

2

STEREO 

2

 

L

R

 

L

R

LEVEL

LEVEL

PAN

PAN

INSERT

INSERT

STEREO 

2

STEREO 

2

 

L

R

 

L

R

LEVEL

LEVEL

PAN

PAN

INSERT

INSERT

STEREO 

2

STEREO 

2

S

ATELLITE

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

 -4

-10

-20

+10

0

+6

-30

PEAK

PEAK

 

0

 

MIN

MAX

 

-30

-6

 

0

 

 

 

9-10

11-12

13-14

15-16

17-18

19-20

21-22

23-24

1-2

3-4

5-6

7-8

-50

-60

-20

-10

-40

-25

-15

0

-5

+10

+5

0

-5

-10

-30

-40

-50

-15

+10

+5

0

-5

-10

-30

-40

-50

-15

+10

+5

0

-5

-10

-30

-40

-50

-15

+10

+5

0

-5

-10

-30

-40

-50

-15

MIX

STEREO INPUT CHANNELS  9 - 24

TB ASSIGN

MONITOR SELECT

HEADPHONE

MONITOR SOURCE

STEREO INPUT CHANNELS  1 - 8

RUPERT NEVE DESIGNS

MASTER

MONITOR

TB LEVEL

TEXTURE

DIM LEVEL

HEADPHONE

-10

-15

-5

-30

-20

0

-10

-15

-5

-30

-20

0

-10

-15

-5

-30

-20

0

-10

-15

-5

-30

-20

0

-10

-15

-5

-30

-20

0

-10

-15

-5

-30

-20

0

-10

-15

-5

-30

-20

0

-10

-15

-5

-30

-20

0

RED-SCRUB

GRN-SHUTTLE

MIC

5060 CENTERPIECE

TALK

DIM

MON 2

MON 3

EXT 3

EXT 2

EXT 1

MIX

1/2

3/4

SILK

MON 1

MONO

INS

MUTE

INS

MUTE

INS

MUTE

INS

INS

MUTE

MODE

2 4   x   2     D e s k t o p   M i xe r

ADC

DAC

36

30

24

18

12

6 0dB 66

60

54

48

42

20Hz

250Hz

100

 

 

 

 

 

MIN

 MAX

 

 

 

 

TEXTURE

0dB

 

 

 

 

 -6

 +6

 

 

 

 

TRIM

GAIN

POWER

SILK

48V

HPF

HPF

Rupert Neve

Designs

511

MIC PRE

+ SILK

22

20

18

14

10

4

-2

-10

LEVEL

Headphone Mixer / Amp

Headphone Mixer / Amp

Headphone Mixer / Amp

Optional:

Supplemental Digital Control

Tablet Computers
Control Surfaces
Digital Faders / Rotary Encoders
Future Control Technology

Transport control 
over Midi or USB

.

Stereo or Mono Channel 

Insert Send and Returns

for Outboard Processing

Stereo Mix Insert 

Send and Returns 

for Outboard Processing

Stereo or Mono Channel 

Insert Send and Returns

for Outboard Processing

“5059’s Mixing into a 5060” 

Mono / Stereo Subwoofers

Cutting Room Playback

Mon 3 (Latchable)

or

Dual Stereo Outputs with Different Silk & Texture Settings

Dual Stereo Outputs with Different Silk & Texture Settings

Stereo Mix Output to 2-Track In

2-Track Output to Ext Monitor In

Rupert Neve

Designs

543

0

 

-8

 

 

-30

+20

 

 

+8

 

 

 

2:1

 

 

1.1:1

40:1

 

8:1

 

4:1

50

 

 

 

 

20mS

75mS

 

 

 

 

400

 

 

 

 
100mS

2.5 S

 

 

 

 

+4

 

0

 

 

-6

+20

 

 

+8

 

22
18
14
10
6
4
2
0

PEAK

RMS

HPF

S/C

F/F

F/B

GR

LEVEL

THRESHOLD

RATIO

ATTACK

1
2
4
6
10
14
18
22

IN

RELEASE

MAKE-UP GAIN

LINK

Rupert Neve

Designs

542

0dB

 

 

 

 

 -12

 +12

 

 

 

 

50

%

 

 

 

 

 0

 100

%

 

 

 

 

 

 

 

 

 

MIN

 MAX

 

 

 

 

22

20

18

14

10

4

-2

-10

8

7

6

5

4

3

2

1

SILK BLUE

SILK RED

30

15

IN

TAPE

EFFECT

POWER

LEVEL

DRIVE

IPS

SATURATION

TRIM

TEXTURE

BLEND

 

 

 

 

 

MIN

MAX

 

 

 

 

TAPE

EMULATOR

36

30

24

18

12

6

0dB

66

60

54

48

42

0

-6

+6

220

100

60

35

25

12

6.8

4.7

40

20mS

80mS

60

200

 

100

 

80

1.6K

 

700

 

400

0.3

0.1 S

3.0 S

1.5

2.0

 

1.0

 

0.8

16

 

7.0

 

4.0

0

-15

+15

0

-15

+15

0

-15

+15

0

-15

+15

100

20Hz

250Hz

2.5

2:1

1.5

1:1

40:1

5:1

3:1

Min

Max

2

0.7

5

Off

Max

 

0

100

 

0

-6

+20

+8

2

0.7

5

Trim

LF

LMF

HMF

HF

Attack

Release

RMS

Peak

Comp

In

FF

FB

Blend %

Gain dB

Threshold

Ratio

Power

Silk : Red

Silk : Blue

Texture

PORTICO II RUPERT NEVE DESIGNS

R

E

D

UC

T

I

O

N

O

U

T

P

U

T

Hz

Hz

kHz

kHz

Shelf
Peak

HF In

LMF/HMF

Shelf
Peak

In

Q

De-ess

Q

LF In

dB

dB

dB

dB

All EQ

In

Post

Comp

HPF

In

S/C

HPF

Mic/DI

Line

Phase

Mute

Signal

dB

Thru

DI

+48V

Mic Gain

HPF

PORTICO II

C  H  A  N  N  E  L

GND

LIFT

0

-8

-12

-30dB

+20dB

+12

+8

2

4

6

8

10

12

18

24

24

22

20

18

16

12

6

0

Rupert Neve

Designs

543

0

 

-8

 

 

-30

+20

 

 

+8

 

 

 

2:1

 

 

1.1:1

40:1

 

8:1

 

4:1

50

 

 

 

 

20mS

75mS

 

 

 

 

400

 

 

 

 
100mS

2.5 S

 

 

 

 

+4

 

0

 

 

-6

+20

 

 

+8

 

22
18
14
10
6
4
2
0

PEAK

RMS

HPF

S/C

F/F

F/B

GR

LEVEL

THRESHOLD

RATIO

ATTACK

1
2
4
6
10
14
18
22

IN

RELEASE

MAKE-UP GAIN

LINK

36

30

24

18

12

6

0dB

66

60

54

48

42

0

-6

+6

220

100

60

35

25

12

6.8

4.7

40

20mS

80mS

60

200

 

100

 

80

1.6K

 

700

 

400

0.3

0.1 S

3.0 S

1.5

2.0

 

1.0

 

0.8

16

 

7.0

 

4.0

0

-15

+15

0

-15

+15

0

-15

+15

0

-15

+15

100

20Hz

250Hz

2.5

2:1

1.5

1:1

40:1

5:1

3:1

Min

Max

2

0.7

5

Off

Max

 

0

100

 

0

-6

+20

+8

2

0.7

5

Trim

LF

LMF

HMF

HF

Attack

Release

RMS

Peak

Comp

In

FF

FB

Blend %

Gain dB

Threshold

Ratio

Power

Silk : Red

Silk : Blue

Texture

PORTICO II RUPERT NEVE DESIGNS

R

E

D

UC

T

I

O

N

O

U

T

P

U

T

Hz

Hz

kHz

kHz

Shelf
Peak

HF In

LMF/HMF

Shelf
Peak

In

Q

De-ess

Q

LF In

dB

dB

dB

dB

All EQ

In

Post

Comp

HPF

In

S/C

HPF

Mic/DI

Line

Phase

Mute

Signal

dB

Thru

DI

+48V

Mic Gain

HPF

PORTICO II

C  H  A  N  N  E  L

GND

LIFT

0

-8

-12

-30dB

+20dB

+12

+8

2

4

6

8

10

12

18

24

24

22

20

18

16

12

6

0

Содержание 5060 CENTERPIECE

Страница 1: ...Operations Manual 5060 CENTERPIECE 2 4 X 2 D E S K TO P M I X E R the ...

Страница 2: ...the cord exits from the apparatus 11 Only use attachments accessories specified by the manufacturer 12 Unplug this apparatus during lightning storms or when unused for long periods of time 13 Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as when power supply cord or plug is damaged liquid has been spilled or objects hav...

Страница 3: ...Dim Ext I P Talkback Mix Out Monitor Section GND CW CW Stepped Attenuator Mono Summing Left VU StInL1 StInL1 StInR1 StInR1 Talk1 Talk2 Talk1 Talk2 GND Soft Mute Insert Return GND Soft Mute StInL1 StInL1 StInR1 StInR1 InsInL1 InsInL1 InsInR1 InsInR1 Insert Return GND Soft Mute Insert Return GND LineIn9 LineIn9 GND LineIn10 LineIn10 1 2 3 4 5 6 7 8 L INS RTN L INS SND R INS RTN R INS SND Stereo Inse...

Страница 4: ...inal mix and provides 2 track outputs source selection and speaker feed outputs from the monitor section In the 5060 amplification is handled with fully class A operational amplifier topologies featuring Rupert s custom transformer designs While these circuits share a lineage with the circuits used in Rupert s consoles from the 70 s and in many ways sound similar there are refinements in noise sle...

Страница 5: ...xture Limit dBu Threshold Blend Limit dBu Ratio Silk Red Silk Blue Blend Threshold Gain dB Texture Gain db Release Attack Release Attack CH A Master Depth Depth Width Width CH B CH A HF HM LM LF HF HM LM LF POWER Equalizer Comp Reverb 1 Reverb 2 Reverb 3 Delay L R L R LEVEL LEVEL PAN PAN INSERT INSERT STEREO 2 STEREO 2 10 15 3 30 20 0 10 15 3 30 20 0 MIN MAX TEXTURE MIN MAX TEXTURE STEREO 1 STEREO...

Страница 6: ... 6 30 4 10 20 10 0 6 30 4 10 20 10 0 6 30 PEAK PEAK 0 MIN MAX 30 6 0 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 1 2 3 4 5 6 7 8 50 60 20 10 40 25 15 0 5 10 5 0 5 10 30 40 50 15 10 5 0 5 10 30 40 50 15 10 5 0 5 10 30 40 50 15 10 5 0 5 10 30 40 50 15 MIX STEREO INPUT CHANNELS 9 24 TB ASSIGN MONITOR SELECT HEADPHONE MONITOR SOURCE STEREO INPUT CHANNELS 1 8 RUPERT NEVE DESIGNS MASTER MONITOR TB LE...

Страница 7: ...6ch to link the aux busses between units If you would like the same processing on both the aux path and the mix path it needs to be inserted before the line ins on the aux 5059 For the 5059s creating the stereo stems into the 5060 the configuration is identical to the 5059s Mixing into a 5060 example HOW TO CALIBRATE FOR A DIGITAL MIX IN ANALOGUE For engineers looking to completely recreate their ...

Страница 8: ...ts will remain on with both Mon 1 2 for use with subwoofers or speakers in the cutting room Determines the level of the master stereo buss signal Transofrmer coupled insert with always active send Engaging the insert button selects the insert return signal 100mm Fader determines the level of the 4 main stereo input channels Faders can be either stereo or center panned mono from the left input Mute...

Страница 9: ...xceeded Both VU and Peak levels can be calibrated Controls the level of the headphone output Sets the amount of monitor signal reduction that occurs when the Dim button is depressed Used to control either scrub or shuttle functions in the DAW Control the standard transport functions of DAWs through Midi or USB interconnection Creates a marker in the DAW 21 Position rotary stepped attenuator determ...

Страница 10: ...hassis earth Balanced DB 25 Inputs for the external monitor sources STEREO L STEREO R SEND L MIX INSERT TALK RET L SEND R RET R MON 3L MON 3R MIDI IN MIDI OUT GND LIFT USB MONO 1 2 3 4 5 6 7 8 STEREO MON 2L MON 2R MON 1L MONITOR OUTPUTS MON 1R TB OUT TB SW AUX INPUTS 9 16 AUX INPUTS 17 24 INSERT SEND 1 8 INSERT RETURN 1 8 EXTERNAL TO MONITOR MAIN INPUTS 1 8 CAUTION Risk of Electric Shock Disconnec...

Страница 11: ...at can deliver a full 26dBu from the balanced and ground free secondary winding This maximum level provides a large margin over and above the likely maximum requirement of any destination equipment to which the module may be connected This is especially true when feeding digital equipment Freedom from the interference fields that are inevitably present in any control room is virtually guaranteed b...

Страница 12: ...nput signal that is always active When the insert button is engaged the insert return signal replaces the standard input signal In use the inserts are helpful in auditioning various pieces of outboard equipment but they can also be used several other ways The insert return can be used as a selectable second hardwire input to the 5060 for instance if you have both a digital recorder and a tape mach...

Страница 13: ...ich speaker output is active By holding the Mon 3 button the Mon 3 outs will latch on allowing both Mon 1 2 for use while Mon 3 remains active The latching feature is often used for adding subwoofers or feeding speakers in the cutting room HEADPHONE AMPLIFIER The headphone amplifier provides reference grade performance amplification for headphone monitoring The headphone signal follows the selecti...

Страница 14: ...od that we can perceive steady tones even when buried under 20 to 30 dB of noise And we know that most gain stages exhibit rising distortion at higher frequencies including more IM intermodulation distortion One common IM test is to mix 19 kHz and 20 kHz sine waves send them through a device and then measure how much 1 kHz is generated 20 19 1 All this hints at the importance of maintaining a suff...

Страница 15: ...larly is an area where one might consider comparing several such devices Beware that usually deviations from linearity carry at least as much long term penalty as initial appeal and that one should always be listening critically when recording and generally playing it safe when introducing effects that cannot be removed 1 Tsutomu Oohashi Emi Nishina Norie Kawai Yoshitaka Fuwamoto and Hishi Imai Na...

Страница 16: ...FD Better than 0 0008 Silk Blue Silk Red Texture control at maximum Distortion 20 dBu in 20 Hz Better than 5 20 dBu in 200 Hz Better than 0 2 Monitor Outputs Max Output Level 1 kHz 25 dBu THD N 20 dBu 20 Hz Better than 0 03 20 dBu 2 kHz Better than 0 02 20 dBu 20 kHz Better than 0 02 Noise Ch 1 24 Better than 90 dBV Ch 9 24 Better than 100 dBV Headphone Out Max output level Better than 20 dBu unlo...

Страница 17: ...mum Load 16 ohms recommended 8 absolute max Peak LED s Engage Threshold 22 dBu Power Consumption AC Mains 100VAC to 240VAC 50 60Hz 60 Watts Fuses not user accessible internal on power supplies Weight 22lbs Frequency Response Saturation Plots ...

Страница 18: ...rchase receipt or other satisfactory proof of date of original purchase is required before any warranty service will be performed THIS EXPRESS LIMITED WARRANTY IS IN LIEU OF ALL OTHER WARRANTIES EXPRESS OR IMPLIED TO THE EXTENT ALLOWED UNDER APPLICABLE STATE LAW IN NO EVENT SHALL RUPERT NEVE DESIGNS BE LIABLE FOR ANY SPECIAL INCIDENTAL OR CONSEQUENTIAL DAMAGES RESULTING FROM THE USE OF THIS PRODUC...

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