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Pyle Pro Mixer Owner’s Manual – 8

9 – Pyle Pro Mixer Owner’s Manual

If you wish to intall a console lamp

(not supplied), simply insert the

plug end of an appropriate 12V/3W

gooseneck style or similar lamp into

the lamp socket provided in the

upper right corner of the mixer

control panel. Power is supplied to

this lamp when the mixer power

switch is turned on.

Connecting the Lamp

12V/3W lamp

Plug a pair of stereo headphones (not supplied) with a 1/4” jack into the Phones input. Using

headphones not only affords you the opportunity to listen privately, but also enables you to monitor

(”cue”) the incoming audio sources so you can locate an exact passage or section before mixing it

in. It also gives you the opportunity to set up the relative volume level of the upcoming passage

before it joins the mix.

Using Headphones

Do not listen at extremely high volume levels. 

Extended,

high-volume listening can lead to permanent hearing loss.

Follow these guidelines to protect your hearing, especially

when using headphones.

Always start by setting the volume level to the lowest

possible level before listening.

Put headphones on, and then gradually increase the

volume as necessary.

Once you set the volume level do not increase it. 

Over

a period of time, your ears adapt to a volume level and there

is a temptation to increase it. Even though such an increase

may not cause discomfort, it might still damage your hearing.

Listen Safely! Please observe the following:

Stereo Headphones

Monitoring (”Cueing”) the Inputs

1. Set the CUE ASSIGN switch of the input source (MIC , CH1, CH2, CH3 or CH 4) you wish to

      monitor.

2. Adjust the Headphone Level control to a comfortable listening level.

3. The Headphone CUE/PGM control permits you to switch easily from listening to CUE material to

       the playing PROGRAM sound. You can also listen to both simultaneously by moving the Headphone

      CUE/PGM control to a point midway between the two ends.

PYD-1932 and PYD-1942:

 These models also have an F/X CUE for you to monitor the sound

      effect being applied.

Using the Mixer Controls

Turning on the Mixer

1. Turn on the output amplifier and temporarily set its volume to the minimum setting.

2. On the mixer, turn ON the power switch. The adjacent power LED will illuminate.

3. Turn on the audio input sources you wish to mix, and set them to play (or talk continuously into

      the microphone).

4. To monitor the audio input sources so that you can decide when to mix in each input, see      

     “Monitoring ‘Cueing’ the Inputs.”

5. To mix the audio input sources so that you can play them through your amplifier system or record

      them on your tape deck, see “Mixing the Inputs.”

Mixing the Inputs

There are a maximum of ten input sources available at one time, including two microphone inputs.

Both microphone input sources are always available as part of the mix, if desired. Each of the four

audio channels can be linked to two different input sources, and one of these sources for each channel

is available for mixing.Turn on all the available audio sources and be sure they are providing sound

before continuing.

1. Select the Channel Input Selectors for each channel, choose the audio sources you want to mix

      for each channel (i.e., choose PHONO1/LINE1 or LINE2).

2. Set the Mic and Channel Level controls all to within the 8 - 10 range.

3. Slide the MASTER volume control toward 10 until you get an average reading of 0 on both Output

      Level LED Meters. The output level displayed in the meters represents the TOTAL output from all

      the channels supplying audio to the mix.  NOTE: Once you set this level, we suggest you do not

      change it!

4. If you add or change input sources, adjust the corresponding MIC1, 2 or CH1, CH2, CH3 or CH4 level

     control(s) to maintain the average reading of 0 on the LED meters.

5. To change the overall sound level, adjust the RECEIVER/AMPLIFIER (NOT THE MIXER) volume

      control to the desired volume.

Содержание PYD1912

Страница 1: ...ine 1 8 Output Level Amp Zone Record Frequency Response S N Ratio at 1 kHz Mic Phono Line Distortion Mic Phono Line Equalizer Control Frequencies Boost Cut Range MIC Tone Control Treble Mid Bass Talko...

Страница 2: ...1 4 plugs or RCA plugs Zone Output Jacks to connect the mixer to a second receiver or amplifier powering speakers in the DJ booth or in a remote location Record Output Jacks to connect the mixer to a...

Страница 3: ...play another input through it BNC Lamp Adaptor Allows you to connect a 12V 3W lamp to light the panel Headphone Jack Accepts headphones with 1 4 plug Headphone Level Control Headphone CUE PGM Control...

Страница 4: ...he selected sound effect before mixing it in Sound Effect Volume Control Lets you control the volume level of the sound effect within the mix Sound Effect Speed Control Lets you control the pitch of t...

Страница 5: ...ital Audio Recorder To play the mixer s output signal through your speaker system for events such as parties dances conferences etc connect an audio patch cord not supplied from the mixers REC L and R...

Страница 6: ...taneously by moving the Headphone CUE PGM control to a point midway between the two ends PYD 1932 and PYD 1942 These models also have an F X CUE for you to monitor the sound effect being applied Using...

Страница 7: ...of A and fade out B proportionally to the distance from center Likewise sliding the control towards the B position will increase the level of B and fade out A Using the Echo Controls PYD1922 and PYD19...

Страница 8: ...chemicals solvents or detergents PROBLEM POSSIBLE SOLUTION Hum from PHONO Check that the turntable s ground wire usually black or green is fastened securely to the GROUND SCREW on the mixer input pan...

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