background image

Step 

2:

 Feed one channel of the Octave Equalizer with pink

noise from the pink noise generator.

Step 3:

 

Evaluate the unequalized response. Major system

problems, for instance large response “holes” or “peaks”,
should be solved by correcting speaker or system problems.

Trying to equalize out large response errors (over 6dB) will

result in overdriven amplifiers and speakers, and 

should not

be attempted.

Step 

4:

 Adjust equalizer for the system response desired.

Since adjacent bands interact with each other, you will need
to go back and forth between frequencies to get the best
balance.

Step 

5:

 Move the microphone to the opposite side, change

the pink noise channel, and equalize for the same response
as Step 4.

SOME SUGGESTIONS

l

It is best to equalize one channel at a time. Trying to set up
both channels at once confuses which channel is producing

the results.

If you can identify a response problem by ear, move the

microphone to a point that reveals the problem. Mike
placement can have a very large effect on response, and
some microphone positions will obscure problems instead
of showing them.

l

 The audible effect of response problems is a product of both

the magnitude of the error and its width. A 9-dB “hole” one/
third octave wide is less audible than a  2-dB “dip” two
octaves wide. Try for an average response equally above
and below the desired response over each octave span.

The human ear averages the overall sound-field response

by complex physiological and psychological pro-cessing. A
single microphone only hears at one point, which must be
selected to represent as closely as possible the overall
sound field. Since tonal perception is most influenced by

the nearest source, we usually equalize each side sepa-

rately. The mike is set up at the driver’s listening location,
facing forward, and the left channel is equalized. Then the
mike is set up at the passenger’s location and the right
channel is set up to match the left. This procedure usually
gives good results.

3

Содержание OEQ-1

Страница 1: ...OEQ 1 OCTAVE EQUALIZER...

Страница 2: ...nd original carton for possible future use For your musical enjoyment Rockford Fosgate offers everything from two channel Punch amplifiers the more powerful four channel Power Series amplifiers to thr...

Страница 3: ...the minimum required for effective control over the bass and midrange the two Octave wide 12kHz band controls the very high tingle region where tonal perception is less critical HIGH Q FILTERS Filter...

Страница 4: ...rces put out over one Volt RMS leading to less than 11dB or headroom The OEQ 1 employs a fully isolated 36 Volt plus and minus 18 Volt supply There is no DC path to chassis ground so ground loops are...

Страница 5: ...roblem by ear move the microphone to a point that reveals the problem Mike placement can have a very large effect on response and some microphone positions will obscure problems instead of showing the...

Страница 6: ...EQUALIZER FREQUENCY BANDS 20k 10k j lk 6k 1 3k 320 160 80 40 20 N 7 Y cu aY r 20k 10k 5 lk 2 6 k 1 3k 640 320 160 80...

Страница 7: ...EQUALIZER FREQUENCY SHIFT 160 160 80 80...

Страница 8: ...l give more impact on rock and roll while B would sound more natural for symphonic music Curve D illustrates reduced roll off in the mids and highs The OEQ 1 is deliberately restricted to 9dB of boost...

Страница 9: ......

Страница 10: ...0 Ohms Signal to Noise Ratio Over 90dB A Weighted Distortion Under 01 THD Noise Filter Q 2 typical Bands l 8 1 Band 9 Power Required Under 1 Amp at 12 Volt nominal Dimensions 4 75 wide x 8 65 long x 1...

Страница 11: ...n is made that the product has failed due to materials or workmanship we will repair or replace it at no charge and return it in a reasonable length of time If a determination is made that the product...

Страница 12: ...UND SYSTEMS MAY PRODUCE SOUND PRESSURE LEVELS WELL OVER 130dB USE COMMON SENSE AND PRACTICE SAFE SOUND Make your q e system complete with installation accesso ries from G whbrf o a division of Rockfor...

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