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This drawing shows how the back of the array should
look when the array is hanging.
The hooks are at the pre-set angles and are all
secured with locking pins in the hole directly below
the corner pin in order to keep all hooks properly and
safely in place.
This case is just an example. The L16s can of course
be any other desired angle and amount of cabinets
within the safety calculations.
Calculating the desired angles, the number of
speakers required for the venue and determining the
point of contact on the T-bar is explained in the
chapter EASE Focus 3.
Hook up the front first with the L-pins and
lower the rig again onto the loudspeakers
that are on the trolley.
Then follow the same procedure as for the
first 4 speakers (as shown on the left page
and above). Adjust the angles, lift the rig so
that the hooks fall into place and secure the
hooks with L-pins.
16
L16
high performance arrayable loudspeaker
quint audio
L16 with sub rigging construction principle
Flying or carrying a bass cabinet in an
L16 array is done exactly similar to flying
L16 speakers only. The difference is that
the C1/C2 cradle has to be mounted
directly on top of the first flying bass
cabinet while a subsequent C1 cradle is
mounted under the bass cabinet onto which
the L16's can be flown.
If necessary, more bass cabinets can be
mounted underneath each other first
without the need for an extra C1 cradle.
The bass cabinets have extendable
couplers (which are retracted by a spring
when not in use). The C1 cradle or a
subsequent bass cabinet can be attached
to these extendable couplers.
L-pin
E3
C2
C1
E1
17
quint audio L16 manual 1.0/en
