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ENGLISH
ENGLISH
ENGLISH
ENGLISH
OS version 2.0 of the G-70 introduces the following enhancements and additions. Some explanations in
this document need to be supplemented with the information in the Version 1.x owner’s manual.
Playing realistic guitar parts
(Guitar mode)
Your G-70 provides a Guitar mode that allows you to
play extremely realistic guitar parts via the keyboard.
As you will see, this mode relies on a special approach,
which is nevertheless very musical and surprisingly log-
ical once you have come to grips with the underlying
principle.
When you activate the Guitar mode, the UP1 part acts
as main guitar, while the UP2 part is used as additional
guitar that doubles the notes of the main guitar part.
This means that, while the Guitar mode is active, UP1
and UP2 cannot be used for other melodic purposes.
Though, with a little practice, you can also use it in
realtime, the Guitar mode will prove invaluable for song
and Style recording.
(1) Simultaneously press the EASY SETTING
[ARR]
and
[PIANO]
buttons.
Note:
You can also select this page by pressing
[MENU]
button
→
[GUITAR¥MODE]
. In that case, you may need to switch the
Guitar mode on using the
[Off/On]
switch icon (see below).
The indicators of these two buttons light and the dis-
play changes to:
The
[Off÷On]
switch icon allows you switch the Guitar
mode on or off. If you selected this page by pressing
EASY SETTING
[ARR]
+
[PIANO]
, it is already set to on.
Playing realistic guitar parts (Guitar mode). . . . . . . . . . . . 3
First steps. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Additional ARPEGGIO functions . . . . . . . . . . . . . . . . . . . . . . . . 4
Leaving the G-70’s Guitar mode . . . . . . . . . . . . . . . . . . . . . . . . 5
Selecting guitar sounds. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
About the chord indications . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Using the available STRUMM techniques . . . . . . . . . . . . . . . . 5
Playing question and answer phrases . . . . . . . . . . . . . . . . . . . 6
Guitar Mode Options. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Style Converter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8
Using the Style Converter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Auditioning the tracks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Recording Harmonist and Guitar parts (16-track
Sequencer). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11
Preparations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Melody Intelligence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12
Linking MELODY INTELL type selection to the Styles
(Style Melody Intell Link) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Using the Style Cover function . . . . . . . . . . . . . . . . . . . . .14
Freeze Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Volume and status of the Style parts . . . . . . . . . . . . . . . .14
Editing song data using Microscope Edit. . . . . . . . . . . . .14
Song and Style Makeup Tools . . . . . . . . . . . . . . . . . . . . . .15
Before saving your settings . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Recording Styles from scratch . . . . . . . . . . . . . . . . . . . . .16
Getting ready for the first track . . . . . . . . . . . . . . . . . . . . . . . 16
Style Track Edit functions . . . . . . . . . . . . . . . . . . . . . . . . .16
Editing individual Style events (Style Micro Edit) . . . . . .16
General notes about STYLE MICRO EDIT . . . . . . . . . . . . . . . . 16
Editing events . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Other edit operations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Disk/Media functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17
Copying User Program sets to floppy disk. . . . . . . . . . . . . . . 17
Delete . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18
MIDI System parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Miscellaneous . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18
Measure indication in the display . . . . . . . . . . . . . . . . . . . . . . 18
Break Mute function for the ASSIGN SW buttons . . . . . . . . 18
Scale Tuning for Style parts . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Song/Arranger Start Priority . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Accessing the ‘Patches’ of SRX-series expansion
boards via MIDI. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
ARR
ORGAN PIANO
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