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Manual-6

Setting the Output Level Controls

The INPUT LEVEL is an overall system sensitivity

adjustment. Use this control to decrease the overall sensitivity
of the entire sound system, including the mono subwoofer if
you are using one. You will generally want to start with this
control in the full clockwise (or 10) position.

The LOW LEVEL, HIGH LEVEL and MONO SUB

OUTPUT LEVEL controls allow you to compensate for
sensitivity variations in amplifiers and drivers. Do not use
these to adjust overall system sensitivity unless you plan to
re-align the system afterward. With these set to the 0 dB mark
and the INPUT LEVEL set to 10, the crossover yields no
level change from input to output. This is the best gain
structure and provides the best signal-to-noise performance.

Crossover Philosophy

Now it gets real fun. The idea is to set the output LEVEL

controls on the crossover so that the entire speaker system has
a uniform, flat response. Unfortunately, the room  in which
the speakers are placed has a habit of always getting into the
act, so things get messy. As a result there seems to be two
schools of thought regarding the use of active crossovers.

The Set-lt-Once-And-Glue-lt School

The philosophy here is to use the crossover to flatten

system response as much as possible without room acoustics
involved. This means setting up the system outside (unless
you happen to have a very large anechoic chamber handy)
and with the aid of a realtime analyzer and pink noise source,
adjust all of the crossover outputs so that the system is as flat
as possible. Once the system is tuned, the crossover is then
locked behind a security cover (posted guard is optional) and
never again touched. It is then the job of the system
equalizer(s) to normalize or flatten the response for each
different room.

The Fix-lt-With-The-Crossover School

Here the crossover knobs get a good workout, for the

crossover is used at each location to help flatten the system
along with the equalizer.

Regardless of which school you profess, the absolute

importance and effectiveness of some kind of realtime
analyzer in your system cannot be overstressed! An analyzer
saves tremendous amounts of time and provides the absolute
consistency, accuracy, and plain old good sound that very few
ears on this earth can deliver. They are affordable, easy to use
and amazingly effective. You owe it to yourself and your
audience to at least look into one of today’s cost-effective
analyzers—you’ll wonder how you managed at all without
one.

OPERATING INSTRUCTIONS

Selecting Crossover Frequencies

Most speaker manufacturers supply low and/or high

frequency cut-off points for each driver, especially if these
are supplied in a system. These cut-off frequencies are based
on each driver’s performance, with a certain safety margin to
accommodate more gentle filter roll-offs.

The MX 22 utilizes a 31-position precision DC control

voltage potentiometer to select the LOW/HIGH FRE-
QUENCY point. This crossover circuit design assures
consistent accuracy from Channel-to-Channel and unit-to-
unit. This is a distinct advantage over continuously variable
designs using ganged potentiometers which can yield large
variations in channel-to-channel matching. Even with 31
choices it is possible that the exact recommended Crossover
Frequency may not fall on one of the detents on the selector.
Not to panic, for drivers have their own gradual rolloffs and
tolerance variations. Just pick the closest one. When in doubt,
choose the higher Frequency setting.

 The illustration and table below details the crossover

frequencies available on the detents that are not labeled. For
best overall system results, try to choose the speaker compo-
nents so that each operates well within its recommended
limits. This provides valuable leeway so that crossover points
may be adjusted in order to fine-tune the system. This also
yields higher system reliability. If at all possible, always use
some kind of realtime analyzer to tune your crossover, and
then fine-tune each system with an equalizer. Keep reading
for further alignment details.

STEP

0

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

25

26

27

28

29

30

SILK

SCREEN

100

125

200

250

325

500

650

1000

1500

2000

3000

3200

CALC.

FREQ.

100 100 100

107 123

141 162

187 214 246 283 325

373

429 492 566 650

746

857 985 1131 1300 1493 1715 1970 2263 2599 2986 3200 3200 3200

Figure 1. See unmarked Frequency detent steps below.

Figure 2. Frequency detent table with actual frequencies of all detent steps.

Содержание MX 22

Страница 1: ...stem as shown on page Manual 4 or 5 When turning on the system switch on the power amplifiers last Now feed the MX 22 some program material Start by turning up the LOW LEVEL and HIGH LEVEL to the 0 dB...

Страница 2: ...he AC mains disconnect device and must remain readily operable To completely disconnect this apparatus from the AC mains disconnect the power supply cord plug from the AC receptacle 16 This apparatus...

Страница 3: ...Instructions on page Manual 6 HIGH OUTPUTS These are balanced Output jacks Connect the LEFT HIGH OUTPUT to the left channel input of the high frequency amplifier and the RIGHT HIGH OUTPUT to the righ...

Страница 4: ...e RIGHT LOW OUTPUT to the right channel of the low amplifier When driving a single subwoofer use the MONO SUB OUTPUT jack instead INPUTS These are balanced Inputs It is best to use balanced lines espe...

Страница 5: ...nnect as shown for a mono subwoofer Set the 100 Hz FILTER switch to the IN position If a mono subwoofer is not used the FILTER switch setting will not matter since all low frequencies will be sent to...

Страница 6: ...r inputs for the low and high drivers Connect as shown for a mono subwoofer Set the 100 Hz FILTER switch to the OUT position The front panel LOW HIGH frequency control determines the frequency divisio...

Страница 7: ...ndous amounts of time and provides the absolute consistency accuracy and plain old good sound that very few ears on this earth can deliver They are affordable easy to use and amazingly effective You o...

Страница 8: ...keep the room acoustics out of the picture as much as possible Setting Levels Using an SPL Meter and Pink Noise Generator First obtain a good SPL meter from a local electronics or hi fi store Second a...

Страница 9: ...the factory download it from Rane s web site addresses on the rear of this manual or ask your dealer for a copy Rane s policy is to accommodate rather than dictate However this document contains sugge...

Страница 10: ...Manual 9 VARIOUS XLR CABLE ASSEMBLIES...

Страница 11: ...ype of applica tion ground Any electrical reference point for measuring voltage levels Usually a large conducting body such as the earth or an electric circuit connected to the earth Chassis should al...

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