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Roland V-ACCORDION FR-5, Руководство пользователя

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Roland V-ACCORDION FR-5 Скачать руководство пользователя страница 5

 

V-Accordion 

 

r

 

5

 

1. Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6

2. Important notes  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9

3. Panel descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11

 

Treble control panel  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Bass control panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Display and master bar. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Connection panel  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

 

4. Setting up  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

 

Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Switching the power on and off. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Listening to the demo songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
First steps . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Touring the FR-7/FR-5’s sections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Using the orchestral sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Other practical functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

 

5. About the FBC-7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30

 

Using the FBC-7. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Charging the battery  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

 

6. Editing sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34

 

Selecting parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Setting parameter values. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
TUNING parameters  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
TREBLE EDIT parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
BASS EDIT parameters  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
FREE BASS EDIT parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
ORC.BASS EDIT parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
ORCH. EDIT parameters  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
SET COMMON parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
SYSTEM parameters  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
UTILITY parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

 

7. MIDI functions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65

 

About MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Global MIDI parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
MIDI parameters for the various sections/parts. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Archiving your settings via MIDI (Bulk Dump) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

 

8. Miscellaneous functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .76

 

Saving settings using the WRITE function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Restoring the factory defaults  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Troubleshooting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Specifications. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Parameter list. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

 

9. MIDI implementation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .85

 

MIDI Implementation Chart  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

 

10. Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .88

11. Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .89

 

Contents

Содержание V-ACCORDION FR-5

Страница 1: ...r FR 7 FR 5 Owner s Manual...

Страница 2: ...asic precautions should always be followed including the following 1 Read these instructions 2 Keep these instructions 3 Heed all warnings 4 Follow all instructions 5 Do not use this apparatus near wa...

Страница 3: ...bellows instruments Though it is also the most sophisticated MIDI controller to date even more powerful than any keyboard instrument the major advantage of the FR 7 FR 5 is probably that it allows you...

Страница 4: ...4 rFR 7 FR 5 V Accordion...

Страница 5: ...ameters 34 Setting parameter values 36 TUNING parameters 37 TREBLE EDIT parameters 39 BASS EDIT parameters 44 FREE BASS EDIT parameters 47 ORC BASS EDIT parameters 50 ORCH EDIT parameters 52 SET COMMO...

Страница 6: ...changing your technique Orchestral sounds 22 orchestral sounds can be used in combination with traditional accordion sounds complete with full bellows articulation something like breath con trol for...

Страница 7: ...g flammable material coins pins or liquids of any kind water soft drinks etc to penetrate the FR 7 FR 5 or FBC 7 In households with small children an adult should pro vide supervision until the child...

Страница 8: ...ower supply cord when plugging into or unplugging from an outlet or this unit Try to prevent cords and cables from becoming entan gled Also all cords and cables should be placed out of the reach of ch...

Страница 9: ...nt Afterwards be sure to wipe the instrument thoroughly with a soft dry cloth Never use benzene thinner alcohol or solvents of any kind to avoid the possibility of discoloration and or deformation Rep...

Страница 10: ...ion bursting or fire Never try to connect two batteries in parallel as this may cause leakage of battery fluid heat generation bursting or fire Do not alter or remove protective mechanisms or other pa...

Страница 11: ...unction which allows you to save your settings E VOLUME knob This knob allows you to set the V Accordion s overall volume F BALANCE knob This knob allows you to set the balance between the Bass and th...

Страница 12: ...level of the Reverb effect see p 54 Bass control panel N Bass registers These switches allow you to select the desired bass mix They include the following feet Press the last three registers viewed fr...

Страница 13: ...use the FR 7 FR 5 as a MIDI controller only the FBC 7 has MIDI sockets S OUTPUT L MONO R MONO sockets These sockets can be connected to an amplifier a mixing console or a wireless system If you use b...

Страница 14: ...pped with an inter nal speaker system and thus does not need to be connected to an amplifier at all The FR 5 on the other hand does require an audio connection As long as it does not contain an option...

Страница 15: ...r cables Note You can also connect headphones to the PHONES socket in which case you do not need to establish an audio connection 3 Press the FR 7 FR 5 s POWER button it lights to switch it on The ico...

Страница 16: ...at illustrate its wide variety of sounds and applications Here is how to listen to the demo songs 1 Switch on the FR 7 FR 5 See Switching the power on and off on p 15 The display now looks more or les...

Страница 17: ...ons There are 40 Set memories that already contain useful settings right out of the box But you can replace them with your own settings And if 40 Sets are not enough you can archive and load new sets...

Страница 18: ...accordion The display contains important clues about the settings that are cur rently in effect What s shown in the display depends on the function you select When you switch on the FR 7 FR 5 or if yo...

Страница 19: ...y briefly confirms your setting and indi cates which footage you selected These indications refer to the octaves vertical direc tion and the number of slightly detuned reeds that are used horizontal d...

Страница 20: ...art of the parameters you can save for each Set indepen dently The FR 7 FR 5 contains 3 digi tal effects Reverb This effect gives the impression that you are playing in a concert hall a church or a ro...

Страница 21: ...dications refer to the octaves vertical direc tion and the number of slightly detuned reeds that are used horizontal direction On the Main page the number of the selected regis ter appears in the disp...

Страница 22: ...EE BASS registers again to return to the normal Bass mode Note You can add an orchestral sound to the Bass or Free Bass section See page 26 for details Using the FR 7 FR 5 s digital effects While play...

Страница 23: ...art at this stage you need to select a sound see below The TREBLE field contains a keyboard icon It means that the Treble keyboard is assigned to the Treble accordion part The ORCH field on the other...

Страница 24: ...ld indefi nitely If you press two or more keys simultaneously those notes are held the drone function is polyphonic To switch off the currently sounding drone note s either press another key in the gr...

Страница 25: ...ever 6 Press the Master bar that protrudes from under neath the Treble keyboard to switch the Orchestra part on or off The display now looks as follows same system for the HIGH and LOW modes Note whic...

Страница 26: ...ow briefly responds with 2 Use the Bass registers to select the desired sound Note The numbers shown in the illustration above do not appear on the registers themselves They have been added for your r...

Страница 27: ...major scale for example This may come in handy when you are used to playing a given song in one key and suddenly need to play it in a dif ferent key Let s look at an example 1 While the Main page is...

Страница 28: ...rogrammed by yourself or someone else See 1 4 Scale Edit on p 37 for details Arabic 1 2 As the name implies these two set tings refer to Arabic tuning systems Select 1 to lower the E and B notes by a...

Страница 29: ...e and button noises clicks that can not be suppressed on an acoustic instrument On the FR 7 FR 5 the volume of those noises can be changed if you think they are too prominent or too soft Note that the...

Страница 30: ...0 The REGISTER switches 3 and 4 allow you to select Treble registers 1 14 They work the same way as the SET footswitches 3 selects the preceding register while 4 selects the next one These footswitche...

Страница 31: ...ERY or the battery attached to the FBC 7 EXTERNAL BATTERY Lights green The battery is fully charged and can be used again Flashes yellow right away The charging operation cannot be started because the...

Страница 32: ...loosen the two screws of the com partment cover 5 Remove the cover from the FR 7 FR 5 s battery compartment Note While the compartment cover is open the FR 7 FR 5 cannot be switched on 6 Pull the batt...

Страница 33: ...tched on 20 Remove the depleted battery and disconnect its cable 21 Connect the cable to the new battery and insert the charged battery into the FR 7 FR 5 s compart ment 22 Close the FR 7 FR 5 s batte...

Страница 34: ...selected group See the table on page 36 6 Editing sounds Easy and Full modes Be aware that the availability of a parameter may depend on the display mode that is currently selected page 18 If you can...

Страница 35: ...like this 1 Press the MENU button 2 Use the DATA ENTER knob or the UP DOWN buttons to select one of the function groups See the previous page for a list with short explana tions 3 Press the DATA ENTER...

Страница 36: ...12 Bass Link 2 13 Orchestra Link 2 14 Treble MIDI TX 3 BASS EDIT 3 1 Reed Type 3 2 Register 3 3 Reed Volume 3 4 Button Noise 3 5 Reed Growl 3 6 Bellows Detune 3 7 Reverb Send 3 8 Chorus Send 3 9 Delay...

Страница 37: ...em again Note The SCALE and TUNE settings are saved using a separate WRITE routine see below 1 1 Master Tune 415 3 466 2 Default setting 440 0 This parameter allows you to change the FR 7 FR 5 s overa...

Страница 38: ...y to half a semitone up or down quarter tone Other settings may also be interesting though Press the DATA ENTER knob to select either the note left field or the tuning value right field and change the...

Страница 39: ...ges it would be a good idea to take advan tage of the following automatic routine Whenever you press EXIT JUMP after editing a Menu parameter the FR 7 FR 5 asks you whether you want to save your chang...

Страница 40: ...Cajun Excels Mauge Morn Organetto Pierma Pigi Scanda Sopra Steierische Stoc TexMex Tri kitixa To save time while changing the TYPE for one or sev eral reeds you could proceed as follows suppose all re...

Страница 41: ...t a different reed type this noise setting is automatically adapted to the reed type It would therefore be a good idea to first select the reed type and only then change the noise type 2 6 Musette Det...

Страница 42: ...lected Bass Free Bass or Orchestra Bass register without saving it Selecting another register automat ically via the Link function indeed means that the changes for the previously selected register ar...

Страница 43: ...need to select another Treble register whose Orchestra Link function is on for the link to work Repeat this procedure to defeat the Orchestra Link function if you no longer need it or assign CANCEL t...

Страница 44: ...cted See Entering names on p 39 3 Press the MENU WRITE button to jump to the fol lowing page 4 If necessary select another Set and another regis ter than the ones you are currently using Press the DAT...

Страница 45: ...red balance Note The overall volume of the Bass section all registers can be changed using the BALANCE knob 3 4 Button Noise The bass section of almost all accordion instruments can be played via butt...

Страница 46: ...hould be applied to the Bass section The higher the value you set the more the Bass section will be pro cessed by the effect in question The other sections Treble Free Bass etc have the same parameter...

Страница 47: ...y change the name of the Free Bass register you have just edited you may want to enter the name of the Reed Type you selected See Entering names on p 39 3 Press the MENU WRITE button to jump to the fo...

Страница 48: ...Mauge Morn Organetto Pierma Pigi Scanda Sopra Steierische Trikitixa Use the LEVEL parameter to specify how prominent the noise should be 30 Std 30 Default setting Std Note Whenever you select ALL for...

Страница 49: ...ries of MIDI parameters for the selected register you need to set one by one See page 71 for details about the MIDI parameters These parameters are saved along with all other Set parameters which allo...

Страница 50: ...Do not switch off the FR 7 FR 5 or select another Set before saving settings you want to keep save them first 5 1 Lowest Note This parameter allows you to specify the lowest note the selected sound c...

Страница 51: ...5 4 Reverb Send 5 5 Chorus Send 5 6 Delay Send 0 127 for all three Use these parameters to set the Reverb Chorus or Delay send level how much effect should be applied to the Orchestra Bass section Th...

Страница 52: ...DATA ENTER knob The display now responds with 2 If necessary select another Set than the one you are currently using 3 Press the MENU WRITE button to save your changes The display now briefly confirms...

Страница 53: ...note by a quarter 1 4 Down or a semi tone 1 2 Down Select 1 4 Up or 1 2 Up to bend the notes up a quarter or a semi tone Select Off to switch off the Orchestra sections aftertouch recognition The Tre...

Страница 54: ...anges The display now briefly confirms that your settings have been stored The settings you perform here apply to all sections that use the effect in question Especially for the Reverb and Chorus effe...

Страница 55: ...This parameter is only available when you set Character to 6 or 7 It specifies the num ber of echoes higher values result in more repetitions PreDlyTm 0 127 This parameter sets the time inter val betw...

Страница 56: ...her values result in a greater feedback level Delay 0 127 This parameter sets the delay of the Chorus effect Higher values will cause greater deviation in pitch of the chorus sound Rate 0 127 This par...

Страница 57: ...ections Level 0 127 This parameter sets the overall volume of the three delay lines center left and right Higher val ues result in a louder delay effect Time C 0 1 1000 The Delay effect of the FR 7 FR...

Страница 58: ...the name already contains 8 characters Bandoneo the last character is erased example Band one To delete the character indicated by the cursor and move subsequent characters one position to the left se...

Страница 59: ...ter to adjust the contrast The smaller the value the darker the background becomes 8 2 Parameter Access This function was already dis cussed on page 18 it allows you to specify how many MENU parameter...

Страница 60: ...OUT socket to the MIDI IN socket of an external sequencer arranger module drum machine or DisCover 5M Pressing the footswitch once will cause the external device to start playback Obviously you need t...

Страница 61: ...e accordion sounds If you think the stereo image is too wide for comfort or if you pre fer to set the Pan controls on your mixing console dif ferently you can use this parameter to reduce the ste reo...

Страница 62: ...3 Ab3 Eb3 Bb3 F3 Eb7 C7 A6 F 6 Eb6 C6 A5 F 5 Eb5 C5 A4 F 4 Eb4 C4 A3 F 3 Eb3 C3 A2 F 2 D7 B6 Ab7 F6 D6 B5 Ab5 F5 D5 B4 Ab4 F4 D4 B3 Ab3 F3 D3 B2 Ab2 F2 C 7 Bb6 G6 E6 C 6 Bb5 G5 E5 C 5 Bb4 G4 E4 C 4 Bb...

Страница 63: ...charged the display briefly shows a Recharge Complete message While the FR 7 FR 5 is connected to the FBC 7 the latter supplies the power to your V Accordion the battery in the FR 7 FR 5 s compartment...

Страница 64: ...lk Dump SET before proceeding 1 On the page shown above press the MENU WRITE button The display now changes to 2 Press the DATA ENTER knob to select the FROM parameter then turn it to select the Set w...

Страница 65: ...guage for musi cal applications which is called Musical Instrument Digital Interface or MIDI for short MIDI has a lot in common with the internet you can link one or several instruments to one another...

Страница 66: ...sed as tone generator for an exter nal sequencer you must connect the sequencer s MIDI OUT socket to the FBC 7 s MIDI IN port because MIDI data always go from OUT to IN Though you can also play the FR...

Страница 67: ...sound source should play back the part you are recording If the FR 7 FR 5 s tone generator is not used for the part you are recording you need to connect the external module s MIDI IN socket to the se...

Страница 68: ...ary when you want to add the sound of an external tone generator to the Treble section s accordion sound If you are working with an arranger module or DisCover 5M whose sole function is to provide an...

Страница 69: ...t Seq Playback parameters can be set via a parameter of the 10 MIDI group which is why you need to select that group 3 Press register 2 to select the following page 4 Press the DATA ENTER knob to sele...

Страница 70: ...esolution data 1 Press and hold the EXIT JUMP button until the display looks as follows 2 Press register 10 to specify the function group The Ext Seq Playback parameters can be set via a parameter of...

Страница 71: ...A ENTER knob or use the JUMP TO function press and hold the EXIT JUMP button then enter the parameter address using the Treble registers see p 34 2 Press the register whose settings you want to change...

Страница 72: ...0 nor CC32 had dedicated functions and so these two control change messages were picked for bank selection Two bank addresses MSB and LSB with 128 pos sibilities each plus 128 Program Change numbers p...

Страница 73: ...ct when the Note parameter is set to Off because note numbers are always transmitted along with a velocity value any value different from 0 also means start playing this note Sending only a velocity v...

Страница 74: ...h off the sequencer s MIDI Echo or Soft Thru function If that s too tedious disconnect the MIDI cable from the sequencer s computer s MIDI OUT socket This is to ensure that the sequencer doesn t trans...

Страница 75: ...playback on your sequencer Failure to do so will ren der your FR 7 FR 5 inoperable If that happens you need to initialize it see Restoring the factory defaults on p 77 6 Stop playback of your sequenc...

Страница 76: ...or Free Bass also leads to those changes being lost 1 Press and hold the MENU WRITE button until the following page appears On this page sections whose settings you changed without saving them are fl...

Страница 77: ...roceed with step 1 above Note See also At power on the FR 7 FR 5 displays the fol lowing message on p 79 Restoring the factory defaults You can reset the FR 7 FR 5 to its factory settings which means...

Страница 78: ...ng the bellows while triggering accordion sounds The Treble and Bass Free Bass sections only produce sound if you move the bellows while playing notes like on an acoustic accordion Certain parameters...

Страница 79: ...t yet the sec tion in question does not transmit notes You probably set its Note parameter to Off page 71 I cannot find the MIDI sockets on my FR 7 FR 5 The FR 7 FR 5 does not have MIDI sockets You ne...

Страница 80: ...for Orchestra organ sounds slow fast Cassotto and Sordina simulation Panel controls Knobs Volume Treble Bass balance Reverb Chorus Delay Encoder DATA ENTER Panel Switches 14 Treble registers Master Or...

Страница 81: ...3 2 2 3 Status Off On On Cassotto 2 3 Reed Volume Value 16 8 8 8 4 5 1 3 2 2 3 Level 30 Std 30 2 4 Treble Octave Value 1 0 1 2 5 Valve Noise Type Bandoneon Beltu Beltu Amp Buga Cajun Excels Mauge Morn...

Страница 82: ...Foot ALL 16 8 Type Bandoneon Beltu Beltu Amp Buga Cajun Excels Mauge Morn Organetto Pierma Pigi Scanda Sopra Steierische Trikitixa 4 2 Register Foot 16 8 Status Off Low High Whole 4 3 Reed Volume Foo...

Страница 83: ...l R 0 127 Feedback 64 0 63 Dly Rev 0 127 7 7 Name Characters See the character table below 7 8 Master Bar Recall Register 1 14 7 9 Icon Bitmap 1 23 Preset 24 40 Programmable 8 SYSTEM 8 1 LCD Contrast...

Страница 84: ...Time RX TX Part Treble 1 Bass Free 2 Chord 3 Orchestra 4 OrcBass 5 Basic Ch 13 RX TX Off 1 16 can be set for each part 10 2 Ext Seq Playback Part Treble Bass Chord Orchestra Value On Off can be set fo...

Страница 85: ...r 00H 7FH 0 127 vv note on velocity 01H 7FH 1 127 Status 2nd byte 3rd byte BnH 00H mmH BnH 20H llH n MIDI channel number 0H FH Ch 1 16 mm Bank number MSB 00H 7FH ll Bank number LSB 00H 7FH Status 2nd...

Страница 86: ...7 Initial value 00H 0 Status 2nd byte CnH ppH n MIDI channel number 0H FH Ch 1 16 pp Program number 00H 7FH program no 1 128 Status 2nd byte DnH vvH n MIDI channel number 0H FH Ch 1 16 vv Channel Pres...

Страница 87: ...O O O O O X X O O X X Bank Select Volume Panpot Expression Hold 1 Reverb Send Chorus Send Program Change True O 1 0 127 O 0 39 Program Number 1 128 transmitted Recognized 1 40 1 14 Treble Registers 1...

Страница 88: ...Roland Scandinavia A S Nordhavnsvej 7 Postbox 880 DK 2100 Copenhagen DENMARK TEL 3916 6200 FRANCE Roland France SA 4 Rue Paul Henri SPAAK Parc de l Esplanade F 77 462 St Thibault Lagny Cedex FRANCE T...

Страница 89: ...46 48 51 53 Demo songs 16 Detune 27 41 46 48 52 Display 18 59 Drone 24 Dry 28 41 Dual 24 Dynamics 24 E Easy 18 Echo 20 57 Editing 34 Effect Chorus 20 Copying 64 Delay 20 Level 20 Reverb 20 Ending 60 E...

Страница 90: ...Restore SET 64 Reverb 20 64 Macro Type 54 MIDI 72 Parameters 55 Send 41 46 48 51 53 Room 54 Root note 28 S Saving settings 76 Scale 28 37 Assign 38 Edit 37 Scanda 40 41 44 45 47 48 Scottish 28 41 Sen...

Страница 91: ...ser is encouraged to try to correct the interference by one or more of the following measures Reorient or relocate the receiving antenna Increase the separation between the equipment and receiver Conn...

Страница 92: ...R 602 00 0033 RES 404 04 Printed in Italy 07 04 FR 7 FR 5 OM E...

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