background image

POWER WIRING

The black wire should be chassis-grounded to a solid metal
ground. The red wire should be connected to the source

unit’s auto-antenna or accessory lead. If present, the white

wire should be connected to the battery or another positive
voltage source.

EQUALIZATION GOALS

The primary goal of the equalizer set-up is to produce a
smooth response approaching a desired curve, eliminating
or reducing peaks and valleys in the system response.

Systems could be equalized for a perfectly flat response, but

a flat response sounds very thin and bodiless. A better
approach is to attempt a final response similar to the room

response of a good home speaker.

Figure 3, shows some typical “good-sounding” system re-

sponse curves. Curve “A” is a good general-purpose goal.
Curve  “C” with increased bass will give more impact on rock
and roll, while  “B” would sound more natural for symphonic
music. Curve  “D” illustrates reduced roll-off in the mids and
highs.

The  OEQ-1  is deliberately restricted to  9dB of boost or cut
per band. This is meant to discourage attempts to correct
large system response problems with the equalizer. System

response errors greater than about 6dB over a span of an

octave of more should be corrected elsewhere in the system,
by correcting speaker or amplifier problems. Excessive use
of equalization is likely to overdrive amplifiers, speakers, or
other components.

INPUT AND OUTPUT LEVELS

The OEQ-1 is designed to be used at preamp-output levels
only (500 to 750 mVRMS). Higher input levels may overload

the circuitry and must be attenuated. The OEQ-1 is designed
to have a gain of one (output equal to input) when all

potentiometers are centered.

DEFEAT SWITCH

The Defeat Switch completely disconnects all electronics in
the signal path and connects the input directly to the output.

6

Содержание OEQ-1

Страница 1: ...OEQ 1 OCTAVE EQUALIZER...

Страница 2: ...nd original carton for possible future use For your musical enjoyment Rockford Fosgate offers everything from two channel Punch amplifiers the more powerful four channel Power Series amplifiers to thr...

Страница 3: ...the minimum required for effective control over the bass and midrange the two Octave wide 12kHz band controls the very high tingle region where tonal perception is less critical HIGH Q FILTERS Filter...

Страница 4: ...rces put out over one Volt RMS leading to less than 11dB or headroom The OEQ 1 employs a fully isolated 36 Volt plus and minus 18 Volt supply There is no DC path to chassis ground so ground loops are...

Страница 5: ...roblem by ear move the microphone to a point that reveals the problem Mike placement can have a very large effect on response and some microphone positions will obscure problems instead of showing the...

Страница 6: ...EQUALIZER FREQUENCY BANDS 20k 10k j lk 6k 1 3k 320 160 80 40 20 N 7 Y cu aY r 20k 10k 5 lk 2 6 k 1 3k 640 320 160 80...

Страница 7: ...EQUALIZER FREQUENCY SHIFT 160 160 80 80...

Страница 8: ...l give more impact on rock and roll while B would sound more natural for symphonic music Curve D illustrates reduced roll off in the mids and highs The OEQ 1 is deliberately restricted to 9dB of boost...

Страница 9: ......

Страница 10: ...0 Ohms Signal to Noise Ratio Over 90dB A Weighted Distortion Under 01 THD Noise Filter Q 2 typical Bands l 8 1 Band 9 Power Required Under 1 Amp at 12 Volt nominal Dimensions 4 75 wide x 8 65 long x 1...

Страница 11: ...n is made that the product has failed due to materials or workmanship we will repair or replace it at no charge and return it in a reasonable length of time If a determination is made that the product...

Страница 12: ...UND SYSTEMS MAY PRODUCE SOUND PRESSURE LEVELS WELL OVER 130dB USE COMMON SENSE AND PRACTICE SAFE SOUND Make your q e system complete with installation accesso ries from G whbrf o a division of Rockfor...

Отзывы: