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PZ-Pro™

Radial Engineering Ltd.

9

THE EQ & FILTER SECTIONS

Each channel of the PZ-Pro is equipped with a powerful EQ and Filter 

section that allows you to independently control the tone and tailor it to 

each instrument or microphone source. The controls for channel A are 

located along the top row of the PZ-Pro, while the controls for channel B 

are mirrored along the bottom row. 

The  EQ  section  begins  with  the  High  frequency  control,  which  is  a 

shelving EQ with a corner frequency of 1kHz, allowing you to boost or 

cut the high end by +/-10dB. The sweepable midrange EQ settings on 

the PZ-Pro uses two controls: the Mid knob controls the amount of boost 

or cut by +/-10dB, and the Freq knob sweeps the corner frequency from 

350Hz (fully counter-clockwise) to 5kHz (fully clockwise). The Low EQ is 

a low-end shelf with a corner frequency of 500Hz and the ability to boost 

or cut by +/-14dB. 

The dual EQ and Filter sections of the PZ-Pro

Channel A

Channel B

High

Mid

Low

Filter

Mid Freq

The Filter section on each channel of the PZ-Pro 

includes a variable Filter knob along with a 3-position 

selector switch. This allows you to bring in a notch filter 

to  remove  frequencies  that  are  causing  feedback  on 

stage,  or  activate  a  high-pass  filter  to  gently  roll  off 

excessive low frequencies and tailor the sound for use 

with  different  acoustic  instruments  such  as  mandolin 

or violin. 

The Filter controls

When using acoustic instruments on a live stage, the low frequencies 

generated by the PA system can often cause the top of the instrument 

to resonate and create feedback due to the vibrations. This can be 

reduced by removing some of these low frequency signals feeding the 

PA. The HPF setting on the Filter Assign switch activates a high-pass 

filter designed just for this purpose. It rolls off low frequencies from 40Hz 

(Filter knob fully counter-clockwise) to 250Hz (Filter knob fully clockwise). 

Another tool for controlling feedback on stage is the Notch Filter, which 

allows you to focus on a problematic frequency and surgically remove 

it without affecting the tone of the instrument. To activate this feature, 

set the Filter Assign switch to Notch. This alters the function of the Filter 

control  knob  to  remove  a  narrow  frequency  band  and  attenuate  it  by 

-15dB. The frequency range of the Notch Filter is sweepable from 55Hz 

(Filter knob fully counter-clockwise) to 350Hz (Filter knob fully clockwise). 

Содержание PZ-PRO

Страница 1: ...USER GUIDE PZ PRO Radial Engineering Ltd 1588 Kebet Way Port Coquitlam BC V3C 5M5 support radialeng com 604 942 1001 www radialeng com www radialeng com...

Страница 2: ...rophone and instrument connections along with footswitch controls to streamline changes on stage during a performance The PZ Pro is packed with features and offers a number of ways in which it can be...

Страница 3: ...e added to your sound The Boost is a class A signal booster with up to 15 dB of clean gain that allows you to cut through the mix when soloing FOOTSWITCH CONTROL The PZ Pro also has three useful foots...

Страница 4: ...or a high pass filter to remove excessive low end rumble 4 FX BLEND Wet dry control allows you to mix the original dry input source with the wet FX Loop returns 5 FX LOOP ASSIGN Selects whether guita...

Страница 5: ...ent changeovers or quiet tuning on stage 10 BOOST FX LOOP Assignable footswitch can activate the FX Loop Boost or both simultaneously depending on the setting of the Footswitch Assign control 11 TOGGL...

Страница 6: ...t B for powering condenser microphones 5 MIC ON Activates the Mic Input for channel B When this switch is pressed the 1 4 instrument input for channel B is deactivated 6 MIC INPUT B XLR input for conn...

Страница 7: ...ttings or by FX Boost functions 11 180 LIFT Polarity reverse ground lift switches for Pre EQ Out 12 POST EQ OUT Balanced XLR direct box output to feed a mic level signal to the PA or monitor system Po...

Страница 8: ...omatically feeds into Input B when nothing is connected to the Input B 1 4 jack and when the Mic On switch is disengaged This gives you the ability to use both of the input channels with a single inst...

Страница 9: ...ctivate the 48V switch on the rear panel of the PZ Pro to power your microphone The channel B Level control provides up to 55dB of gain when the Mic On switch is active CONNECTING INSTRUMENTS WIRED WI...

Страница 10: ...tailor the sound of each individual input before they are blended and the FX Loop and Boost controls can be assigned to affect only Input A Input B or The A B switch The 180 switch With the A B switc...

Страница 11: ...h This allows you to bring in a notch filter to remove frequencies that are causing feedback on stage or activate a high pass filter to gently roll off excessive low frequencies and tailor the sound f...

Страница 12: ...p and Boost in the PZ Pro signal chain The FX Blend control lets you blend in the desired amount of wet effects into the signal path without affecting the original dry signal This lets you to retain t...

Страница 13: ...ws the FX Loop to remain active at all times so you can control your effects pedals individually using their own footswitches Use a small screwdriver to activate this recessed set and forget switch On...

Страница 14: ...l effects pedals This output mirrors the Post EQ XLR output so it includes all EQ Filter settings as well as the FX Loop and Boost controls when they are engaged The Mute Footswitch cuts signal to thi...

Страница 15: ...hms Output Impedance Tuner Out 2 6k Ohms Noise 91dB General Construction 14 gauge steel Size 9 10 L x 5 32 W x 1 82 H 231 x 135 x 46mm Weight 5 0lbs 2 27kg Power 15VDC 400mA center pin positive FCC Ap...

Страница 16: ...invoice showing date of purchase and the dealer name must accompany any request for work to be performed under this limited and transferable warranty This warranty shall not apply if the product has b...

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