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Manual-

Rear Panel Description

INPUTS 1 and 2:

 Choose between the balanced XLR or the balanced/unbalanced ¼" TRS jacks, but only use one. Inserting a ¼" 

TS jack will work—however—we recommend using balanced  lines, especially when connecting any cable over 10 feet (3 meters) 

in length. Consult the Sound System Interconnection RaneNote provided with this manual.

INPUTS 1 and 2 Gain Trim Switch:

 In its +4 dBu position, the Input gain of the respective channel is unity. In the -10 dBV posi-

tion, the input gain is increased by 12 dB (although mathematically suspicious, it really is 12 dB, not 14 dB) to compensate for 

certain recording devices. This switch must be in the +4 dBu position for front panel calibration accuracy.

OUTPUTS 1 and 2

 are delivered by the balanced XLR or the unbalanced ¼" TS jacks. Using both types of Outputs are permissible 

to drive two devices, such as an amplifier and a recorder.

 This device uses low impedance balanced line drivers. 

Do not

 connect the 

XLR “+” or “–” output pins to ground, as this may cause the power supply to shut down. For unbalanced use, leave the unused output pin 

(“+” or “–”) unterminated.

System wiring example for a DJ system

+4 dBu

-10 dBV

N108

BALANCED

BALANCED

UNBAL

BAL/UNBAL

+4 dBu

-10 dBV

WIRING

3-PIN XLR:

PIN 1 = CHASSIS, SHIELD, PIN 2 = (+), PIN 3 = (–)

¼" PHONE, BALANCED:

TIP = (+), RING = (–), SLEEVE = CHASSIS, SHIELD

¼" PHONE, UNBALANCED:

TIP = SIGNAL, RING = GROUND, SLEEVE = CHASSIS, SHIELD

DC 22

MADE IN U.S.A.

RANE CORP.

INPUT

2

OUTPUT

2

BALANCED

BALANCED

UNBAL

BAL/UNBAL

INPUT

1

OUTPUT

1

FOR CONTINUED GROUNDING PROTECTION 

DO NOT REMOVE SCREW

50/60 Hz

12 WATTS

120 V

MP 22z

RANE CORP.

POWER

750mA

BALANCED 1/4"

TIP (+)  RING (-)

ACN001.187.837

R

MASTER

L

SLEEVE (GND)

CLASS 2 EQUIPMENT

MADE IN U.S.A.

ZONE 2

ZONE 1

R

L

MIC/AUX

MIC/AUX

OUTPUTS

ZONE 1

YES NO

YES NO

TAPE OUT

TO

TO

R

LINE IN

AUX

R

R

L

L

L

LINE 6

TR

IM

 6

MASTER LOOP

SEND (OUT)

RETURN (IN)

TAPE

LINE 5

R

L

TR

IM

 5

INPUTS

LINE 4

LINE 3

R

L

TR

IM

 4

LINE

(RIAA)

PHONO

TR

IM

 2

TR

IM

 3

R

PHONO

(RIAA)

PH/LN 1

L

TR

IM

 1

PH/LN 2

ACTIVE CROSSFADER TECHNOLOGY PATENT PENDING

PHONO

TIP (SIG)

SLEEVE (GND)

RETURN

(IN)

SEND

(OUT)

MIC LOOP

INPUT

MIC/LINE

REMOTE

UNBALANCED 1/4"

LINE

GROUND

DC 22 STEREO COMPRESSOR

MP 22z MIXER

SAC 22 STEREO 2-WAY CROSSOVER

SEQ 30S STEREO EQUALIZER

OUTPUTS

INPUTS

RIGHT

LEFT

OUTPUTS

LEFT

INPUTS

RIGHT

LEFT

RIGHT

RIGHT

LEFT

LEVEL

LEVEL

0

10

0

10

LEVEL

LEVEL

0

10

0

10

STEREO AMP, HIGH

MONO OR BRIDGED AMP, MONO SUB

RIGHT SPEAKER

LEFT SPEAKER

MONO SUBWOOFER

LEFT

RIGHT

LEFT

RIGHT

LEFT

RIGHT

SUB

FILTER

OUT

IN

50/60 Hz

12 WATTS

120 V

HIGH OUTPUTS

LOW OUTPUTS

MONO

SUB OUTPUT

INPUTS

WIRING

PIN 2 = POSITIVE
PIN 3 = NEGATIVE

PIN 1 = CHASSIS GROUND

N108

FOR CONTINUED GROUNDING 

PROTECTION DO NOT 

REMOVE

SCREW

SAC 22

MADE IN U.S.A.

RANE CORP.

100 Hz

+4 dBu

-10 dBV

N108

BALANCED

BALANCED

UNBAL

BAL/UNBAL

+4 dBu

-10 dBV

WIRING

3-PIN XLR:

PIN 1 = CHASSIS, SHIELD, PIN 2 = (+), PIN 3 = (–)

¼" PHONE, BALANCED:

TIP = (+), RING = (–), SLEEVE = CHASSIS, SHIELD

¼" PHONE, UNBALANCED:

TIP = SIGNAL, RING = GROUND, SLEEVE = CHASSIS, SHIELD

DC 22

MADE IN U.S.A.

RANE CORP.

INPUT

2

OUTPUT

2

BALANCED

BALANCED

UNBAL

BAL/UNBAL

INPUT

1

OUTPUT

1

FOR CONTINUED GROUNDING PROTECTION 

DO NOT REMOVE SCREW

50/60 Hz

12 WATTS

120 V

MADE IN U.S.A.

RANE CORP.

OUTPUTS

SEQ 30S

INPUTS

RIGHT

RIGHT

LEFT

LEFT

UNBALANCED

BAL / UNBAL

UNBALANCED

BAL / UNBAL

BALANCED

BALANCED

BALANCED

BALANCED

N108

50/60 Hz

12 WATTS

120 V

FOR CONTINUED GROUNDING PROTECTION 

DO NOT REMOVE SCREW

WIRING

3-PIN XLR:

PIN 1 = CHASSIS, SHIELD, 

PIN 2 = (+), PIN 3 = (–).

¼" PHONE, BALANCED:

TIP = (+), RING = (–),

SLEEVE = CHASSIS, SHIELD.

¼" PHONE, UNBALANCED:

TIP = SIGNAL, RING = GROUND,

SLEEVE = CHASSIS, SHIELD.

Содержание DC 22

Страница 1: ...eeve set the Input Gain switch to 4 dBu in When driving this input with an unbalanced signal tip sleeve set this switch to 10 dBv out Regardless of the type of Input you might need to set this switch so the INPUT LEVEL LEDs light correctly Now increase the COMPRESSOR RATIO to something useful like 2 1 with the control set at 2 the Ratio is 2 1 at 5 it is 5 1 Adjust the COMPRESSOR THRESHOLD to the ...

Страница 2: ... of each Channel by 15 dB In the center detent gain will be unity LINK switch activates both Compressors when either channel s signal exceeds the set Threshold preserving stereo imaging Switch this ON when using stereo material The channel 1 controls become the Master when this switch is active render ing the channel 2 controls and indicators dead _____________________________________________ Chan...

Страница 3: ...1 YES NO YES NO TAPE OUT TO TO R LINE IN AUX R R L L L LINE 6 TRIM 6 MASTER LOOP SEND OUT RETURN IN TAPE LINE 5 R L TRIM 5 INPUTS LINE 4 LINE 3 R L TRIM 4 LINE RIAA PHONO TRIM 2 TRIM 3 R PHONO RIAA PH LN 1 L TRIM 1 PH LN 2 ACTIVE CROSSFADER TECHNOLOGY PATENT PENDING PHONO TIP SIG SLEEVE GND RETURN IN SEND OUT MIC LOOP INPUT MIC LINE REMOTE UNBALANCED 1 4 LINE GROUND DC 22 STEREO COMPRESSOR MP 22z ...

Страница 4: ...HRESHOLD The threshold is the point at which gain adjustment begins When the input signal is below the threshold the Compressor section acts like a straight wire When the signal is loud enough to cross the Compressor Threshold the compressor is active and turns the volume down Various Threshold points are illustrated in Figure 1 How much it gets turned down is determined by the RATIO control Figur...

Страница 5: ...equalizer and crossover Inputs to unity gain Set the LINK switch to ON and adjust the CHAN NEL 1 COMPRESSOR THRESHOLD and RATIO controls to keep the entire system dynamic range under control Locating the compressor before the equalizer results in correct spectral balance during compression DRIVER PROTECTION To individually limit Low and High drivers in a biamped system connect the Crossover Low Ou...

Страница 6: ...of the amplifier in dB from the answer in step 3 to obtain the correct DC 22 COMPRESSOR THRESHOLD 6 Set the DC 22 RATIO to 10 1 NOTES Any change in amplifier sensitivity setting will effect the power limit to the driver If the DC 22 is placed just before the amplifier no other system levels will effect the power limit setting EXAMPLE 1 Driver power rating w 100 watts 2 Driver impedance z 4 ohms 3 ...

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