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Manual-3

 

 PGM 1 and PGM 2 Meters provide true L+R Dual Mono

indication of Post-Program Fader signal levels. Ten segment
resolution is provided with a one second peak hold indication.
With the Program Fader set to maximum, the input GAIN
TRIM
 should be set to indicate an average level of about +4.

 Crossfader control is implemented using Ranes’ proprietary

ActiveFader™  design. As with the Program Faders, all audio
is isolated from the control element, greatly extending the life
and performance of the control. See page Manual-6 for cleaning
and replacement instructions

 CROSSFADER CONTOUR control allows adjusting the

“shape” of the Crossfader response from a gentle curve for
smooth, long running fades, to the steep pitch required for top
performance cut and scratch effects shown in Figure 3.

 CROSSFADER HAMSTER control allows reversing the

operation of the CrossfaderWith the combination of
ActiveFader™, CONTOUR control, and HAMSTER control,
the TTM 52i provides a level of flexibility and performance
previously unavailable.

 PHONES LEVEL control adjusts the loudness of the Headphone output signal. Always start with the LEVEL at minimum

(CCW) and increase to a comfortable level with signal present and your headphones on. This prevents tossing them across
the room after you put them on and plug in with the level set too high. The TTM 52i Headphone Amplifier delivers very
high
 sound pressure levels (SPL) into most headphone loads. Because of the high current and low output impedance, never
short one side to ground or short left and right together as is possible with mono cup headphones. Note: Low power head-
phone stages typically use large resistors on their outputs, which allow shorting, but prevent high power. The TTM 52i
gives you high power but does not allow shorting
.

 MASTER / CUE switch is used to select the HEADPHONES monitor source:

•   Use MASTER to rehearse your performance. This signal is the same as that at the MASTER OUT, but is not

affected by the MASTER LEVEL control.

•   Use CUE to monitor the Program Input signal, so you can “Cue” a signal before fading in. This signal is not

affected by the Program Faders or Crossfader.

 PHONES PAN control is only active when CUE is selected. This control allows you to PAN between Program 1 or

Program 2.

Figure 3. Crossfader Contour control

Содержание TTM 52I

Страница 1: ... TTM 52i delivers very high volume into your headphones To avoid pain never put headphones on your head and then plug them in Always start with the PHONES LEVEL turned down and then turn it up to the desired level Because of the high current and low output impedance never short one side to ground or short left and right together as is possible with mono cup headphones Note Low power headphone stag...

Страница 2: ... PGM 2 These are clickless switches suitable for transform scratch applications The switches are field replaceable and may be rotated in 45 increments See Figure 4 on page Manual 6 for rotation and replacement instructions HAMSTER switches are provided for PGM 1 and PGM 2 Program Faders These switches reverse the operation of the adjacent Program Fader When engaged signal is off with the Program F...

Страница 3: ...ol adjusts the loudness of the Headphone output signal Always start with the LEVEL at minimum CCW and increase to a comfortable level with signal present and your headphones on This prevents tossing them across the room after you put them on and plug in with the level set too high The TTM 52i Headphone Amplifier delivers very high sound pressure levels SPL into most headphone loads Because of the ...

Страница 4: ...oping to another mixer or to other local signal processing or amplifiers See Sound System Interconnection on page Manual 7 PGM 1 and PGM 2 inputs include both PHONO and LINE input PHONO 1 and PHONO 2 inputs are RIAA compensated inputs with 18 dB per octave 20 Hz rumble filters LINE 1 and LINE 2 inputs are unbalanced line level inputs with a nominal sensitivity of 10 dBV PHONO LINE selection is mad...

Страница 5: ...rntable grounding wires are connected to the PHONO GND posts see 2 Try combinations of lifting grounds on units that are supplied with ground lift switches or links 3 If your equipment is in a rack verify that all chassis are tied to a good earth ground either through the line cord grounding pin or the rack screws to another grounded chassis or tied to the ground screw located just above the POWER...

Страница 6: ...ning solutions CAIG CaiLube MCL 100 spray lubricant CAIG CaiLube MCL 5 spray cleaner CRC 2 26 www crcindustries com Order CaiLube MCL from CAIG Laboratories Inc 12200 Thatcher Ct Poway CA 92064 Phone 858 486 8388 Fax 858 486 8398 www caig com CLEANING INSTRUCTIONS A Front panel removal 1 Disconnect the power cord 2 Remove 3 slide fader knobs 3 Remove 4 4 40 front panel screws Faders and switches a...

Страница 7: ... interconnected equipment is internally grounded properly Since most equipment is not internally grounded properly connecting both ends of the shield is not often practiced since doing so can create noisy interconnections A common solution to these noisy hum and buzz problems involves disconnecting one end of the shield even though one can not buy off the shelf cables with the shield disconnected ...

Страница 8: ...Manual 8 Rane Corporation 10802 47th Ave W Mukilteo WA 98275 5098 TEL 425 355 6000 FAX 425 347 7757 WEB http www rane com 104033 VARIOUS XLR RCA CABLE ASSEMBLIES ...

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