RME Audio Hammerfall HDSPe MADIface, Руководство пользователя

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User's Guide HDSPe MADIface
© RME
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29.2 Lock and SyncCheck
Digital signals consist of a carrier and the data. If a digital signal is applied to an input, the re-
ceiver has to synchronize to the carrier clock in order to read the data correctly. To achieve this,
the receiver uses a PLL (Phase Locked Loop). As soon as the receiver meets the exact fre-
quency of the incoming signal, it is locked. This
Lock state remains even with small changes of
the frequency, because the PLL tracks the receiver's frequency.
If a MADI signal is applied to the MADIface, the unit indicates LOCK, i. e. a valid input signal.
This information is presented in the card’s Settings dialog. In the status display
Input State, the
state of the input clock is decoded and shown as simple text (No Lock, Lock, Sync).
Unfortunately, LOCK does not necessarily mean that the received signal is correct with respect
to the clock which processes the read out of the embedded data. Example: The MADIface is set
to 44.1 kHz internally (clock mode Master), and a mixing desk with MADI output is connected to
the card's MADI input. The status display will show LOCK immediately, but usually the mixing
desk's sample rate is generated internally (it is Master too), and thus slightly higher or lower
than the MADIface's internal sample rate. Result: When reading out the data, there will fre-
quently be read errors that cause clicks and drop outs.
In order to display those problems, the MADIface includes
SyncCheck
®
. It checks all clocks
used for synchronicity . If they are not synchronous to each other, the status display will show
LOCK. If they are synchronous to each other (i.e. absolutely identical), the status display will
change to SYNC. In the example above it would have been obvious immediately that the entry
LOCK is shown in
SyncCheck instead of SYNC, right after connecting the mixing desk.
In practice, SyncCheck allows for a quick overview of the correct configuration of all digital de-
vices. So one of the most difficult and error-prone topics of the digital studio world finally be-
comes easy to handle.