14
HI / LO Response
The
HI and LO controls adjust the high- and low-frequency response of the reverb, respectively. This is
also known as reverb damping. 3:00 is flat, as shown in the diagram below.
From approximately 5:00 to 9:00, the
LO control acts as a highpass filter and
the
HI control acts as a lowpass filter.
As the knobs are turned clockwise,
the cutoff frequency moves lower and
higher, respectively. So the reverb
starts out with a narrow frequency
band and then opens up.
Above 9:00, the controls act as shelving filters to adjust the high- and low-frequency decay of the reverb.
Above 3:00, there is a slight boost. From 9:00-3:00, the
HI knob approximately matches the response of
the Context 1
damping control, except that the direction is reversed.
Turning the
LO control down can help prevent the reverb from sounding muddy with low-frequency sig-
nals, or create a thin and "airy" reverb sound.
Turning the
HI control down creates a darker reverb. Boosting the high frequencies will add presence.
Tremolo (Spring Only)
Tremolo varies the volume of your signal in a rhythmic pattern. The Context 2 tremolo affects the vol-
ume of the wet and dry signal after the reverb. The
MOD control adjusts the tremolo depth, from off to
subtle sine wave to choppy near-square-wave tremolo. The
RATE control adjusts the tremolo speed,
which can also be synced to a note division.
The tremolo is implemented digitally, so it will not affect the dry signal volume when using
FX
Level bypass mode.
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