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True to the Music

Radial Engineering Ltd.

PZ-Pre

 User Guide

13

The MID control is very important to getting your sound right. 

Each instrument tends to work within a given sonic range. For 

instance, a violin’s range is much higher than that of a cello or 

double bass. However, the character of the instrument is usually in 

the mid range. This is also where human hearing is most effi cient. 

The PZ-Pre has a semi-parametric mid-range EQ with one knob 

that adjusts the center frequency (FREQ) and another that controls 

the intensity (MID). You can cut or boost any frequency within 

the controls' range of 82Hz to 5.6kHz. This is also where most 

folks get into trouble. Because human ears are most sensitive to 

mid-range, we tend to naturally cut it back. Now if you take out 

the very essence of the instrument before it gets to the PA, what 

do you expect the audience to hear? This is why we included a 

separate Pre-EQ output for the front of house PA system. The 

Pre-EQ output will give the house engineer a full-range signal to 

mix with while the PZ-Pre EQ controls can be adjusted to suit you. 

However, in any case be careful not to over-EQ your tone! 

The sweep function of the FREQ control is designed to fi nd the 

range best suited to your instrument’s natural tone. Start by setting 

the MID control at 2 o’clock and then sweep the FREQ control 

until you fi nd the spot where your instrument seems to resonate 

at an unpleasant frequency. Then back-off the MID control to 

approximately 10 o’clock and listen. Try playing at soft and then 

louder volumes to see what happens. Then try fi ne tuning the 

FREQ control to see where it sounds best. Setting an EQ is more 

of an art than a science but you can not go wrong if you follow 

EQ rule number 1: 

Less is Best!

 

TIP: The twelve o'clock position is neutral, or zero 

boost/cut, for the BASS, TREBLE, and MID controls. 

Turning these controls clockwise will increase, or 

boost the amplitude while turning counter-clockwise 

will decrease, or cut.

Set the MID control to a boost or cut position in order 

to hear the sweep of the FREQ control. 

Boost

Cut

0 dB

Содержание PZ-Pre

Страница 1: ...Radial Engineering Ltd 1588 Kebet Way Port Coquitlam BC V3C 5M5 Tel 604 942 1001 Fax 604 942 1010 email info radialeng com www tonebone com PZ Pre Acoustic Instrument Preamp User Guide...

Страница 2: ...the type of durability you would expect for concert stage use If after read ing this manual you have a question please visit the FAQ in the PZ Pre section of our web site This is where we post the lat...

Страница 3: ...als and an over driven guitar amp on stage to create various sonic textures while a bouzouki player may have his vintage Fender Twin Their is an output for your electronic tuner and the mute footswitc...

Страница 4: ...id EQ 12 LOW Low frequency shelving EQ boosts or cuts bass 13 BOOST Variable level control for the power booster 14 MUTE Footswitch mutes all outputs except tuner out 15 LOOP ON Forces the effects loo...

Страница 5: ...the house PAor recording console 25 LIFT recessed ground lift switch disconnects pin 1 on both XLR outputs to reduce hum and buzz caused by ground loops 26 180 recessed switch reverses the polarity a...

Страница 6: ...EL 1 and 2 Both inputs are equipped with LEVEL controls that let you adjust the volume of each instrument These controls are used to compensate for the differences in output level some pickups produce...

Страница 7: ...ed with instruments that have two pickup elements or two different pickup systems It allows you to blend the two input channels using the LEVEL controls to set up a mix For instance you can use the MI...

Страница 8: ...pass filter is designed to eliminate low frequency resonant feedback Selecting either the 80Hz or 200Hz positions will roll off low frequencies preventing uncontrolled run away resonant feedback The...

Страница 9: ...cked in to create dynamic solos or avant garde textures The power boost and effects loop may be activated together or separately depending on the position of the FOOTSWITCH ASSIGN switch Boost When th...

Страница 10: ...ctive direct box It produces a 600 Ohm mic level signal suitable for connecting to mixing consoles The POST EQ XLR OUT comes at the end of the PZ Pre signal path after the filters equalizer PHASE BOOS...

Страница 11: ...y to the PZ Pre with an instrument cable PZB not required Piezo Transducers Passive Piezo transducer pickups can be permanently mounted inside an instrument embedded in the bridge or attached to the s...

Страница 12: ...ce a signal that can connect to the PZ Pre without the need to engage the PZB The instrument s on board preamp will buffer the signal and the output can connect directly to the PZ Pre with an instrume...

Страница 13: ...EQ and Effects XLR Dry Direct Box Output This balanced mic level XLR output is designed to go into the PA system It is dry and unprocessed so that the FOH engineer can treat this signal to optimize t...

Страница 14: ...ROLS Before you head off to your first gig with the PZ Pre it is a good idea to familiarize yourself with the controls in your practice room and investigate the various functions Do this at a low volu...

Страница 15: ...system The Pre EQ output will give the house engineer a full range signal to mix with while the PZ Pre EQ controls can be adjusted to suit you However in any case be careful not to over EQ your tone...

Страница 16: ...and a low frequency run away resonance The feedback from a specific note we will deal with later using the notch filter For now we will focus on removing the runaway low resonance with the LO CUT fil...

Страница 17: ...er is that the prob lem frequency will likely change each time you play in a different venue or change instruments So experiment and get familiar with the NOTCH filter functions This will make sound c...

Страница 18: ...that connect to the effect pedal using standard coaxial cables Using the Loop With The Boost Footswitch The three position FOOTSWITCH ASSIGN switch links the ef fects loop to the BOOST footswitch The...

Страница 19: ...2dB 82Hz 5 6kHz Power Boost Unity gain to 12dB max Effects Loop Phone unbalanced Send 1k Ohm Return 15k Ohm Switching FET Switching Output instrument Phone unbalanced 1k Ohm output impedance Tuner out...

Страница 20: ...date of purchase and the dealer name must accompany any request for work to be performed under this limited and transferable warranty This warranty shall not apply if the product has been damaged due...

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